Prijevod: Anoniman. A capella. Sveta misa. Jezik. ATT. Prepisana iz Trent rukopisa tr87.
Prijevod: The notes within square brackets are the editorial rendering of illegible notes. Anoniman. A capella. Sveto, antifona. Jezik. ATT.
Prijevod: Anoniman. A capella. Sveta misa. Jezik. Aatt. Prepisana iz Trent rukopisa tr88, Tenor je preuzet iz Binchois 'šansone podnese marier. 3 vs.
Prijevod: The complete absence of the text in the Tenor and Contra may suggest an intrumental performance of these two voices. Anoniman.
Prijevod: The groups of coloured notes with minimæ are in "proportio sesquialtera". Anoniman. A capella. Sveto, Zavjetni antifona. Jezik.
Prijevod: In the Benedictus the section of the Superius beginning with the number “3” is in “proportio sesquialtera". A capella. Sveta misa.
Prijevod: John Brassart. A capella. Jezik. SAT. “Introitus pro Virgine” transcribed from the Trent manuscripts tr93.
Prijevod: The coloured groups of notes containing minimæ and all those in “tempus imperfectum diminutum” are in “proportio sesquialtera”. ATT.
Prijevod: The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. ATT.
Prijevod: Yet, they perhaps divulge much about the composer's apparently fatalistic view of death and afterlife. Ludwig van Beethoven.
Prijevod: Jezero Isle of Innisfree. Peter Bird. Plan. Svjetovni, Partsong. Jezik. Engleski. SATB with SAT solos.
Prijevod: Time may be long and full length of days giv'n, Eternity promising life without end. Nepoznati pisac. Engleski.
Prijevod: Violina E String.
Prijevod: Pogled čitanje za Band, Book 2. Moderato, Allegro, Andante, Allegretto, ožujak Time, Adagio. Bariton rog TC note. Grade 2.
Prijevod: His works range from chamber pieces and Choral compositions to chamber opera and full-length ballet. Mi Tal Vez Vremenska prognoza.
Prijevod: Orašar. Uvertira i Trepak. Petar Iljič Čajkovski. Orašar. Uvertira i Trepak. skladao je Peter Iljiča Čajkovskog. 1840-1893. Koncert Band.
Prijevod: The third movement is, unusually, slow and soft, which is again contrasted by the ferocity of the final movement, which ends ffff.
