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Izvornik
Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico. Sheet Music. Guitar. GTR.
Prijevod
Vivaldi Koncert Op 3 broj 10 - L'Estro Armonico. Sheet Music. Gitara. GTR.
Izvornik
The tenth concerto in B minor in L'Estro Armonico. best translated as The Harmonious Inspiration. , which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed, in Vivaldi's entire output. Scored for four solo violins, two solo violas, solo violoncello, and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3. he copied it openly. In a general sense the Vivaldi pieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary, six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos. two for 0rgan. BWV 593 and 596 based on Opus 3 nos. 8 and 11 respectively. , three for solo harpsichord. BWV 978, 972, and 976 based on Opus 3 nos. 3, 9, and 12 respectively. , and one for four harpsichords and orchestra, in A minor. BWV 1065 based on Opus 3 no. 10. Bach frequently rewrote concertos scored for one kind of instrument, substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmic potential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version, it serves to reason that an arrangement for four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists, so in this version the substitution of guitars is done with little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing, and the ability of the guitar to play both lyrical lines as well as passage work suits the violinistic lines and passages of the original.
Prijevod
Deseti koncert u h-molu u L'Estro Armonico. najbolje prevesti kao skladnog Inspiracija. , Koji je uredio ovdje u A-molu - za četiri solo gitare - jedan je od najpoznatijih u cijeloj kolekciji - dapače, u Vivaldi je cijeli izlaz. Pogodak za četiri solo violine, viole, dva solo solo violončelo i orkestar u žice. Johann Sebastian Bach ne samo divio Vivaldi je Opus 3. on ga kopirati otvoreno. U općem smislu Vivaldi komada dao poticaj da se mnogo toga što je u njemačkoj gospodara Brandenburških koncerta. Točnije, šest koncerata Vivaldijeva opusa 3 su kopirane Bach kao osnova za šest njegovih koncerata. dva za 0rgan. BWV 593 i 596 na temelju Opusa 3, br. 8 i 11, odnosno. , Tri za solo čembalo. BWV 978, 972, i 976 na temelju Opus 3, br. 3, 9 i 12, odnosno. , I jedan za četiri čembalima i orkestar u a-molu,. BWV 1065 temelji se na Opus 3 nema. 10. Bach frequently rewrote concertos scored for one kind of instrument, substituting another. Očito je da je Bach nije mislio toliko u smislu violinistic prirode izvornika, ali u njihovoj harmonijske i ritmičke potencijal koji bi mogao biti realiziran na bilo kojem instrumentu. Od Bach je već opravdao raspored Opus 3 broja 10 do velikog estetskog uspjeha njegova četiri čembalističkom verziji, ona služi na razlog da aranžman za četiri gitare je jednako vrijede. Baš kao što je Bach očuvani sve originalne Vivaldija i dodao samo nekoliko udvostručenje primiti lijevu ruku harpsichordists, pa je u ovoj verziji zamjena gitare je učinjeno s malo ili bez promjene originalnih novčanica. U arpeggia posebno dolazi do izražaja u drugom pokretu dopuštaju idealno za gitare, a sposobnost gitare igrati obje lirske crte, kao i prolaz rad odgovara violinistic linije i odlomke iz izvornika.
