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Izvornik
Thomas Simaku. a2. Sheet Music. Viola. Cello. VLA. VLC. Thomas Simaku.
Prijevod
Thomas Simaku. A2. Sheet Music. Ljubičica. Violončelo. VLA. VLC. Thomas Simaku.
Izvornik
For Viola and Cello. Published 2008. Dedicated to Garth Knox and Rohan de Saram. First performance. Intrasonus Festival Venice, 3 May 2008. "This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen. heard as one'. "a2. a due. is a well-known term to musicians. it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much. for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work. in fact, the opposite is true. regardless of how it appears on paper. on one or two staves. , the music for each instrument is constantly based on two layers. "This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'. "In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing. a2. "As if to add another dimension to this idea, there are two versions of this piece. for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice.
Prijevod
Za violu i violončelo. Objavljeno 2008. Dedicated to Garth Knox and Rohan de Saram. Prvi nastup. Intrasonus festival u Veneciji, 3. svibnja 2008. "Ova glazba je sastavljena za vrijeme mog boravka u Berlinu DAAD u listopad-studeni, 2007. Ako mi je to opisati u jednoj rečenici, rekao bih da se temelji na ideji 'dvije stvari vidio. Čuo kao jedan '. "A2. zbog. je dobro poznati izraz za glazbenike. često se nalaze u orkestralnim bodova ukazuju određeni odlomak koji se igrao dva instrumenta iste obitelji. Iako violinu i violončelo i može se smatrati kao "prvi rođaci 'niza obitelji, doslovna primjena pojma A2 kao' kompozicijske strategije 'bi bilo previše. za komad komorne glazbe koja se sastoji od najviše dva igrača. Nije iznenađujuće, to nikad ne događa u ovom poslu. Zapravo, istina je upravo suprotna. bez obzira na to koliko se čini na papiru. na jednoj ili dvije bačve. , Glazba za svakog instrumenta stalno se temelji na dva sloja. "Ovaj glazbeni 'tumačenje' u naslovu daje naznaku kako tekstuaralne format komad djeluje. Međutim, to je bio nipošto nije jedina misao da 'zaokupljena' moj um dok skladanje ovu glazbu. Berlin ostavili su dubok dojam na mene. Ostaci zida u Bernauer Straße i kamenim dva kamena linija koja prati zid preko gdje je nekad stajala - jasan podsjetnik na ono što se ne tako davno postojala su dva različita svijeta u jednom gradu - izazvala je izrazito dramatičan učinak. Border, smrt-strip, ubijanja, i pobjeći na slobodu imao posebno podsjeća odjek, osobito u vrijeme kada sam živio tri godine u udaljenom gradu u južnoj Albaniji pravo na granici s Grčkom. Tu, tu je bezimena cesta čije je odredište vlasti ne žele da vi znate, ali mještani ga zovu "smrt-ceste". "Ni na koji način programatskim, u tom kontekstu, extra-glazbena dimenzija Osnovna je ideja je vrlo dio djela. Evo, glazbene i extra-glazbene interpretacije ne može lako odvojiti, jer su dva dijela iste stvari. A2. "Kao da bi dodali još jednu dimenziju ovoj ideji, postoje dvije verzije ovog komada. za violu. Prva verzija je premijerno Garth Knox i Rohan de Saram na Intrasonus festivalu u Veneciji 2008..
