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Izvornik
Maurice Ravel. Tzigane. Rhapsody For Violin. - Piano Reduction. Urtext. Sheet Music. Violin, Piano Accompaniment. VLN. PFA. Maurice Ravel.
Prijevod
Maurice Ravel. Cigan. Rapsodija za violinu. - Piano Smanjenje. Urtext. Sheet Music. Violina, klavir. VLN. PFA. Maurice Ravel.
Izvornik
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D’Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D’Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel’s virtuoso classic “Tzigane”. Written originally for violin and piano or luthéal. a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon. , the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated “Tzigane” and both versions remain a “must” for music-lovers and aspiring violinists today. Jelly D’Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel’s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer’s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition. one of the available sources, consulted for the first time, was a copy of “Tzigane” from the estate of Jelly D’Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D’Aranyi. D’Aranyi’s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D’Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. First scholarly-critical Urtext edition of the work. Presented are both versions. for violin and orchestra and for violin and piano. Includes Jelly D’Aranyi’s fingering.
Prijevod
Godine 1922. Maurice Ravel čuo mladog mađarski virtuoz na violini i nećakinja Josepha Joachima, Jelly D'Aranyi, u dogovoru u Londonu. Nakon predstave, Ravel je proveo ostatak večeri traži D'Aranyi igrati brojne romske pjesme o njezinoj violini, je sondiranje na tehničkim granicama instrumenta. Rezultat tog susreta je Ravelov je virtuoz klasične "ciganski". Napisao je izvorno za violinu i klavir ili luthéal. Mehanizam izumio u 1919 koji se montira na klaviru, stvarajući zvuk sličan bogate nijanse cimbalom. , Premijerno održana u Londonu travnja 1924. Skladatelj je dovršio posao samo nekoliko dana prije. Ravel kasnije orkestrirao "ciganski" i obje verzije dalje "mora" za ljubitelje glazbe i teže violinista danas. Jelly D'Aranyi obavlja obje verzije redovito tijekom svoje duge karijere. To Urtext izdanje predstavlja prvi znanstveni-kritičkog izdanja Ravela remek-. To je objavljeno kako je u orkestralnoj verziji, zajedno s punim rezultatom i performansi materijala, kao i skladatelja ranijih verzija za violinu i klavir. Svi poznati izvori, uključujući pisma, su izvučeni na za novom izdanju. jedan od dostupnih izvora, konzultirao po prvi put, bio je kopija "ciganski" iz ostavštine Jelly D'Aranyi, koji je danas dio privatne kolekcije. Verzija za klavir i violinu sadrži, osim Urtext dio, drugi dio violina kao telefaksom s uputama nastupom Jelly D'Aranyi. D'Aranyi je izmjene i ukazivanje odražavaju koliko je Ravel se čuo rad u probe i izvedbe i kao takvi su dokument rane izvedbe praksi 20. stoljeća. Suradnja između Ravela i D'Aranyi je usporediva s onom Brahmsa i Joachim rade na Brahms Koncert za violinu. Prvi znanstveni kritičnih Urtext izdanje rada. Predstavljena su obje verzije. za violinu i orkestar, a za violinu i klavir. Uključuje Jelly D'Aranyi je ukazivanje.
