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Izvornik
Crossing to Scotland. Sheet Music. Cello. VLC.
Prijevod
Prelazak u Škotsku. Sheet Music. Violončelo. VLC.
Izvornik
Today the cello is usually considered a classical instrument, but from the late 17th to early 19th centuries it was used in folk ensembles to provide low, driving rhythms for dance tunes and to render haunting Scottish airs. Within the folk music revival of the past forty years there has been a small but dedicated movement to restore the unique richness of the cello to traditional music, and Abby Newton has been on the forefront of that movement. Abby has been deeply involved with Scottish music ever since, traveling to and performing in Scotland many times. The airs, planxties and reels in this book come from traditional and contemporary sources, including the 18th-century fiddler Neil Gow, harper Turlough O'Carolan, Daithi Sproule, David Hornung, Alasdair Fraser, Ronnie Aimes, and others. All 19 of the tunes are written for solo cello with chord symbols included on most tunes for an accompanying instrument. The text also includes the author's notes on the origin of each tune.
Prijevod
Danas violončelo obično smatra klasično sredstvo, ali od kraja 17. do početka 19. stoljeća je bio korišten u folklornih ansambala pružiti niske, vožnje ritmova plesnih melodija i pružiti nezaboravna škotske emitira. Unutar folk glazbe oživljavanju posljednjih četrdeset godina došlo je mali, ali posvećena pokret za vraćanje jedinstvenu bogatstvo violončela na tradicijskoj glazbi, a Abby Newton je bio na čelu tog pokreta. Abby je duboko uključen u škotskom glazbom otkad, putuju do i nastupajući u Škotskoj mnogo puta. U emituje, planxties i role u ovoj knjizi potječu iz tradicionalnih i suvremenih izvora, uključujući i 18. stoljeća Fiddler Neil Gow, Harper Turlough O'Carolan, Dáithí sproule, David Hornung, Alasdair Fraser, Ronnie Aimes, a drugi na. Sve 19 od pjesama su napisane za solo violončelo s akord simbolima koji se nalazi na većini pjesama za popratni instrumenta. Tekst također uključuje autorova bilješke o podrijetlu svakog podešavanje.
