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Izvornik
Per Nørgård. String Quartet No.9 - Into The Source. parts. Book, Sheet Music. String Quartet. STR QUARTET. Per Norgard.
Prijevod
Po Nørgård. Gudački kvartet br.9 - u izvorni. dijelovi. Knjiga, Sheet Music. Gudački kvartet. STR KVARTET. Po Norgard.
Izvornik
Preface. The three movements of the quartet may be perceived as three different expressions of an unstable core. an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts. it is followed by a second movement, whose basic mood of meditative rest is challenged by occasional centrifugal utbursts, while the third movement takes the inherent conflicts to a higher level, contrasting material of introspective lyricism with excessively pathetic moods. The final “way out” is a retrograde one,. back. “into the source”. through a constant accelerando-diminuendo the piece disappears into a vanishing point. The “into the source” of the title may be visualized as a reversed fountain-action. the broad fan-like spread of the first movement, a more coherent-solid second movement, and finally - in the third movement - a return-run, ever more vehemently, like a suction into the spring itself. The musical motifs are varied. there are traffic-situations. which I heard. with stomping and machine-like rhythms in different, but simultaneous tempi, and there are more abstract upwards and downwards half-tone-scales, with changing accents, creating glimpses of melodies. INTO THE SOURCE, String Quartet No. 9, was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003. Per Nørgård.
Prijevod
Predgovor. Tri pokreti kvarteta može se promatrati kao tri različite izraze nestabilne jezgre. svojstvena nemiri dovodi do čestih promjena smjera. Prvi pokret je pun dramatičnih kontrasta. to slijedi drugi pokret, čija je osnovna raspoloženje meditativnom ostatak je izazvao povremenim centrifugalnih utbursts, dok je treći pokret traje inherentne sukoba na višu razinu, kontrastne materijal introspektivan lirizma s pretjerano patetičnih raspoloženja. Završni "izlaz" je retrogradno jedan,. natrag. "U izvoru". kroz stalni accelerando-postepeno smanjenje komad nestaje u iščeznuća. "U izvoru" u naslovu može se vizualizirati kao obrnute fontana-akciji. široka fan-kao širenje prvog pokreta, više koherentan-čvrsta drugom pokretu, i na kraju - u trećem pokreta - povratak-run, sve oštro, poput usisavanja u samom izvoru. Glazbeni motivi su različiti. postoje prometne situacijama. što sam čula. s gazi i strojno poput ritmova u različite, ali simultani Tempi, a tu su i više apstraktne gore i dolje polutonske-ljestvice, s promjenjivim naglascima, stvarajući nazire melodije. U izvor, Gudački kvartet br 9, bio sastavljen na dvostrukom proviziju od Orion kvarteta i Vertavo Quartet. Premijera predstave su mjesta u Santa Feu 2002. godine te je u Oslu 2003. godine. Po Nørgård.
