Notna sveska $23.60
Izvornik
Edward Gregson. Tributes. Clarinet And Piano. Sheet Music. Clarinet. Piano Accompaniment. CLT. PFA. Edward Gregson.
Prijevod
Edward Gregson. Posvete. Klarinet i glasovir. Sheet Music. Klarinet. Pratnju glasovira. CLT. PFA. Edward Gregson.
Izvornik
Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist. with whom Gregson had long musical associations. Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows. To Francis Poulenc. for Emma Johnson. – a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi. for John Bradbury. – slow and lyrical with long melodic arches. To Igor Stravinsky. for Linda Merrick. – asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen. for Nicholas Cox. – based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók. for Michael Collins. – the most virtuoso of the set. after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok’s penchant for simple modal shapes and ostinati rhythms.
Prijevod
Edward Gregson završio tribut u ljeto 2010. godine. Trajni neki 16 minuta, postoji pet komada u setu, svaki posvećen različitim skladatelj i drugačiji klarinetista. s kojim Gregson davno glazbene udruge. Svaki od autora Osoba kojoj je djelo posvećeno je napisao predivno za klarinet i, što je počast njima, Gregson pokušali upasti, uistinu nasljedovati, svoje stilske svjetove u ovim komadima. Oni su kako slijedi. Franji Poulenca. za Emma Johnson. - A sanjive toccata, lirska u osjećaju, ali prekinuo obično quirky i remeti ritmičkim epizodama. Za Gerald Finzi. za John Bradbury. - Spor i lirske s dugim melodijskih lukova. Za Igora Stravinskog. za Linda Merrick. - Asimetrične ritmovi dominiraju, sa širokim skokovi u solo linije i bitonal harmonije na glasoviru. Da biste Oliviera Messiaena. za Nicholasa Cox. - Na temelju zanosna sporog kretanja za violončelo u svom Kvarteta za kraj vremena, bešavne melodija je utkano oko stalno mijenja ponovljenih akorda na klaviru. Za Béle Bartóka. Michael Collins. - Najveći virtuoz na setu. Nakon sporog uvođenja, vrtlog folk-poput ples odvija, po uzoru na Bartók je sklonost za jednostavne modalnih oblika i ritmova ostinati.
