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Izvornik

Hugh Wood. Symphony Op.21. Study Score. Sheet Music. Orchestra. ORCH. Hugh Wood. --.

Prijevod

Hugh Wood. Simfonija Op.21. Studija rezultat. Sheet Music. Orkestar. ORCH. Hugh Wood. --.

Izvornik

Commissioned by the BBC. Premiere. 23 July 1982 Henry Wood Promenade Concert, Royal Albert Hall, London. The work is cast in four distinct movements, though as in Wood's violin concerto there is only one pause in the music, between the second and third. even here the break is minimised in effect by a resumption of motivic arguments. In terms both of harmonic structure and of expressive development, the four movements seem to have been conceived as a single, unified progression. While melodic and harmonic details are both derived from an intensive working of a handful of intervallic figures, in a way that owes much to his earlier serialism, Wood’s handling is here free enough to encompass a large-scale sense of tonal structure as well. Ths same tritone that inflicted so much of the melodic writing in Wood's 'cello concerto also affects the symphony. The music struggles to escape from an uncertain E. E flat area which dominates the first movement, towards an eventual unequivocal A major in the work’s final pages. Emotionally, however, this trajectory more closely resembles that of the Third Quartet - except that where the quartet opens in frozen despair, the symphony begins in tumultuous violence.

Prijevod

Naručitelj BBC. Premijera. 23. srpnja 1982 Henry Drvo promenadni koncert, Royal Albert Hall, London. Rad se baci u četiri različite pokrete, ali kako je u drvu je Koncert za violinu i postoji samo jedna pauza u glazbi, između druge i treće. čak i ovdje pauza je minimiziran na snazi ​​je nastavak motivic argumenata. Što se tiče oba harmonijske strukture i ekspresivnog razvoja, četiri pokreti čini se da su zamišljena kao jedinstvenom napredovanje. Dok meloharmonijska detalji i izveden iz intenzivnog rada nekolicine intervallic figura, na način koji duguje svojoj ranijoj serijalizam, drvo je rukovanje je ovdje dovoljno slobodnog obuhvatiti osjećaj velikih tonskih struktura i. THS isto Tritone da nanio toliko melodijske pisanja u drvu je 'violončelo koncerta također utječe simfoniju. Glazba bori pobjeći od neizvjesne E. E stan površine koja dominira prvi pokret, ka konačnom nedvosmislen glavni u radu posljednjim stranicama. Emocionalno, međutim, ova putanja više sliči onom Trećeg kvarteta - osim što, gdje kvartet otvara se u smrznutom očaju, simfonija počinje burne nasilja.