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Izvornik

Benjamin Britten. Te Deum In C - Treble. Soprano. SATB. Organ. Sheet Music. Soprano, SATB, Organ Accompaniment. SOP. SATB. ORGA. Benjamin Britten.

Prijevod

Benjamin Britten. Te Deum u C - Treble. Sopran. SATB. Orgulje. Sheet Music. Soprano, SATB, Organ Accompaniment. SOP. SATB. ORGA. Benjamin Britten.

Izvornik

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. Britten's Te Deum In C is arranged for Treble. Soprano. solo, SATB choir and Organ accompaniment. In preparing for publication the 1935 orchestral version of Britten's Te Deum in C, it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor. different articulation and dynamic markings, something Britten was later very fussy about, but perhaps left unchanged on proof because of his relative inexperience at this stage of his career with the processes of music publishing. Others were more important. wrong pedal notes, for example, which Britten failed to notice on proof, and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected in the new edition of the vocal score and in the orchestral score. Britten clearly used the published vocal score to prepare his orchestral version. The two versions have been made consistent in other details - rehearsal cues and bar numbers, for example - since Britten intended choristers to use the vocal score to perform the orchestral version. This would have been an easy task, for these is little discrepancy in essential details between versions. a rare departure occurs in bars 53 to 56, where the works 'Lord God of Sabaoth' are unaccompanied in the orchestral version, but doubled by Organ in the original. Sustained Organ chords are often filled out with arpeggiated string writing, while the spacing of chords is frequently much wider in the string version, with melodies transposed into different octaves. Although harmony in both versions is identical, voice leading is sometimes altered in the latter to make it better suited to the idioms of the instruments concerned. So, although in essence the two versions are the same, the soundworld explored in each is quite distinct. Britten's orchestral version should neither be viewed as an occasional piece nor considered solely a liturgical work, like many of his choral pieces from the 1930s and 1940s, it is equally at home in church and concert hall.

Prijevod

Ako naručujete više od 10 primjeraka, molimo nazovite nas na 44. 1284 725725 provjerili raspoloživost. Britten's Te Deum In C is arranged for Treble. Sopran. solo, SATB choir and Organ accompaniment. U pripremi za objavljivanje 1935. orkestralnu verziju Brittenovoj Te Deum u C, postalo je jasno da postoji niz odstupanja između rukopisa i izvorne 193 vokalne rezultat. Neki od njih su maloljetnika. različite artikulacije i dinamičke oznake, nešto Britten je kasnije vrlo nemiran o, ali možda i ne mijenjaju se na dokaze zbog relativnog neiskustva u ovoj fazi svoje karijere s procesima objavljivanja glazbe. Drugi su bili važniji. krive pedale bilješke, na primjer, koji Britten uspio primijetiti na dokazima, a koje su ovjekovječio u nastupima i snimkama gotovo sedamdeset godina. Oni su ispravljene u novom izdanju vokalne rezultat iu orkestralna glazba. Britten očito koristi objavljene vokalnu ocjenu pripremiti svoju orkestralnu verziju. Dvije verzije su napravljene u skladu drugim detaljima - probe znakova i bar brojeva, primjerice - jer Britten namijenjen choristers koristiti vokalnu ocjenu za obavljanje orkestralnu verziju. To bi bio jednostavan zadatak, jer to je mala razlika u bitnim detaljima između inačica. rijetko događa odlazak u barovima 53-56, gdje se radi «Gospod Bog Vojskama 'su bez pratnje u orkestralnoj verziji, ali udvostručila orgulja u izvorniku. Stalni organa akordi često se popunjava sa arpeggiran gudački pisanja, a razmak od akorda je često puno šire u nizu verziji, s melodijama preuzetim u različitim oktavama. Iako sklad u obje verzije je identičan, Glas vodeći se ponekad izmijenjen u potonjem kako bi bolje odgovarao na idiomima instrumenata u pitanju. Dakle, iako je u suštini dvije verzije iste, soundworld istraženi u svakom je vrlo različita. Britten je orkestralna verzija ne smije se promatrati kao povremene komadu, niti smatra isključivo liturgijsko djelo, kao i mnogi od njegovih pjevačkih komada iz 1930-ih i 1940-ih, što je jednako kao kod kuće u crkvi i koncertnoj dvorani.