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Izvornik

Gabriel Fauré. Les Djinns, Op. 12 for Choir and Piano. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Prijevod

Gabriel Fauré. Les Djinns, op. 12 za zbor te za glasovir. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Izvornik

Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Fauré 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré 's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.

Prijevod

Budući da takva plodan skladatelj, posebno za vokalne i pijanističke literature, Gabriel Fauré je glazba uvijek se obratio s visokim očekivanjima. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. počeo primati kvalitetan glazbeni pouku iz doba 10 na Niedermeyer školi. On je na kraju postao klavir učenik Camille Saint-Saëns. Faure 'karijeri vidio ga uspjeti Theodore Dubois kao orguljaš u crkvi Madeleine u Parizu i postao profesor kompozicije na Pariškom konzervatoriju, sve dok je skladao uzvišenih djela. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.