Notna sveska $4.34
Izvornik
Philip Glass. Knee Play 3. Einstein On The Beach. Sheet Music. SATB. SATB. Philip Glass.
Prijevod
Philip Glass. Koljeno Play 3. Einstein na plaži. Sheet Music. SATB. SATB. Philip Glass.
Izvornik
Einstein On The Beach , the opera from which Knee Play 3 was extracted, was a seminal work that broke all the rules, being non-linear, non-narrative, episodic, dreamlike and five hours long. Knee Play 3 is one of the number songs composed for scene changes, using numbers and solfege syllables as text. American composer Philip Glass is widely known as one of the most celebrated, influential and prolific of the modern composers. He is frequently referred to as a minimalist, though he prefers to call himself a composer of ‘music with repetitive structures. Glass ' operas, among them the renowned Einstein On The Beach , are performed across the globe, and he has created work for small and large ensembles, film and experimental theatre, and founded his own performing group, The Philip Glass Ensemble. This eight minute piece is the third Knee Play from Einstein On The Beach and is scored for unaccompanied SATB chorus.
Prijevod
Einstein On The Beach , the opera from which Knee Play 3 was extracted, was a seminal work that broke all the rules, being non-linear, non-narrative, episodic, dreamlike and five hours long. Knee Play 3 is one of the number songs composed for scene changes, using numbers and solfege syllables as text. Američki skladatelj Philip Glass je nadaleko poznat kao jedan od najslavnijih, najutjecajniji i najplodniji od suvremenih skladatelja. On je često nazivaju minimalistički, iako je on voli nazivati skladatelj 'glazbe s repetitivnim strukturama. Staklo 'opere, među njima poznati Einstein na plaži, izvode se širom svijeta, a on je stvorio djelo za male i velike ansambala, filma i eksperimentalnog kazališta, a osnovao vlastitu grupu izvoditeljsku, Philip Glass ansambl. This eight minute piece is the third Knee Play from Einstein On The Beach and is scored for unaccompanied SATB chorus.
