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Izvornik
Palestrina. Assumpta Est Maria - Motet. Davison. SSATTB. Sheet Music. Choral. CHOR. Giovanni Palestrina.
Prijevod
Palestrina. Assumpta Est Maria - motet. Davison. SSATTB. Sheet Music. Horski. ZBOR. Giovanni Palestrina.
Izvornik
Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one, Assumpta Est Maria for the Feast of the Assumption, is of particular interest. In 1545, the Council of Trent set out to reform various practices in the Roman Catholic Church in defense of the threats of the new Protestant movement. Clarity of scriptural words was one of the issues at stake, especially as the polyphonic style, of which Palestrina was a master, overlaid many Vocal lines, creating complex textures. It is debated whether this motet, with a newfound clarity of language, was written in response to the Council of Trent, or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vatican choirbook contemporary with the composer’s life. It is scored for Cantus I and II, Alto, Tenor I and II and Bass with rehearsal Piano accompaniment.
Prijevod
Palestrina je jedan od veoma visok figura kasne renesanse crkvene glazbe čije polifone kompozicije i dalje aktivno provodi u zborske repertoar. On je skladao više od 250 moteta. This one, Assumpta Est Maria for the Feast of the Assumption, is of particular interest. Godine 1545., Tridentski sabor je krenuo u reformu različite prakse u Rimokatoličke crkve u obrani od prijetnji novog protestantizma. Jasnoća biblijskim riječima bio je jedan od problema u igri, pogotovo kao polifonog stila, od kojih Palestrina je majstor, obložio mnoge vokalne linije, stvarajući složene teksture. It is debated whether this motet, with a newfound clarity of language, was written in response to the Council of Trent, or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vatican choirbook contemporary with the composer’s life. It is scored for Cantus I and II, Alto, Tenor I and II and Bass with rehearsal Piano accompaniment.
