Notna sveska $60.00
Izvornik
Concerto No. 1 in D Minor for Marimba. band score only. B-Flat Trumpet sheet music. Marimba sheet music. Percussion sheet music. Grade 5.
Prijevod
Koncert broj 1 u d-molu za marimbu. jedini bend ocjenu. B-Stan Truba note. Marimbu note. Udaraljke note. Grade 5.
Izvornik
Concerto No. 1 in D Minor for Marimba. band score only. Marimba Feature. Composed by Noah D. Taylor. For Soloist. with Concert Band. Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3,. Percussion Music. Grade 5. Band score only. Duration 30. 00. Published by C. Alan Publications. CN.10924. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the ensemble. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter. The Marimba Concerto No. 1 in D Minor was completed in August 2003. This concerto was composed for marimbist Brenton Dunnington and was Taylor's first work for a solo mallet-percussion instrument. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the orchestra. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter. The first movement employs late 19th century harmony blended with Taylor's personal aesthetics. The full and rich orchestration is most evident here. The movement also displays the endurance and facility of the soloist. The opening fanfare and romantic theme form the basis for shaping the movement. Taylor thoroughly develops the theme in a romantically expanded sonata form. The solo cadenza. with improvisational intent. emerges from the end of the development and drives on to explore the theme. It demands intricate, complete command of the marimba and fearless composure from the soloist to accomplish the aggressively fluctuating tempi, the broad dynamic spectrum, and perilous octave descents. After a brief adagio, the first movement reaches an exhilarating orchestral conclusion. The slow second movement, still rooted in romanticism, slips in and out of 20th century harmonies. The movement is a tale of love and passion. Titled Adagio, the movement, opening in C major, is monothematic, but for a brief recapitulation of the first movement's main theme. The movement's poignant melody is carried by each of the oboe, clarinet, and flute solos with marimba. There is a tender, recurring duo between solo marimba and harp followed by a dramatic, climactic chorale where the soloist employs six-mallet technique. The movement culminates in a vivid new statement of the movement's main melody and fades off into the distance. A thematic transformation develops several stages further in the third movement. The Finale is a hero's tale of battle, danger, love, and triumph. Each section evokes a different account on the journey. Taylor reemphasizes the D minor tonality of the opening movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the soloist and orchestra. The tale moves through a central, lyrical episode in place of a development section. Again, earlier material is recalled. As the final Vivace builds to a climax, the soloist unleashes fiery virtuosity with the orchestra. The majestic recapitulation, now in D major, surveys all of the Finale's opening material concluded by the coda in a brilliant presto and fortissimo.
Prijevod
Koncert broj 1 u d-molu za marimbu. jedini bend ocjenu. Marimbu Feature. Sastoji Noah D. Taylor. Za solist. s Koncertnom Band. Piccolo, frula 1, 2 frula, obou 1, 2 obou, klarinet Eb, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, bb bas klarinet, fagot 1, 2 fagot, alt saksofon 1, alt saksofon 2, tenor saksofon, bariton saksofon, Bb Truba 1, Bb Truba 2, Bb Truba 3,. Udaraljke Glazba. Grade 5. Jedini bend ocjenu. Trajanje 30. 00. Objavljeno C. Alan Publikacije. CN.10924. Taylor Concerto prikazuje uvjeren mladost kao skladatelj ambiciozno podsjeća romantizma prošlosti. Rad je velika subjekt za solista i ansambla. Taylor je doista izgrađena solo dio transcendentalne tehnike i virtuoznosti. Koncert je opipljiva i melodična, vizualno zadivljujuće i sjećanju iz prvog susreta. Marimbu Concerto broj 1 u d-molu je završen u kolovozu 2003. Ovaj koncert je bio sastavljen za marimbist Brenton Dunnington i bio je Taylor prvo djelo za solo bat-udaraljke instrumenta. Taylor Concerto prikazuje uvjeren mladost kao skladatelj ambiciozno podsjeća romantizma prošlosti. Rad je velika subjekt za soliste i orkestar. Taylor je doista izgrađena solo dio transcendentalne tehnike i virtuoznosti. Koncert je opipljiva i melodična, vizualno zadivljujuće i sjećanju iz prvog susreta. Prvi stavak zapošljava krajem 19. stoljeća sklad pomiješan s Taylor osobne estetike. Puna i bogata orkestracija najočitije ovdje. Pokret se također prikazuje izdržljivost i postrojenje za soliste. Otvaranje fanfare i romantična tema čine osnovu za oblikovanje pokret. Taylor temeljito razvija temu u romantično proširenom obliku sonatnoga. Solo Cadenza. s improvizacijskim namjerom. izlazi iz kraja razvoja i vozi se istražuju temu. To zahtijeva zamršen, potpunu naredbu marimbu i neustrašivo pribranosti iz solist ostvariti agresivno nominalnu tempi, široki dinamički spektar i pogibeljnih naleta oktave spustove. Nakon kratkog adagio, prvi stavak dosegne uzbudljivu orkestralnu zaključak. Polagani drugi stavak, još uvijek ukorijenjen u romantizma, gaćice i iz harmonija 20. stoljeća. Pokret je priča o ljubavi i strasti. Pod nazivom Adagio, pokret, otvor u C-duru, je monothematic, ali za kratak reprizi glavne teme prvog pokreta. Pokret je dirljiva melodiju nosi svaki od obou, klarinet i flauta solo s marimbu. Tu je natječaj, ponavljajući dvojac između solo marimbu i harfu slijedi dramatičan, vrhunac koral gdje solist zapošljava šest Mallet tehniku. Pokret kulminira u živo novom izvještaju o pokreta glavne melodije i blijedi u daljinu. Tematska transformacija razvija nekoliko faza dalje u trećem stavku. Finale je heroj je priča o borbi, opasnosti, ljubavi i pobjedi. Svaki dio evocira drugi račun na putovanju. Taylor reemphasizes u d-molu tonalitet pokreta otvaranja. Treći pokret rafala u boravak u snažnom prvom predmetu, koji ima uzbudljiv ritmičku motiv i razmjenu između soliste i orkestar. Priča kreće kroz središnji, lirska epizoda umjesto dijela razvoja. Opet, ranije materijal podsjetio. Kao konačni Vivace gradi do vrhunca, solist oslobađa vatreni virtuoznost s orkestrom. Veličanstven rekapitulacije, sad u D-duru, ankete sve finale otvaranju materijala zaključio kodom u sjajan Presto i fortisimo.
