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Concerto for Orchestra, opus 111. 2005, rev. 2010. Thomas Oboe Lee. Advanced.

Prijevod

Koncert za orkestar, opus 111. 2005 okretaja. 2010. Thomas obou Lee. Napredan.

Izvornik

Concerto for Orchestra, opus 111. 2005, rev. 2010. composed by Thomas Oboe Lee. For Full Orchestra. 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period. Advanced Intermediate. Score. Published by Thomas Oboe Lee. S0.41327. Program note. When I received the invitation from Jonathan Cohler to write a “Concerto for Orchestra” for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title. Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My “Concerto for Orchestra, opus 111,” is in five movements. It will be heard without pause between movements. I. Largo. “Misterioso. ”II. Allegro con moto. “Evidence. ”III. Adagio. “Epistrophy. ”IV. Andante. “In Walked Bud. ”V. Presto. “Rhythm-a-ning. ”My initial idea for the “Concerto” was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass. the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement. the “Allegro con moto. ” I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s “Concerto” began with a slow “Introduction. ” It had a title. “Misterioso. ” Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, “Misterioso” brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s “Misterioso” is a blues with an insistent theme of 8th note patterns of rising 6ths. which has nothing to do with my first movement. My “Misterioso” features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s “Evidence” is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s “Epistrophy” is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an “epistle” in nature, a sermon of sorts. The title of Monk’s “In Walked Bud” refers, of course, to the amazing pianist Bud Powell. I took the word “walk” and translated it into an “andante. ” What resulted was a “silly, but jolly” movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word “rhythm” in Monk’s “Rhythm-a-ning,” I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum. The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Prijevod

Koncert za orkestar, opus 111. 2005 okretaja. 2010. sastoji Thomas obou Lee. . 21. stoljeće, 20. stoljeće, romantičnog razdoblja, antike, baroka. Napredna Srednji. Postići. Objavljeno Thomas oboa Lee. S0.41327. Program za note. Kada sam dobila poziv od Jonathan Cohler napisati Koncert za orkestar za Brockton simfonije, odmah sam pomislio na sve skladatelja koji su pisali djela inspiriranih Bartók je sjemene rad istog naslova. Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan toranj i, u posljednje vrijeme, Jennifer Higdon. Moj Koncert za orkestar, opus 111, u pet stavaka. To će se čuti bez pauze između pokreta. I. Largo. Zagonetni. II. . Dokazi. III. . Epistrophy. IV. . U Hodao Bud. V. . Ritam--Ning. Moja početna ideja za Koncert je suprotnost - kontrast između tonovima i bojama koje su razni dijelovi u orkestru pružaju. Na primjer, puhačke instrumente bi pružiti oštar kontrast protiv mesinga. udaraljke poglavlje protiv žice, itd. Također sam bio zainteresiran za pisanje rada u kojem bi se svaki pokret teče u drugi bez pauze - na taj način pruža još jedan oblik razliku od toga, da je Tempi i raspoloženja promjene. Treći oblik Nasuprot biti različiti stilovi i oblici glazbe da bih došao do. I ja sam imao puno zabave dočarati mnoge moguće scenarije i orkestralnu tableaux. Ja sam zapravo počeo s drugom pokretu. Allegro con moto. Želio sam nešto što je lijepo kvalitetu rastom da cijeli orkestar mogao uskočiti u. Kad sam završio da, mislio sam možda biti previše intenzivan za otvaranje posla. Mislio sam, možda bih trebao početi nešto sporije, više razmišljajući u prirodi prije eksplozivne stvari. Primijetio sam da je Carter je Koncert započela sa sporim Uvod. Imao je titulu. Zagonetni. Budući da je strastveni obožavatelj Theloniousa Monka, zvani Theloniousa Kugla Monk Misterioso doveo na pamet redovnik sastav istog naslova. To epifanija mi je dao ideju imenovanja svakog od pet pokreta nakon redovnik podešavanje. Monk je Misterioso je blues s uporan temu 8. note obrazaca rasta 6ths. koja nema nikakve veze s mojim prvim pokreta. Moj Misterioso ima solo za bas klarinet usred svjetlucavo atmosfere koja je prošaran akcentima u basu. Oboje su tajanstvene, ali divergentno razliku u raspoloženju i sadržaju. Monk je dokaz je napjev s udarcima i udaraca, nepravilno postavljeni u mjeru - nije za razliku od onoga što sam učinio u drugom pokretu. Ovaj pokret je možda najviše Monk-ish svega. Monk je Epistrophy je izgrađena tune s četiri note obrascem koji je kutni i twisted. Napisao sam svečana mesinga zbor pokret koji je poslanica u prirodi, a propovijed od sorti. Naslov Monk je hodio Bud odnosi se, naravno, na iznenađujuće pijanist Bud Powell. Uzeo sam riječ hoda i preveo u Andantea. Ono što je rezultiralo bio glup, ali Jolly pokret featuring puhačke instrumente. Želio sam završiti rad s Brzi i žestoki finale. Inspiriran riječi ritam u monaški Ritam-a-Ning, počeo sam zadnji pokret sa solo za dionicu udaraljke - timpana, tam-simptoma, bas bubanj. Orkestar na kraju se pridružuje u Mayhem, razbijanje u Scherzo poput bjesnilo. Ona završava s velikim praskom. Digital Print je ispis glazbeni dostupan list bilo kada, bilo gdje. Samo za kupnju, ispis i igrati. Pregled online note kod kuće, u školi, na poslu ili bilo gdje imate računalo spojeno na Internet. Koristite našu ipad app za pregledavanje digitalne list glazbe u pokretu. Uz Digital Print, možete ispisati svoje digitalne note odmah nakon kupnje, ili čekati do njegova povoljno. I naš instalacija softvera je jednostavno - mi ćemo vas kroz jednostavne korake kako bi bili sigurni da imate instaliran Adobe Flash Player, Adobe AIR i notnih Plus AIR aplikacija.