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Izvornik
Exit the Foundry. Bass Clarinet sheet music.
Prijevod
Izlaz iz ljevaonice. Bas Klarinet note.
Izvornik
Exit the Foundry composed by Ben Hase. For Bass Clarinet and CD. Solo music. Published by Potenza Music. P2.30054. Exit the Foundry was originally commissioned for euphonium by Matthew Turek, a University of Wisconsin-Eau Claire student completing a research project that explored the psychological experience of composition. Turek commissioned works from seven student composers, offering them very few guidelines save the inclusion of his instrument, euphonium. Hase's contribution, Exit the Foundry, incorporates three contrasting sonic elements. The first element, recorded and sampled mechanical sounds, includes various metallic hits, blowtorches, saws, fans, and other industrial noises. The second element, synthetic electronic instruments, consists of synth pads, leads, arpeggios, and an electronic drum kit. The third element is a low. mid register acoustic instrument that offers a contrastingly natural tone and lyrical voice. Hase produced the accompaniment track for Exit the Foundry in a computer based digital audio workstation, and included a multiphonic passage in the live instrument line to offer an aural bridge between the smooth timbre of a live instrument and the sometimes rough and piercing wanderings of the synthetic and mechanical sounds. At the start of the piece, each element battles for its place in the foreground, but inevitably a compromise is reached and all three elements meld into one coherent musical voice.
Prijevod
Izađite ljevaonici sastoji od Ben Hase. For Bass Clarinet and CD. Solo music. Objavio Potenza glazbe. P2.30054. Izlaz iz ljevaonice izvorno naručio za euphonium Matthew Tureka na University of Wisconsin-Eau Claire student završetka projekta koji je istraživao psihološki doživljaj sastavu. Turek naručio radove od sedam studentskih skladatelja, nudeći ih vrlo malo smjernica spasiti uključivanje svog instrumenta, euphonium. Hase doprinos, Exit ljevaonice, uključuje tri kontrastne zvučnih elemenata. Prvi element, bilježi i uzorci mehanički zvukovi, obuhvaća razne metalne hitova, blowtorches, pile, ventilatori i druge industrijske buke. Drugi element, sintetička elektronski instrumenti, sastoji se od synth jastučići, vodi, arpeggia i elektronskom bubnjeve. Treći element je niska. Sredinom registrirajte akustični instrument koji nudi contrastingly prirodnu boju i lirski glas. Hase producirao pratnju pjesmu za Exit Ljevaonica u računalni temelji digitalni audio radne stanice, a uključivala je multiphonic prolaz u live instrumentima linije za ponuditi i zvučnu most između glatke boju živog instrumenta i ponekad grubo i prodornim lutanjima sintetičkim i mehaničke zvukove. Na početku komada, svaki element borbe za svoje mjesto u prvom planu, ali neizbježno kompromis je postignut i sva tri elementa stopiti u jedan koherentan glazbeni glas.
