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Izvornik

Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Johann Sebastian Bach. Voice sheet music. Choir sheet music. Piano Accompaniment sheet music.

Prijevod

Kantata broj 129. Blagoslovljen Gospodin, moj Bože, BWV 129 je. Johann Sebastian Bach. Glas note. Zbor note. Klavirsku pratnju note.

Izvornik

Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Bach Gesellschaft Ausgabe. Composed by Johann Sebastian Bach. 1685-1750. Edited by Alfred Dorffel. Arranged by Bernhard Todt. Choir and piano. For SAB vocal soli, SATB choir, piano. This edition. Paperback. Sacred Cantata, Original Works, Transcriptions, Choral. Baroque Period. Sacred. Hymns, German. Vocal Score. 40 pages. Published by Serenissima. SA.19689. ISBN 9781932419689. Baroque Period. Sacred. Hymns, German. 6.69 x 9.61 inches. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.

Prijevod

Kantata broj 129. Blagoslovljen Gospodin, moj Bože, BWV 129 je. Bach Gesellschaft izdanje. Skladao Johanna Sebastiana Bacha. 1685-1750. Uredio Alfred Dorffel. Uređeni Bernhard Todt. Zbor i glasovir. Za TDU vokalne Soli, SATB zbor, glasovir. Ovo izdanje. Knjiga sa mekim koricama. Sveto Cantata, izvornim djelima, prijepisa, zborske. Baroka. Svet. Himne, njemački. Vokalni rezultat. 40 stranica. Objavio Serenissime. SA.19689. ISBN 9781932419689. Baroka. Svet. Himne, njemački. 6,69 x 9,61 inča. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.