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Izvornik

Sails of Time. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Horn sheet music. Grade 5.

Prijevod

Jedra Vremena. David Gillingham. B-Stan Truba note. Bas Trombon note. Horn note. Grade 5.

Izvornik

Sails of Time composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2. 3, Horn in F 1. 2, Horn in F 3. 4, Trombone 1. 2, Bass Trombone, Euphoni. Band Music. Grade 5. Score only. Duration 10. 00. Published by C. Alan Publications. CN.13041. Gillingham provides a celebration of the rich history of Sydney, Australia, while honoring the beauty and grandeur of this magnificent city identified by the icon of the sails of its famous Opera House. Incorporating native folksong, indigenous sounds and melodies combined with original material, a sculpture in sound emerges in Sails of Time. Originally conceived for a mass band setting consisting of three separate ensembles, the work is suited to a traditional setting using one ensemble. Sails of Time was commissioned by Kingsway International and was written to celebrate the rich history of Sydney, Australia, and to honor the beauty of grandeur of this magnificent city identified by the icon of the sails of its famous Opera House. The work is bound together by two main melodic ideas consisting of the Australian folksong, Click Go the Shears, and an original theme, Sails of Time, after the title. The work begins with the tolling of the "bells of time" followed by a drone of the "didgeridoo" played by the tubas, representing the indigenous aboriginal people who fished the waters of the Sydney harbor for 50,000 years prior to its settlement. Above the drone, a distant solo piccolo and muted trumpet play phrases from the popular Australian folksong, Click Go the Shears. Woodwind trills along with a piano ostinato announce the arrival of British convicts in 1788. Low brass and woodwinds play the folksong, Bound for South Australia, ominously in Bb minor. This is followed by a "Prisoner Walk", emulating the monotonous daily routine of the prisoners who were the first inhabitants of Sydney. They sing a blues-like tune to break the monotony as they shuffle along in shackled feet. Listen for the constant clash of the chain. The section escalates to a conclusion and segues into gentle breezes of keyboard percussion and rustling flutes leading to the first presentation of the Sails of Time theme played by horns, alto saxophones and oboes. The theme represents the hope for a much brighter future for the fledging settlement of Sydney. The section settles down to stillness and a distant piccolo and muted trumpet again play motives from Click Go the Shears. A vibrant percussive interlude leads to a presentation of Click Go the Shears by piccolo and bass clarinet followed by echoing of motives between the ensembles within the massed band. The "growing pains" of Sydney are reflected by a sequence of motives from the Sails of Time theme which rise to a pinnacle in C major by the massed band only to be interrupted by a mournful section in F# minor. In this section, one is reminded of the "unruly society" in the early years of the city of Sydney. An oboe solo sorrowfully sings the tale on a motive extracted from the Sails of Time. Cascading woodwinds and keyboard percussion interrupt and, once again, provide hope to the negative situation and grow to a fugal exposition on the theme from Click Go the Shears. The sure-footed counterpoint and energy evidence the city's "gold and growth" era. The section segues to a sparkling and energetic percussion interlude which transitions to a joyful rendition of the Sails of Time accompanied by the driving rhythm Click Go the Shears. The "bells of time" interrupt to remind one of the city's roots with the drone of the didgeridoo. Distant solo piccolo and muted trumpet echo motives of Click Go the Shears one last time. The work ends triumphantly with a final statement by both themes. Sails of Time was written to be performed as a massed band divided into three ensembles, premiered in the Sydney Opera House in Sydney, Australia. However, the work can be easily performed by one concert band. The massed band set up is pictured above where Ensemble 1 is on the main stage and Ensemble 2 and Ensemble 3 are positioned to the right and left of the stage, respectively. This set up enables a sort of antiphonal effect between the participating ensembles. All of the percussion should be set up on stage with Ensemble 1. Because there will be multiple percussion players, it is suggested that the duties be divided evenly between the players for the performance. The score and parts indicate which ensembles play throughout the piece and where the "massed band" is to play. There are two off-stage players required for this work. piccolo. back stage left. and trumpet. back stage right.

Prijevod

Jedra Vremena skladao David Gillingham. Za koncertni bend. Piccolo, frula 1. 2, obou 1. 2, fagot 1. 2, klarinet u BB1, klarinet u Bb 2. 3, bas klarinet, alt saksofon 1. 2, tenor saksofon, bariton saksofon, truba u BB1, truba u Bb 2. 3, Horn u 1 F. 2, Horn u F 3. 4, Trombon 1. 2, Bas Trombon, Euphoni. Band Glazba. Grade 5. Postići samo. Trajanje 10. 00. Objavljeno C. Alan Publikacije. CN.13041. Gillingham pruža proslavu bogate povijesti Sydneyu, Australiji, dok je čast ljepotu i raskoš ovog veličanstvenog grada prepoznati po ikoni u jedra svojoj poznatoj Opera House. Napravljena izvorni folksong, autohtonih zvukove i melodije u kombinaciji s izvornim materijalom, skulptura u zvuk nastaje u jedra vrijeme. Izvorno zamišljen za postavljanje masa benda koja se sastoji od tri odvojena ansambala, rad je odgovarao na tradicionalnom okruženju pomoću jednog ansambla. Jedra vremena je naručio Kingsway Internationala te je napisao kako bi proslavili bogatu povijest Sydneyu, Australiji, i čast ljepotu raskoš ovog veličanstvenog grada prepoznati po ikoni u jedra svojoj poznatoj Opera House. Rad je povezana s dva glavna melodijskih ideja se sastoji od Australian folksong, kliknite Idi na škarama i originalnu temu, jedra vremena, nakon naslova. Rad započinje s zvonio od "zvona vremena", nakon čega je neradnik od "didgeridoo" odigrao je Tubasu, predstavnik autohtone aboridžinske ljudi koji su lovili vodu u luku u Sydneyu 50.000 godine prije svog naselja. Iznad neradnik, daleki solo piccolo truba i prigušen igrati fraze iz popularne australske folksong, kliknite Idi škare. Puhačkog trilera uz klavirsku ostinato najavljuju dolazak britanskih osuđenika u 1788. Niska mesinga i puhačke instrumente igrati folksong, vezane za Južnu Australiju, zloslutno u Bb-molu. To slijedi "Prisoner Walk", natjecanje monotoni svakodnevicu zatvorenika koji su bili prvi stanovnici Sydneya. Oni pjevaju blues-poput tune razbiti monotoniju jer shuffle zajedno u sputane noge. Slušajte za stalnom sukobu s lanca. Poglavlje eskalira do zaključka i segues u blagi povjetarac tipkovnice udaraljke i šuštanje flaute vode do prvog predstavljanja u jedra Time teme glumi rogovima, alt saksofona i oboe. Tema predstavlja nadu za mnogo svjetliju budućnost za fledging naselja u Sydneyu. Poglavlje Utvrđuje se da mirnoće i daleka Piccolo i prigušen truba opet igrati motive iz Klikni Idi škare. Jarke udarni interludij dovodi do predstavljanja kliknite ići škara po Piccolo i bas klarinet slijede odjekuje motiva između ansambala u masovni benda. U "Growing Pains" u Sydneyu reflektiraju od niza motiva iz jedra Time teme koje se uzdižu na vrh u C-duru je nagomilavanje bend samo biti prekinut žalostan dijelu u F # molu. U ovom poglavlju, jedan je podsjetio na "neposlušne društva" u ranim godinama u gradu Sydney. Obou solo tužno pjeva priču o motivu izvađen iz jedra vremena. Kaskadno puhačke instrumente i tipkovnica udaraljke prekid i, još jednom, daju nadu da se negativne situacije i rasti u fugal izlaganje na temu iz Klikni Idi škare. Sigurni stopala kontrapunkt i energetsku dokaza gradski "zlato i rast" ere. Poglavlje segues na pjenušava i energična udaraljke interludij koji prijelaze u radosnom izvedba u jedra vremena u pratnji vožnje ritam Kliknite Idi škare. U "Zvona vrijeme" prekinuti podsjetiti jednu od gradskih korijena s neradnik na didgeridoo. Distant Solo Piccolo i prigušen trubu ECHO motivi Klikni Idi na škare posljednji put. Rad trijumfalno završava završnom priopćenju obje teme. Jedra vremena je napisano da se izvodi kao masovni bend podijeljen u tri ansambala, premijerno u Sydney Opera House u Sydneyu, Australiji. Međutim, radovi se mogu lako izvesti jedan koncert benda. Nagomilavanje bend osnovan je na slici gore, gdje Ansambl 1 se nalazi na glavnoj pozornici i ansamblom 2 i 3 ansambla su pozicionirani na desno i lijevo od pozornice, odnosno. Ovaj set up omogućuje svojevrsno antiphonal učinkom između ansambala koji sudjeluju. Sve perkusije treba postaviti na pozornici s ansamblom 1. Budući da će biti više udaraljke igrača, to je sugerirao da poslove treba ravnomjerno rasporediti između igrača za nastup. Rezultat i dijelovi navesti koji su ansambli predstavu tijekom komadu i gdje "nagomilavanje bend" je igrati. Postoje dvije off-stage igrači koji su potrebni za ovaj posao. mali. Natrag pozornici lijevo. i truba. Natrag pozornici pravu.