Notna sveska $4.95
Izvornik
Nisi Dominus. George Frideric Handel. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music.
Prijevod
Nisi Dominus. Georg Friedrich Handel. Glas note. Zbor note. Klavir i tipkovnica note.
Izvornik
Nisi Dominus. Psalm 127. Composed by George Frideric Handel. 1685-1759. Edited by Christine Martin. For SSATB vocal soli, SSATB choir, 2 violins, 2 violas, basso continuo. Score available separately - see item CA.5523800. Latin Psalms, Psalms. Viola 1 part. Language. Latin. Composed 1707. HWV 238. 4 pages. Duration 13 minutes. Published by Carus Verlag. CA.5523813. With Language. Latin. Latin Psalms, Psalms. Handel's Vesper psalm Nisi Dominus HWV 238, was composed in Rome in 1707 for the Feast of the Madonna del Monte Carmel. It is entirely in the tradition of the polychoral, concertante motet which was cultivated especially in Rome during the late baroque era. In spite of the liturgical brevity required for the individual movements, this setting of Psalm 127, presented here in a new critical edition, is impressive on account of the festive fullness of the sound, the charming contrasts in the alternating scoring and, typical for Handel, the power of the images and the conciseness of the musical material.
Prijevod
Nisi Dominus. Psalam 127. Skladao Georg Friedrich Händel. 1685-1759. Uredio Christine Martin. Za SSATB vokalne samo SSATB zbora, dvije violine, dvije viole, bas. Score dostupan zasebno - vidi točka CA.5523800. Latinski Psalmi, Psalmi. Viola 1. dio. Jezik. Latin. Sastavljen 1707. HWV 238. 4 stranice. Trajanje 13 minuta. Objavio Carus Verlag. CA.5523813. Sa jezika. Latin. Latinski Psalmi, Psalmi. Händel je Vesper psalam Nisi Dominus HWV 238, bila je sastavljena u Rimu 1707 za blagdan Madonna del Monte Carmel. To je sasvim u tradiciji polychoral, koncertantnome moteta koji je dijelom kultiviran posebno u Rimu tijekom kasnog baroka. Unatoč liturgijske sažetosti potrebnih za pojedine pokrete, ova postavka Psalam 127, ovdje predstavljen u novom kritičkom izdanju, je impresivna zbog svečane punoće zvuka, šarmantan kontrasta u izmjenične bodovanje i, tipično za Händela , moć slike i konciznost glazbenog materijala.
