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Izvornik
Siegfried. Richard Wagner. Grade 6.
Prijevod
Siegfried. Richard Wagner. Grade 6.
Izvornik
Siegfried. Symphonic Suite. Composed by Richard Wagner. 1813-1883. Arranged by Christiaan Janssen. For Concert Band. Grade 6. Full score and set of parts. Duration 13. 30. Published by Baton Music. BF.BM508-SET. Der Ring des Nibelungen'. The Ring of the Nibelung. is a cycle of four epic operas by German composer Richard Wagner. 1813-1883. The works are based loosely on characters from the Norse sagas and the Nibelungenlied. 'Das Rheingold' is the first opera in the cycle and Wagner described this opera as a 'Vorabend'. preliminary evening. with 'Die Walkure', 'Siegfried' and 'Gotterdammerung' as the proper Ring. The scale and scope of the story is epic. It follows the struggles of gods, heroes, and several mythical creatures over the eponymous magic Ring that grants domination over the entire world. The drama and intrigue continue through three generations of protagonists, until the final cataclysm at the end of 'Gotterdammerung'. Dutch arranger Christiaan Janssen made a Symphonic Suite of 'Siegfried'.
Prijevod
Siegfried. Simfonijski Suite. Skladao je Richard Wagner. 1813-1883. Raspored po Christiaan Janssen. Za Koncert Band. Grade 6. Cijeli rezultat i set dijelova. Trajanje 13. 30. Objavio Baton glazbe. BF.BM508-SET. Prsten Nibelunga '. Prsten od Nibelung. je ciklus od četiri epske opere njemačkog skladatelja Richarda Wagnera. 1813-1883. Radovi se temelje labavo na likovima iz nordijskih saga i Nibelungenlied. "Das Rheingold" je prva opera u ciklusu i Wagner opisao ovu operu kao 'Vorabend'. Preliminarni večeri. s 'Die Walkure', 'Siegfrieda' i '' Gotterdammerung kao pravi Ring. Opseg i vrstu priče je epska. Slijedi borbe bogova, heroja i nekoliko mitskih bića preko istoimene čarobni prsten koji odobrava dominaciju nad cijelim svijetom. Drama i intriga i dalje kroz tri generacije protagonista, sve do konačne kataklizme na kraju 'Gotterdammerung'. Dutch arranger Christiaan Janssen made a Symphonic Suite of 'Siegfried'.
