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Izvornik

Proud and Immortal. David Gillingham. B-Flat Trumpet sheet music. English Horn sheet music. Trombone sheet music. Grade 4.

Prijevod

Ponosni i Immortal. David Gillingham. B-Stan Truba note. Engleski Horn note. Trombon note. Grade 4.

Izvornik

Proud and Immortal composed by David Gillingham. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, English Horn, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1. 2, Horn 3. 4, Trombone 1, Trombon. Grade 4. Score only. Duration 8. 50. Published by C. Alan Publications. CN.05961. An elegy for the members of the Oklahoma State University Basketball Program killed in the plane crash of January 27, 2001, this work is based almost exclusively on the Oklahoma State University Alma Mater Hymn. With themes conveying the sadness felt by the Oklahoma State University community, the mood eventually becomes celebratory reflecting upon the lives of these young athletes. Proud and Immortal is a musical memorial for the members of the Oklahoma State University Basketball Program killed in the plane crash of January 27, 2001. The work is based almost exclusively on the Oklahoma State University Alma Mater Hymn. Robert McCulloh, 1949. The work opens in an elegaic mood which is punctuated by repeated groups of five articulations of open fifths in the piano. Underscoring these sorrowful articulations are motives in the low woodwinds and horns alluding to the first four notes of the Alma Mater Hymn. A distant muted trumpet enters with a reflective theme and the work segues into a rather dignified and dark march utilizing, again, the first four notes of the Alma Mater Hymn, the muted trumpet motive, and articulations by the timpani, tom-toms and bass drum. All of this, of course, acknowledges the deep loss and sadness felt by the Oklahoma State University community, the country, and the world. The march grows in intensity and the piano again is heard with its characteristic five articulations, but this time in more hopeful surroundings. Under a soft timpani roll, the muted trumpet again enters with a motive suggesting a prayerful reflection. As the trumpet statement continues, the saxophones expressively render the Lama Mater Hymn in stately augmentation. The texture thickens for the final eight bars of the hymn, with the flute playing a lyrical obligato. The English horn echoes the muted trumpet at the end of the hymn and the euphonium engaged in dramatic countermelody. There is yet another modulation into Bb major with the oboe on the melody and the flute and euphonium on countermelodies. Through these statements of the hymn in various keys and orchestral colors, I have humbly and respectfully tried to reflect upon the precious lives of the young athletes and how they have touched the Oklahoma State University community. The mood becomes celebratory with another modulation, this time in D major. The brass toss around fanfare motives derived from the original elegaic articulations in the piano. The fanfare moves to the key of Bb major and the Alma Mater is now majestically stated by the horns and trumpets and the section modulates back to G major, with a fermata in the middle of the last line of the hymn. Following a grand pause, the last three notes of the hymn are stated by the horns and low brass. - David R. GIllingham.

Prijevod

Ponosni i Immortal sastoji David Gillingham. Raspored po Geoffrey Brand. Za koncertni bend. Piccolo, frula 1. 2, obou 1. 2, engleski rog, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, bas klarinet, fagot 1. 2, alt saksofon 1. 2, tenor saksofon, bariton saksofon, Bb Truba 1, Bb Truba 2, Bb Truba 3, Horn 1. 2, Horn 3. 4, Trombon 1, Trombon. Grade 4. Postići samo. Trajanje 8. 50. Objavljeno C. Alan Publikacije. CN.05961. Elegija za članove Oklahoma State University košarkaškog programa poginuo u zrakoplovnoj nesreći 27 siječnja 2001, ovaj rad se temelji gotovo isključivo na Oklahoma State University Alma Mater Hymn. Uz teme prenošenje tugu osjeća u Oklahoma State University zajednice, raspoloženje na kraju postaje slavljeničkog promišljajući životima ovih mladih sportaša. Ponosni i Immortal je glazbeni spomen članovima Oklahoma State University košarkaškog programa poginulih u zrakoplovnoj nesreći u 27 siječnja 2001. Rad se temelji gotovo isključivo na Oklahoma State University Alma Mater Hymn. Robert McCulloh, 1949. Rad otvara u elegaic raspoloženju koje je prošaran ponovljenih skupina pet artikulacija otvorenih petine glasoviru. Ističući ove Žalosna zglobovi su motivi u niskim woodwinds i rogovima aludirajući na prva četiri notama Alma Mater Himna. Udaljeni prigušeni truba ulazi s reflektirajućim temu i rad segues u prilično dostojanstven i tamnom ožujka korištenje, opet, prve četiri note Alma Mater hvalospjeve, utišanoj trubu motiv, i artikulacija strane timpana, Tom-skih i basu bubanj. Sve to, naravno, priznaje duboki gubitak i tugu osjeća u Oklahoma State University zajednici, zemlji i svijetu. Ožujak raste u intenzitetu i klavir opet se čuje sa svojim karakterističnim pet artikulacije, ali ovaj put u više nade okolici. Pod mekom timpana rolla, isključen truba opet ulazi s motivom koji ukazuju na molitveno razmišljanje. Kao truba izjavu nastavlja, saksofoni izražajno donijeti Lama Žalosna Himnu u raskošnu povećanje. Tekstura zgusne za konačnih osam barova na himnu, s flauti lirski obveznog. Engleski rog odjekuje prigušen trubu na kraju himne i euphonium sudjelovali u dramatičnoj countermelody. Tu je još jedan modulacija u Bb major s oboe na melodiju i flauta i euphonium na countermelodies. Kroz te izvještaje himnu u različitim ključevima i orkestralnih boja, ponizno is poštovanjem su pokušali da razmišljaju o plemenitim životima mladih sportaša i kako su oni dotaknu Oklahoma State University zajednicu. Raspoloženje postaje slavljenički s druge modulacije, ovaj put u D-duru. Brass bacanje oko fanfare motiva proizlazi iz izvorne elegaic artikulacija u klavir. Fanfare seli u ključu Bb duru i Alma Mater je sada veličanstveno naveo rogovima i trubama i poglavlje modulira natrag u G-duru, s fermata sredinom posljednje linije himan. Nakon velikog pauze, u posljednje tri note himne iskazuju za rogove i niske mjedi. - David R. Gillingham.