Notna sveska $180.00
Izvornik
Fantasy Triptych. Derek Bourgeois. B-Flat Trumpet sheet music. Cornet sheet music. Horn sheet music. Grade 5.
Prijevod
Fantasy Triptih. Derek Bourgeois. B-Stan Truba note. Cornet note. Horn note. Grade 5.
Izvornik
Fantasy Triptych composed by Derek Bourgeois. 1941-. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2. 3, Bb Trumpet 1. 2, Horn in F. Band Music. Grade 5.5. Score and parts. Duration 17. 40. Published by C. Alan Publications. CN.R10193. With inspiration taken from composers Maurice Ravel, Arthur Benjamin and Charles Ives, Bourgeois take s a tongue-in-cheek approach to this challenging 3-movement work. While the work is infused with humor throughout, it still showcases his mastery of the wind band idiom. In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych. " There are three movements. Le Tombeau d'Arthur Benjamin Ravel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua. ' 2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave. The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst. The War March of the Ostriches The music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement.
Prijevod
Fantasy triptih sastoji Derek Bourgeois. 1941 -. Za koncertni bend. Piccolo, frula 1, 2 frula, obou 1. 2, Eb klarinet, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Eb Alto klarinet, BB bas klarinet, fagot 1. 2, alt saksofon 1. 2, tenor saksofon, bariton saksofon, BB Cornet 1, BB Cornet 2. 3, Bb Truba 1. 2, Horn u F. Band Glazba. Ocjena 5,5. Rezultat i dijelovi. Trajanje 17. 40. Objavljeno C. Alan Publikacije. CN.R10193. Uz inspiraciju uzet iz skladatelja Mauricea Ravela, Arthur Benjamin i Charles Ives, Bourgeois uzeti SA jezik-u-lice pristup ovoj izazovnoj 3-pokreta rada. Dok je rad prožet humorom tijekom, to još uvijek pokazuje svoje majstorstvo u vjetar band idiomu. Godine 1972, napisao sam Sonatu za dva klavira za dva prijatelja koji su bili učitelji klavira u Wellington College. Kad je 1995 sam bio zamoljen da napiše djelo za vjetar benda, vratio sam se u ovoj sonati te su ponovno uređen iu novoj verziji je preimenovan u "Fantasy Triptih. "Postoje tri pokreta. Le Tombeau d'Arthur Benjamin Ravel je napisao 'Le Tombeau de Couperin,' Arthur Benjamin je napisao 'Le Tombeau de Ravela' i tako napast napisati 'Le Tombeau d'Arthur Benjamin' bio neodoljiv. Na kraju pokreta postoji koso spominjanje Benjamina vlastite 'Jamajke Rumba' koja prati citat iz stare španjolske narodne pjesme 'Loro, enciende el hervidor de agua. '2. Mr. Bolt ide na vožnju u svom motora automobila, a Monsieur Ravel okreće u grobu. Pokret je posvećen starim prijateljem, Geoffrey Bolt, koji obožava glazbu, Ravel. ali u vrijeme pisanja je osposobljavanje kandidata za vozače. Uvijek je opisao svoje vozilo kao motor automobila. Da biste ga opisali kao nestrpljivi vozač će biti bruto nepotpuno. Profinjen uglađenost od Ravela glazbe bio je u potpunoj suprotnosti s tim ranim manifestacijama cestovnog bijesa, stoga središnja ljutiti ispad. Rat ožujka nojevi glazba Charles Ives je fascinantno mi je u trenutku pisanja ovog pokreta, a neki od utjecaja je gumiran off u ovom ronda poput marša. Na kraju tu je citat iz samog početka prvog pokreta.
