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Izvornik
Maji. Full Score. Elizabeth Alexander. Percussion sheet music. Piano sheet music. Timpani sheet music. Intermediate.
Prijevod
Maji. Cijeli rezultat. Elizabeth Alexander. Udaraljke note. Piano note. Timpani note. Srednji.
Izvornik
Maji. Full Score. composed by Elizabeth Alexander. For Orchestra. 2222, 2421, timpani, 3 percussion, piano, strings. Water. Moderate. Full score. Duration 13 minutes. Published by Seafarer Press. SF.SEA-079-00. "Maji" takes its name and inspiration from the Swahili word for water. its Arabic root "ma" means not only "water," but also "luster or splendor," often in reference to a diamond. The composer writes. "This word captured my imagination at once. There, in two short syllables, was a word which held both the beauty of water, and the suggestion that it is as precious as a jewel. " True to its etymological root, "Maji" opens with sparkle, but - mirroring its fluid namesake - this bright beginning soon takes a more winding path. Each musical idea flows into the next naturally but unpredictably. picture a small creek in which water gurgles and bubbles, creates swirling eddies, shimmers from within its still surface, widens into a slow deep pool, and then suddenly rushes into a narrow channel. This image of flowing, continuous movement is the work's guiding principle. indeed, whenever musical themes make reappearances - just as in Heraclitus' ever-changing river - they are never the same twice. Commissioned by Minnesota Philharmonic Orchestra, with commissioning partner Saint Paul Central High School. conductors Joseph Schlefke and Matthew Oyen. Minneapolis & Saint Paul, MN. Composer's Note. maji mah'-jee n. Swahili. water This word captured my imagination at once. there, in two short syllables, was a word which held both the beauty of water, and the suggestion that it is as precious as a jewel. In my orchestral portrayal of this magical living substance, each musical idea flows into the next naturally but unpredictably. picture a small creek in which water gurgles and bubbles, creates swirling eddies, shimmers from within its still surface, widens into a slow deep pool, and then suddenly rushes into a narrow channel. This image of flowing, continuous movement is Maji's guiding principle. indeed, whenever musical themes make reappearances - just as in Heraclitus' ever-changing river - they are never the same twice.
Prijevod
Maji. Cijeli rezultat. skladao je Elizabeth Alexander. Za orkestar. 2222, 2421, timpani, 3 percussion, piano, strings. Voda. Umjeren. Cijeli ocjenu. Trajanje 13 minuta. Objavljeno prema pomorcu u Press. SF.SEA-079-00. "Maji" takes its name and inspiration from the Swahili word for water. its Arabic root "ma" means not only "water," but also "luster or splendor," often in reference to a diamond. Skladatelj piše. "This word captured my imagination at once. There, in two short syllables, was a word which held both the beauty of water, and the suggestion that it is as precious as a jewel. " True to its etymological root, "Maji" opens with sparkle, but - mirroring its fluid namesake - this bright beginning soon takes a more winding path. Each musical idea flows into the next naturally but unpredictably. zamislite mali potok u kojem vode gurgles i mjehurića, stvara kovitlaju vrtloge, titra iz njegova još uvijek na površinu, proširuje se u sporim dubokim bazen, a onda odjednom juri u uskom kanalu. This image of flowing, continuous movement is the work's guiding principle. Doista, kad god je glazbena tema bi reappearances - baš kao u Heraklit "sve mijenja rijeke - oni nikada nisu isti dvaput. Commissioned by Minnesota Philharmonic Orchestra, with commissioning partner Saint Paul Central High School. conductors Joseph Schlefke and Matthew Oyen. Minneapolis & Saint Paul, MN. Skladateljeva Note. maji mah'-jee n. Svahili. water This word captured my imagination at once. there, in two short syllables, was a word which held both the beauty of water, and the suggestion that it is as precious as a jewel. In my orchestral portrayal of this magical living substance, each musical idea flows into the next naturally but unpredictably. zamislite mali potok u kojem vode gurgles i mjehurića, stvara kovitlaju vrtloge, titra iz njegova još uvijek na površinu, proširuje se u sporim dubokim bazen, a onda odjednom juri u uskom kanalu. This image of flowing, continuous movement is Maji's guiding principle. Doista, kad god je glazbena tema bi reappearances - baš kao u Heraklit "sve mijenja rijeke - oni nikada nisu isti dvaput.
