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Izvornik

A Moorside Suite. Grade 4.

Prijevod

Moorside Suite. Grade 4.

Izvornik

A Moorside Suite composed by D. Wright. Arranged by Dennis Wright. For concert band. Piccolo, 1st Flute, 2nd Flute, Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone. Band Music. Grade 4.5. Band score. Duration 15. 00. Published by C. Alan Publications. CN.S11013. A masterwork for concert band. Holst's Moorside Suite was composed in 1928, near the end of the composer's life, and is a masterpiece of his maturity. Originally for brass band, Moorside Suite retains the folk-song charm that is representative of Holst. A Moorside Suite is a masterpiece of Holst's maturity. Written in 1928, 6 years before his death, it achieves a synthesis of his creative talent as a composer with the strong folk-song influences of 20 years earlier. The title of the work alludes to a country setting but does not describe an exact location, and this is mirrored in the musical material. Folk-song influence is apparent but not overt. The work was originally for brass band, commissioned for the National Brass Band Championships held at the Crystal Palace, London, Englan. Denis Wright was a musical scholar, and the transcription was carried out either during Holst's lifetime or shortly after his death in 1934. The score was not published until 1983, and has been re-edited by Geoffrey Brand. Interestingly, Holst himself always intended the work to be transcribed for 'Military Band' and a 1st Movement and some bars of the 2nd Movement exist in manuscript in the British Library. The opening Scherzo belies the serious nature of the work. It is a light, airy 6. 8 in which the initial statement, with its all-important leap of a fifth, is first heard on clarinet and alto saxophone. This interval of a fifth is distilled, as if to draw our attention to it, before a fortissimo 8 bars in which the opening theme is repeated - the only fortissimo passage in the whole of the 1st movement. Holst achieves a 'folky,' almost modal, feel in the melody by allowing the 6th of the scale to remain natural. Whereas the 1st movement has a sylph-like delicacy, the second is at rest. Tranquil, especially in the beadth of the chorale, its simple key structure distills the tonal tension inherent in the tonic. dominant polarity. The oboe opening. again delineating the rising fifth of the first movement. is in F minor. a short cornet echo leads to C major for the first statement of the chorale. This leads back to F minor and a subtle development of the opening followed by the Chorale again this time in F minor and now allowed to build to a fortissimo climax before the movement fragments around the falling 6th of the opening. The peace is shattered by a triumphant March. We are in Bb minor again, and this movement is built on thematic contrasts. firstly the 'pesante' theme, then a hammered fanfare, followed by a playful leggiero tune. Like the Scherzo, this March has a Trio, the melody of which bears a definite resemblance to the Chorale of the 2nd movement. Most certainly, this linking device was subconscious on Holst's part, but with the predominant use of the interval of a fifth, it helps to explain the feeling that the Suite is thematically tightly-knit.

Prijevod

Moorside sviti D. Wright. Raspored po Dennis Wright. Za koncertni bend. Piccolo, 1. frula, 2. flautu, obou, klarinet Eb. , 1. Bb klarinet, 2. Bb klarinet, 3. Bb klarinet, Eb Alto Klarinet. , BB bas klarinet, fagot 1., 2. fagot. , 1. Eb alt saksofon, 2. Eb alt saksofon, BB tenor saksofon, Eb Bariton saksofon. Band Glazba. Ocjena 4,5. Band ocjenu. Trajanje 15. 00. Objavljeno C. Alan Publikacije. CN.S11013. Remek-djelo za koncertnu bend. Holst je Moorside Apartman se sastoji u 1928, blizu kraja skladateljeva života, te je remek-djelo njegove zrelosti. Izvorno za limenu glazbu, Moorside Apartman zadržava folk-pjesmu šarm koji prikazuje Holst. Moorside Suite je remek-djelo Holsta zrelosti. Napisao je 1928, šest godina prije svoje smrti, ona ostvaruje sintezu svoj kreativni talent kao skladatelj s jakim folk-song utjecajima 20 godina ranije. Naslov rada aludira na pokrajini, ali ne opisuje točno mjesto, a to se ogleda u glazbenom materijalu. Folk-pjesma utjecaj je očit, ali nije javan. Rad je izvorno za limenu glazbu, naručena za nacionalne Brass Band prvenstvu održanom u Kristalnoj palači u Londonu, Englan. Denis Wright je glazbeni znanstvenik, a prijepis je provedena bilo tijekom Holst života ili nedugo nakon njegove smrti u 1934. Rezultat nije objavljen sve do 1983, a ponovno je uredio Geoffrey Brand. Zanimljivo, i sam Holst je namjeravao radove koje se prepisuje za 'Vojne Band' i prvi pokret i neki barovi 2. pokreta postoje u rukopisu u Britanskoj knjižnici. Otvaranje Scherzo kamuflira ozbiljnu prirodu posla. To je svjetlo, zračni 6. 8 u kojem je početna tvrdnja, sa svim važnim skokom od jedne petine, je prvi put čuo za klarinet i alt saksofon. Ovaj interval od petine destilirana, kao da želi privući pažnju na njega, prije nego se fortissimom 8 barova u kojima otvaranje tema se ponavlja - samo fortisimo prolaz u cijeloj 1. pokreta. Holst postiže 'folky,' gotovo modalna, osjećaju u melodiji dopuštajući 6. ljestvice ostati prirodni. Dok prvi pokret ima zračni duh poput delikatesa, a druga je u mirovanju. Miran, pogotovo u beadth u koral, svojim jednostavnim ključna struktura distills tona napetost svojstvenu u tonik. dominantni polariteta. Otvaranje obou. Ponovno prikazom rastuće petinu prvog stavka. je u f-molu. Ukratko kornet echo vodi u C-duru za prvu izjavu koral. To dovodi natrag u f-molu i suptilan razvoj otvaranja slijedi koral opet ovaj put u f-molu, a sada smije graditi na fortissimo vrhunca prije fragmenata kretanje oko pada 6. otvaranju. Mir je razbijen uspjesan. Mi smo u Bb-molu opet, i ovaj pokret je izgrađena na tematskim kontrasta. prvo 'Pesante' tema, a zatim kovanog fanfare, nakon čega je razigran leggiero napjev. Kao i Scherzo, u ožujku je trio, od kojih melodiju nosi definitivno podsjeća na koral 2. kretanja. Zasigurno, ovo povezivanje uređaja je podsvijest na Holsta dijela, ali s uglavnom koristi u razmaku od jedne petine, to pomaže objasniti osjećaj da Suite je tematski usko povezana.