Notna sveska $16.00
Izvornik
Awatovi. Bassoon sheet music. Clarinet Solo sheet music.
Prijevod
Awatovi. Fagot note. Klarinet solo note.
Izvornik
Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.
Prijevod
Awatovi sastoji Daniel Baldwin. Za klarinet, fagot. Level 5. Objavio zamislite glazbeni. IG.CMS126. U Awatovi ostaci, koji se nalazi u Arizoni, gdje su se nekad uspješan naselje Hopi, postoji već više od 450 godina prije nego što su njihovi prvi gosti stigli 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, već više od 150 godina, uživao prilično miran suživot sa Španjolcima nakon toga, već 1700, napokon je došao do sukoba između tradicionalist Hopi i pretvaraju katolika. Rezultat je bio da su tradicionalisti masakrirali obraćenici i onda uništili selo. Simbolično, pad sela označio kraj španjolske uplitanja u Hopi životu. Otvaranje linija po fagot predstavlja mješoviti namjere onih prvih istraživača na čelu s Coronado, a namijenjen je prenijeti i španjolski i Indijanci glasove. Također je vizija budućnosti doći, nezaboravna nagovještaj prekrasnih još neplodnim ruševinama doći. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Dok istraživanje Coronado nije bio bez sukoba, odlučio sam da se usredotočite na mirne naravi svoje misije. Postoje dvije dionice ovdje. oba su španjolski okusom, ali prvo prikazuje istraživanja, dok je drugi dio namijenjen predložiti logorska vatra pjesmu odražava ono putovanje moglo biti kao što je tijekom noći dok su odmarali, čavrljali, i pjevali pjesme. To dovodi u pokret dva. Kiva. The Kiva murals were discovered in theAwatovi ruins. Oni su slike koje predstavljaju Hopi plemenske rituale i ceremonije. I have used the style of NativeAmerican flute music to portray this. Sljedeća je Bugle poziva, ili El Deguello, zastupa i igrao po fagot. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. Glazba smjene predstavljati stvarni napad, koji je portretirao je vrlo disonantni i dramatičnom prijelaznom prolaz. Konačno, Kiva krugovi natrag na otvaranju materijala u drugom ključu, što simbolizira pomak u percepciji iz španjolskog konkvistador, na Hopi potomak. Awatovi je napisan na prijedlog moj dobar prijatelj Ric Jones, i bio je podržan od strane Richard Ramsey i konzorcij oboa i fagot igrača. Hvala svima vama za vaše vizije i podršku ovom projektu. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. Klarinet, fagot i glasovir verzija je premijerno na 2012 IDRS konferenciji na Sveučilištu Miami Ohio Roberta i Mary Nan Jordana na 9. srpnja 2012.
