Notna sveska $130.00
Izvornik
Concerto for Timpani & Band. Gordon Jacob. Percussion sheet music. Timpani sheet music. Grade 4.
Prijevod
Koncert za timpana. Gordon Jacob. Udaraljke note. Timpani note. Grade 4.
Izvornik
Concerto for Timpani & Band. Timpani Feature. Composed by Gordon Jacob. 1895-1986. For Soloist. with Concert Band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, 1st F Hor. Band Music. Grade 4.5. Score and parts. Duration 12. 30. Published by C. Alan Publications. CN.R10005. The nature of the timpani means that musical development is rhythmic rather than tonal. In the first movement, a broad theme is announced by the timpani themselves, and immediately echoed and modified by the full wind band. Material is embroidered by woodwinds and developed by the soloist. The second movement. Adagio. is virtually an aria in which we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted. Gordan Jacob wrote his Concerto for Timpani in 1984 and it was to be the last major work that he wrote before he died. It was written for a professional wind group in Konstanz. West Germany. and the first performance was given there in June 1984 with the soloist Klaus Huber. to whom it is dedicated. conducted by Douglas Bostock. In the first movement, a broad theme is announced by the timpani themselves based on a rising succession of thirds, and immediately echoed and modified by the full wind band. After a bridge, when the material is embroidered by woodwinds, the theme is presented in an inverted and varied form by the soloist before being developed. Unlike a Classical development in which tonality provides the tension, the nature of the timpani means that the development is rhythmic rather than tonal. To modulate extensively would obviously present problems even with pedal timpani. A recapitulation follows and a quasi cadenza leads to a strong close. The second movement. Adagio. is virtually an aria. The timpani carry the melody throughout, embellished and them embroidered by small groups of instruments presented in choirs. Jacob, the masterful orchestrator, allows only four bars of full band. By the end of only 47 bars, we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - displaying Jacob's English roots. his characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted.
Prijevod
Koncert za timpana. Timpani Feature. Sastoji od Gordon Jakova. 1895-1986. Za solist. s Koncertnom Band. Piccolo, 1. frula, 2. frula, 1. obou, 2. obou, klarinet Eb. , 1. Bb klarinet, 2. Bb klarinet, 3. Bb klarinet, Eb Alto Klarinet. , BB bas klarinet, fagot 1., 2. fagot. , 1. Eb alt saksofon, 2. Eb alt saksofon, BB tenor saksofon, 1. F Hor. Band Glazba. Ocjena 4,5. Rezultat i dijelovi. Trajanje 12. 30. Objavljeno C. Alan Publikacije. CN.R10005. Priroda timpana znači da se glazbeni razvoj je ritmičko nego tonski. U prvom stavku, široka tema je najavljeno od strane timpana sebe, i odmah ponovio i mijenjati po punoj vjetra bend. Materijal je izvezena puhačke instrumente i razvila solist. Drugi stavak. Poslovica. je gotovo arija u kojoj smo s lijeve strane izražajnim raspoloženje zazvao iz timpana sami. Posljednji stavak nered - karakteristična upotreba kvazi-folk materijala je dobro prilagođen za bend i ritmičkih obilježja timpana su istaknute. Gordan Jakov napisao svoju Koncert za timpana u 1984, a to je da bude posljednji veliki posao koji je napisao prije nego što je umro. To je bio napisan za profesionalne vjetra grupe u Konstanzu. Zapadna Njemačka. i prvi nastup dobio je tu u lipnju 1984 sa solistom Klaus Huber. kome je posvećena. provodi Douglas Bostock. U prvom stavku, široka tema je najavljeno od strane timpana i sami na temelju diže sukcesije trećine, i odmah odjekivale i modificiranih s punim vjetra bend. Nakon mosta, kad se materijal izvezena woodwinds, tema je predstavljena u obrnutom i raznolikom obliku od strane solist prije nego što je razvio. Za razliku od klasične razvoja u kojoj tonalitet daje napetost, priroda timpana znači da je razvoj ritmičke nego tonski. Modulirati intenzivno očito će stvarati teškoće, čak s pedalama timpana. Rekapitulacije slijedi i kvazi kadenca dovodi do jake kraju. Drugi stavak. Poslovica. je gotovo aria. U Timpani nose melodiju tijekom, krase ih i vezeni malim skupinama instrumenata prikazanih u zborovima. Jakov, majstorski Orchestrator, dopušta samo četiri palice puni sastav. Do kraja samo 47 barova, ostaje nam izražajnim raspoloženje tonskog od samih timpana. Posljednji stavak nered - prikazujući Jakova engleske korijene. njegova karakteristična uporaba kvazi-folk materijala je dobro prilagođen za bend i ritmičke karakteristike timpana su istaknute.
