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Izvornik
Contemporary Eartraining - Level One. Mark Harrison. Piano sheet music.
Prijevod
Suvremena Eartraining - Razina Jedan. Mark Harrison. Piano note.
Izvornik
Contemporary Eartraining - Level One. A Modern Approach to Help You Hear & Transcribe Melodies, Rhythms, Intervals, Bass Lines and Chords. For Piano. Keyboard. Piano. Softcover. 232 pages. Published by Hal Leonard. HL.220012. ISBN 0825693926. 9x12 inches. Eartraining is a vital. and sometimes neglected. skill that enables musicians to “hear ahead” in their playing and writing. These unique, modern courses have been used by hundreds of students. from beginners to working pros. at the acclaimed Grove School of Music in Los Angeles. These methods use SOLFEG. the syllables Do, Re, Mi, etc. to apply the techniques within a key-center based “relative pitch” framework. Level One works on hearing and transcribing melodies, rhythms, intervals and bass lines and moves on to identify triads and simple progressions. Level Two covers hearing and transcribing triad and four-part chord progressions, key changes, chromatic tones, modal scales, and combining melodic and harmonic dictation.
Prijevod
Suvremena Eartraining - Razina Jedan. A Modern Approach to Help You Hear & Transcribe Melodies, Rhythms, Intervals, Bass Lines and Chords. Za Piano. Tipkovnica. Plan. Softcover. 232 stranice. Objavljeno Hal Leonard. HL.220012. ISBN 0825693926. 9x12 inča. Eartraining je bitno. a ponekad zanemareni. vještina koja omogućuje glazbenicima da "čuje naprijed" u svom sviranja i pisanja. Ovi jedinstveni moderni tečajevi su koriste stotine studenata. od početnika do profesionalaca koji rade. na hvaljenom Grove School of Music u Los Angelesu. Ove metode koriste SOLFEG. slogove učiniti, Re, Mi, itd. primijeniti tehnike unutar ključnog centra temelji "relativne parcele" okvir. Razina Jedan radi na sluh i prepisivanje melodije, ritmovi, intervali i bas linijama i prelazi na identifikaciju Trijadu i jednostavne progresije. Razina dvije naslovnice sluha i pisanje trijadu i četiri dijela progresije akorda, ključne promjene, kromatske tonove, modalni vage, i kombinirajući meloharmonijska diktata.
