Notna sveska $50.00

Izvornik

Internal Combustion. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 5.

Prijevod

Unutarnjim izgaranjem. David Gillingham. B-Stan Truba note. Horn note. Grade 5.

Izvornik

Internal Combustion composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1. 2, F Horn 3. 4, Tromb. Grade 5. Score only. Duration 11. 30. Published by C. Alan Publications. CN.04441. Gillingham's highly programmatic "Internal Combustion" is a celebration of the birth of the American automobile. Using motives from the song "In My Merry Oldsmobile" and, of course, some original ideas as well, the history of the internal combustion engine comes to life with the turn of a crank, the honk of a horn and a journey through several musical styles, including ragtime, dixieland, 50s ballad and more modern jazz. Although the internal combustion engine was in existence since the early 19th century, its successful use in the United States began around 1900 and thus marked the beginning of one of the most important industrial sagas of the 20th century, that of the American automobile. Adjacent to the invention of this new "horseless carriage" was the advent of early jazz, that of "ragtime" and New Orleans "Dixieland" jazz. Also marking the occasion was General Motors' introduction of the Oldsmobile and the Gus Edwards. Vincent Bryan song, "In My Merry Oldsmobile. " The conglomeration of these events are the basis for the inspiration behind "Internal Combustion. " The work is centered around two main thematic ideas - motives from "In My Merry Oldsmobile" and what the composer calls the "Song of Invention" which is related to "Merry Oldsmobile" by the obvious interval of a major sixth. Added to this thematic material is a multitude of references to the mechanistic nature of the internal combustion engine, the automobile and automobile horns. the old time "oogah" and the American luxury car variety using the interval of the third. The work starts with the anticipation of invention with some obvious allusions to the "Merry Oldsmobile" tune. The introductory material leads to the "Song of Invention," expressively stated by solo alto saxophone. Then, the crank is turned. ratchet. and we're off for a ride. One should easily hear tha "putt-putt" of the engine, the whistle of the wind and the steam from the radiator. The automobile gathers speed and begins to cruise along joyously. hence a dixieland rendition of "Merry Oldsmobile. " The frolic is interrupted by gathering speed and further development and refinement of the automobile and its internal combustion engine. Along the way, one will hear more references to "Merry Oldsmobile," car horns. traffic congestion. and even a "revving" engine. Unfortunately, in America, "speed is the thing," and the music comes to a screeching halt with a crash and jammed car horn segues into a melancholy lament. This section culminates with a simplistic and child-like presentation of "Merry Oldsmobile" in the percussion. bells. vibraphone. An engine "rev". trombone flutter tongue. gives way to new and better things on the horizon and perhaps of the "hay days" of the automobile, the 1950s. Within this section can be heard the triplet rhythm of a stereotypical 50s ballad. The 50s give way to the final decades of the 20th century beginning with a reference to modern jazz. The music begins to develop and becomes more sinister in nature perhaps indicative of the mixed blessing the automobile has bestowed upon us. Finally, however, the music leads to a dramatic presentation of the "Song of Invention. " Despite its mixed blessing, the automobile is an invention to be celebrated. it has undisputedly changed the world. The music changes into a moment of reflection with a reprise of the "Song of Invention" by solo alto saxophone giving way to an intense, fast and spirited finale.

Prijevod

Unutarnjim izgaranjem sastoji David Gillingham. Za koncertni bend. Piccolo, frula 1. 2, obou 1. 2, fagot 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, bas klarinet, kontrabas Eb klarinet, alt saksofon 1. 2, tenor saksofon, bariton saksofon, Bb Truba 1, Bb Truba 2, Bb Truba 3, F Horn 1. 2, F Horn 3. 4, Tromb. Grade 5. Postići samo. Trajanje 11. 30. Objavljeno C. Alan Publikacije. CN.04441. Gillingham je vrlo programatska "unutarnjim izgaranjem" je proslava rođenja američke automobile. Motivima iz pjesme "In My Sretan Oldsmobile" i, naravno, neke originalne ideje te, povijest motora s unutarnjim izgaranjem u pitanju život s prijelazu ručica, trube od rogova i putovanje kroz nekoliko glazbenih stilova, uključujući i ragtime, dixieland, 50-balade i više modernog jazza. Iako je motor s unutarnjim izgaranjem je postojao od početka 19. stoljeća, njegova uspješna primjena u Sjedinjenim Američkim Državama počela oko 1900 i tako označio početak jednog od najvažnijih industrijskih sagama 20. stoljeća, da je od američkih automobila. Susjedni izumu ovog novog "bez konja prijevozu" je pojava ranog jazza, koji je "ragtime" i New Orleans "Dixielend" jazz. Također Povodom bio General Motorsa uvođenje Oldsmobile i Gus Edwards. Vincent Bryan pjesmu "In My Sretan Oldsmobile. "Konglomerat tih događaja su temelj za inspiraciju" unutarnjim izgaranjem. "Rad je usmjeren oko dvije glavne tematske ideje - motivi iz" In My Sretan Oldsmobile ", a ono što je skladatelj naziva" Pjesma izum "koji se odnosi na" Sretan Oldsmobile "od očitih intervalu od glavnih šestine. Dodano u ovom tematskom materijalu je mnoštvo referenci na mehaničko prirode motora s unutarnjim izgaranjem, automobila i automobilskih truba. stara vremena "oogah" i American luksuznih automobila sorta uporabe interval treći. Rad započinje s očekivanju izuma s nekim očitim aluzijama na "Sretan Oldsmobile" napjev. Uvodni materijal vodi na "Pjesmi nad izum," izrijekom navedeno solo alt saksofon. Zatim, ručica uključen. ustavljački kotač. i krenuli smo u vožnju. One jednostavno treba čuti tha "Putt-putt" motora, zviždukom vjetra i pare iz hladnjaka. Automobil okuplja brzinu i počinje krstarenje zajedno radosno. stoga Dixieland izvedba "Sretan Oldsmobile. "Veseliti se prekida brzinu prikupljanja i daljnjeg razvoja i usavršavanja automobila i njegova motora s unutarnjim izgaranjem. Usput, nitko neće čuti više referenci na "Sretan Oldsmobile," automobilskih truba. zagušenja prometa. pa čak i "okretaja" motor. Nažalost, u Americi, "brzina je stvar", a glazba u pitanju piskav zaustaviti sa sudaru automobila i zaglavio rog segues u melankoličnom žalopojke. Ovaj dio kulminira s pojednostavljenim i dječjom prezentaciju "Sretan Oldsmobile" u udaraljke. zvona. vibrafon. Motor "okretaja". trombon podrhtavanje jezik. ustupa nove i bolje stvari na horizontu, a možda i "sijena dana" od automobila, 1950. Unutar ovog poglavlja može se čuti u tercetu ritam stereotipne 50-balada. 50-ih godina ustupiti posljednjim desetljećima 20. stoljeća, počevši s osvrtom na suvremenog jazza u. Glazba počinje razvijati i postaje zlokobno u prirodi možda indikativnom mješovitog blagoslov automobilske je obogatila nas. Na kraju, međutim, glazba dovodi do dramatičnog prezentaciju "Pjesme nad invencija. "Unatoč mješoviti blagoslov, automobil je izum koji će se slaviti. to nesumnjivo je promijenio svijet. Glazba mijenja u trenutku odraza s repriza Pjesme izmišljotina solo alt saksofon ustupa intenzivan, brzo i duhovit finale.