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Izvornik
Grafenburg Variations. Dan Forrest. B-Flat Trumpet sheet music. Grade 4.
Prijevod
Grafenburg Varijacije. Dan Forrest. B-Stan Truba note. Grade 4.
Izvornik
Grafenburg Variations composed by Dan Forrest. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1, Bassoon 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Contralto Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Tr. Band Music. Grade 4. Score only. Duration 8. 20. Published by C. Alan Publications. CN.15701. This theme and variations on the hymn tune 'Grafenburg' takes the listener on a journey through many styles and moods, including a vigorous barn dance, a dreamy lullaby, a blustering sea chanty and triumphant fanfares. Well-known for his choral works, Forrest shows off his mastery of thr wind band idiom. The wonderful hymntune GRAFENBURG. by Johann Cruger, published in 1647. provides all of the thematic material for this set of variations. Each variation features some fragment or aspect of the original hymntune in a unique context. The variations are through-composed, yet divided into three main sections. The first section includes an introduction, a clear statement of the hymntune, a vigorous 'barn dance,' and a triumphant proclamation, before transitioning to the middle section. The middle section contains a dream and a lullaby, and includes a full statement of the theme, to keep it in the listener's ear. The third section begins with a rude awakening from interrupting trumpets, which then give way to a blustering sea chanty in 6. Another variation then deconstructs the tune's tonality, pulling it farther and farther away from its moorings. Before it can completely unravel, however, the full theme emerges as an 'organ-pedal' tune, in augmentation. Triumph then gives way to rejoicing, as the 'barn dance' returns and sweeps the listener along to the end. GRAFENBURG is often sung with the hymntext, 'Come, Let Us Join Our Cheerful Songs,' by Isaac Watts. The entire set of variations, then, should be thought of as a collection of 'cheerful songs,' each drawing its character from the original, traveling farther and farther afield from the original, but then all returning to join in their merry dance together.
Prijevod
Grafenburg Varijacije u sastavu Dan Forrest. Za koncertni bend. Piccolo, frula 1, 2 flaute, obou 1, 2 obou, fagot 1, 2 Fagot, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Bb bas klarinet, Eb kontraalt klarinet, Eb alt saksofon 1, Eb alt saksofon 2, BB tenor saksofon, Eb Baritone saksofona, Bb truba 1, Bb Tr. Band Glazba. Grade 4. Postići samo. Trajanje 8. 20. Objavljeno C. Alan Publikacije. CN.15701. Ova tema i varijacije na hvalospjevu napjev "Grafenburg 'vodi slušatelja na putovanje kroz mnoge stilove i raspoloženja, uključujući i snažan štali ples, a sanjivim uspavanke, a blustering more mornarska pesma i pobjednički fanfara. Poznata po svojim zbornim radova, Forrest pokazuje svoje majstorstvo thr vjetar benda idiomu. Divno hymntune GRAFENBURG. Johann Cruger, objavljenom 1647.. pruža sve tematske građe za ovaj skup varijacija. Svaka varijanta ima neki dio ili aspekt izvorne hymntune u jedinstvenom context. Varijacije su prokomponirani, ipak podijeljena na tri glavna dijela. Prvi dio sadrži uvod, jasnu izjavu o hymntune, snažan 'barn ples' i trijumfalni proglas, prije prelaska na središnjem dijelu. Srednji dio sadrži san i uspavanku, a uključuje punu izjavu o temi, da bi ga u slušatelja uha. Treći dio počinje s grubo buđenje iz prekida trube, koji je tada ustupiti blustering mora mornarska pesma u 6. Druga varijanta onda dekonstruira Tune je tonalitet, to vuče sve dalje i dalje od svojih vezova. Prije nego što je u potpunosti razotkriti, međutim, puna tema pojavljuje kao "organ-gasa" napjev, u povećanje. Trijumf onda ustupa radosti, kao 'barn ples' vraća i osvaja slušatelja zajedno do kraja. GRAFENBURG često pjeva s hymntext, "Hajde da se pridružite našem veselom pjesama," Isaac Watts. Cijeli niz varijacija, onda treba biti misao kao zbirke 'veselih pjesama, "svaki crtež svoj lik iz izvornika, putujući sve dalje i dalje šire od izvornika, ali onda sve vraćaju se pridružiti u veselom plesu zajedno.
