Notna sveska $29.95
Izvornik
Wind Sketches. Brian Balmages. Euphonium sheet music. Tuba sheet music.
Prijevod
Vjetar Sketches. Brian Balmages. Euphonium note. Tuba note.
Izvornik
Wind Sketches composed by Brian Balmages. For Tuba-Euphonium Quartet. Chamber music, 20th century. Published by Potenza Music. P2.90014. Wind Sketches was commissioned by the Off-Bass Brass Quartet in April of 2008 and marks the second collaboration with composer Brian Balmages. 1975. The first was in 2007 when the quartet commissioned him to write Whirlwind, which was premiered at the Falcone International Tuba and Euphonium Festival in Twin Lake, Michigan in August of that year. Wind Sketches is actually an expansion on Whirlwind - this fast and aggressive work has become the first of four movements. The contrasting second movement, entitled Freemantle Doctor, is the colloquial name of strong oceanic winds that blow across the Northwestern coast of Australia. White Squall is a quick and boisterous scherzo bringing to mind the violent storms that arise at sea and vanish just as quickly as they come. The last movement, Vientos e fugas, with its Latin jazz influences applied to a reoccurring fugue pattern, provides a raucous, driving finale to end the piece.
Prijevod
Vjetar Skice skladao Brian Balmages. Za Tuba-Euphonium kvarteta. Komorna glazba, 20. stoljeće. Objavio Potenza glazbe. P2.90014. Vjetar Skice je naručila Off-Bass Brass kvarteta u travnju 2008, a obilježava drugu suradnju s skladateljem Brian Balmages. 1975. Prvi je bio u 2007, kada ga je kvartet naručio pisati Whirlwind, koji je premijerno prikazan na Međunarodnom Falcone Tuba i Euphonium festivalu u Twin Lakeu, Michigan u kolovozu te godine. Vjetar Skice je zapravo širenje na Whirlwind - to brzo i agresivno rad je postao prvi od četiri stavka. Kontrastne Drugi pokret, pod naslovom Freemantle Liječnik je kolokvijalni naziv jakih oceanskih vjetrova koji pušu preko sjeverozapadne obale Australije. White Squall je brz i bučan Scherzo podsjećajući na oluje koje se pojavljuju na moru i nestati jednako brzo kao i oni dolaze. Posljednji stavak, Vientos e fugas, sa svojim latinskim jazz utjecajima primjenjuju na ponovno pojavljivanje bijega uzorak, pruža promukao, vožnje finale za kraj komad.
