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Izvornik

The Last Kind Day. Bassoon sheet music. Clarinet sheet music. Flute sheet music.

Prijevod

Last Kind dan. Fagot note. Klarinet note. Flauta note.

Izvornik

The Last Kind Day for flute, clarinet, bassoon. Level 4-5. Duration 7 minutes. Published by Imagine Music. IG.CMS114. This three movement work for flute, clarinet, and bassoon was initially conceived during autumn in Vermont, where each lovely, temperate day inspires the awareness that it may be the last before the onset of the long, formidable, wearisome winter. The first movement is based on a twelve-tone row that features perfect fifths and fourths. The late introduction of the bassoon highlights the aim throughout this composition to weave together the voices as equally important linear strands that coincide to express various harmonic sonorities. The second, slower movement, draws somewhat on jazz chord progressions and voicings. The lively third movement is another twelve-tone setting. As in the first movement, the twelve-tone method here is one that allows liberal pitch class repetition within one statement of the row. Imitation is at play in this movement, and the row itself contains many smaller intervals than those found in the row utilized for the first movement. The bassoon slips away early and the flute and clarinet intertwine themselves to bring the piece to a close.

Prijevod

Last Kind dan za flautu, klarinet, fagot. Razina 4-5. Trajanje 7 minuta. Objavio zamislite glazbeni. IG.CMS114. Ova tri pokret raditi za flautu, klarinet, fagot i na početku je bio zamišljen tijekom jeseni u Vermontu, gdje je svaki lijepi, umjerena dan inspirira svijest o tome da bi to mogla biti posljednja prije početka duge, težak, zamoran zimi. Prvi pokret temelji se na nizu dvanaestotonski koji ima savršene petine i četvrtine. Kasno uvođenje fagot naglašava cilj u cijelom ovom sastavu tkati zajedno glasove jednako važno linearnih pramenove koji se podudaraju izraziti različite harmonika sonornosti. Drugi, sporije kretanje, privlači nešto o jazz progresije akorda i voicings. Živo Treći je stavak druga postavka dvanaestotonski. Kao što je u prvom stavku, metoda dvanaestotonski ovdje je onaj koji omogućuje liberalni teren klase ponavljanje u roku od jedne izjave zaredom. Imitacija je u igri u tom pokretu, a sam red sadrži mnogo manje intervale od onih u nizu koristi za prvi pokret. Fagot gaćice daleko ranije i flauta i klarinet isprepliću se dovesti komad u blizini.