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Izvornik

Preludes, Volume 1. NFMC. Dianne Goolkasian Rahbee. Piano Solo sheet music. Intermediate.

Prijevod

Preludija, Volume 1. NFMC. Dianne Goolkasian Rahbee. Piano Solo note. Srednji.

Izvornik

Preludes, Volume 1. NFMC. composed by Dianne Goolkasian Rahbee. 1938-. and Dianne Goolkasian Rahbee. 1938-. Edited by Rebecca Raffaelli and Helen Marlais. For piano. Performance. The FJH Contemporary Keyboard Editions. This title is on the 2011-2012-2013 National Federation of Music Clubs list. Contemporary. SMP Level 5. Intermediate. Book. Published by The FJH Music Company Inc. FJ.J1017. ISBN 1-56939-633-7. Contemporary. This two-volume collection of preludes contains short character pieces with a wide range of emotional expression and a wide range of technical demands from intermediate to advanced. The performer may decide to program these preludes as single pieces or in groupings in any order. While written in part as pedagogical exercises, these preludes are beautifully constructed miniatures that take an honored place among the preludes of Chopin, Bach, and Scriabin. They are written as single compositions rather than in cycles like the preludes of Bach and Chopin. Some reflect the rhythms and dance forms found in the music of modernists like Ginastera and Ligeti and many are neo-romantic in style with emotionally expressive melodic content. This title has selections that range in difficulty from SMP Level 3-5. The FJH Contemporary Keyboard Editions is a series that focuses on the best contemporary music for keyboard of the late 20th and early 21st centuries. These collected works by some of today's leading art-music composers will expand a student's concept of rhythm, harmony, sound, and texture. While the composers invited to write for this series use a colorful palette of contemporary techniques and textures, they were selected for their strong musical voices, which ensure that the ultimate goal of musical communication is never lost. Too often, both students and teachers get discouraged with contemporary compositions because of their avant-garde sound. This series addresses that concern by providing excellent music which is both contemporary and intuitively musical. Contemporary performance practices such as depressing keys silently, cluster sounds, pedal effects, knocking on the keyboard, contemporary harmonies, jazz idioms, bitonality, modes, mixed and changing meters, and 12-tone techniques challenge the student to listen for new rhythmic gestures and tonal colors and expand their interpretive capacity. While expanding students' horizons, this series helps to confirm and reinforce the musical and technical concepts they are learning in their other repertoire. The natural musicality present in each of these pieces demands the same kind of careful attention that we expect from the standard canon of repertoire. This series is carefully leveled into the following categories. elementary, intermediate, early advanced, and advanced. Each of the works has been selected for its artistic as well as its pedagogical merit. Seventh chords and melodies in both hands. More difficult note reading with ledger lines above and below the staff. Prelude. In Memoriam. , Op. 116. Intermediate. Prelude, Op. 4, No. 8. Early Intermediate. Prelude. Escape to Inner Space. , Op. 138, No. 1. Prelude, Op. 4, No. 4. Intermediate. Prelude. from Three Preludes. , Op. 5, No. 1. Intermediate. Prelude. from Three Preludes. , Op. 5. , No. 2. Intermediate. Prelude. from Three Preludest. , Op. 5, No. 3. Intermediate. Prelude, Op. 46. Intermediate. Prelude. August, from Three Preludes. , Op. 87, No. 1. Late Intermediate. Prelude. Lullaby for Elias, from Three Preludes. , Op. 87, No. 2. Intermediate. Prelude. Celebration, from Three Preludes. , Op. 87, No. 3. Intermediate. Prelude. Melody. , Op. 88. Intermediate. Prelude. Chaotic Life in the 90's. , Op. 90. Intermediate. Three Holleck Preludes, Op. 115. Intermediate. --Prelude. Moving Along. , Op. 115, No. 2. --Prelude. Searching for Answers. , Op. 115, No. 1. --Prelude. A Garden of Fragile Flowers with Deep Roots. , Op. 115, No. 3. Prelude. Autumn. , Op. 89. Intermediate. Prelude. Dialogue, from Three Preludes. , Op. 18, No. 7. Intermediate. Prelude. Flute Frolic, from Three Preludes. , Op. 18, No. 1. Intermediate. Prelude. Capriccio, from Three Preludes. , Op. 18, No. 5. Intermediate. Prelude. Within. , Op. 62. Late Intermediate.

Prijevod

Preludija, Volume 1. NFMC. sastavljen od Dianne Goolkasian Rahbee. 1938 -. i Dianne Goolkasian Rahbee. 1938 -. Uredio Rebecca Raffaelli i Helen Marlais. Za glasovirom. Performanse. U FJH Suvremeni Tipkovnica izdanja. Ovaj naslov je na 2011-2012-2013 Nacionalne federacije glazbenih klubova popisa. Suvremena. SMP Level 5. Srednji. Knjiga. Objavljeno The FJH Music Company Inc. FJ.J1017. ISBN 1-56939-633-7. Suvremena. Ova zbirka u dva sveska od preludija sadrži kratke komada lik s širok raspon emocionalnog izražavanja i širok spektar tehničkih zahtjeva od srednje do napredne. Izvođač može odlučiti da program ove predigri kao jednog komada ili u grupacijama u bilo kojem redoslijedu. Iako napisana dijelom kao pedagoške vježbe, te preludija su lijepo izgrađene minijature koje se počasno mjesto među preludija Chopina, Bacha i Skrjabina. Oni su pisani kao single skladbi, nego u ciklusima kao što su preludija Bacha i Chopina. Neki odražava ritmove i plesne forme nalaze u glazbi modernista poput Ginastere i Ligeti, a mnogi su neo-romantično u stilu s emocionalno izražajan melodijske sadržaj. Ovaj naslov ima izbor da u rasponu od poteškoća sa značajnom tržišnom snagom Level 3-5. U FJH Suvremeni Tipkovnica Editions je serija koja se fokusira na najbolji suvremene glazbe za tipkovnicu s kraja 20. i početka 21. stoljeća. Ove sabrana djela nekih od današnjih vodećih art-skladatelja će se proširiti na studentske koncept ritam, harmoniju, zvuk i tekstura. Dok su skladatelji pozvani napisati za ovu seriju koristiti šarene palete suvremenih tehnika i tekstura, oni su izabrani za njihove jake glazbene glasovima, koji osiguravaju da je krajnji cilj glazbene komunikacije ne gubi. Prečesto, i studenti i profesori se obeshrabriti s suvremenih skladbi zbog avangardnog zvuka. Ova serija se bavi taj zabrinutost pružajući odličnu glazbu koja je istovremeno suvremen i intuitivno glazbeni. Suvremene izvedbe prakse kao što su depresivno ključeva u tišini, klaster zvukova, učinaka pedala, kucaju na tipkovnici, suvremenih suzvučja, jazz idioma, bitonalitetne, načini, miješaju se i mijenja metara, te 12-tonske tehnike izazov učeniku slušati nove ritmičkim pokretima i tonskih boja i proširiti svoje kapacitete za tumačenje. Dok širi studenata horizonte, ova serija pomaže potvrditi i ojačati glazbene i tehničke koncepte uče u svojoj drugoj repertoara. Prirodni muzikalnost prisutan u svakom od tih komada zahtijeva istu oprezni pozornost da očekujemo od standardnog repertoara kanonu. Ova serija je pažljivo izravnati u sljedećim kategorijama. osnovno, srednje, rano napredovao, i napredne. Svaki od radova je izabran za njegova umjetnička kao i njegov pedagoški zaslugama. Sedmi akorde i melodije u obje ruke. Teže note čitanja s glavne knjige nalaze iznad i ispod osoblja. Uvod. In memoriam. , Op. 116. Srednji. Preludij, op. 4, broj 8. Rani Srednji. Uvod. Bijeg u unutarnjeg prostora. , Op. 138, broj 1. Preludij, op. 4, broj 4. Srednji. Uvod. od tri preludija. , Op. 5, br 1. Srednji. Uvod. od tri preludija. , Op. 5. , Broj 2. Srednji. Uvod. iz tri Preludest. , Op. 5, br 3. Srednji. Preludij, op. 46. Srednji. Uvod. Kolovoza od tri preludija. , Op. 87, br 1. Kasni Srednji. Uvod. Uspavanka za Ilije, iz tri preludija. , Op. 87, br 2. Srednji. Uvod. Proslava, od tri preludija. , Op. 87, br 3. Srednji. Uvod. Melodija. , Op. 88. Srednji. Uvod. Kaotičan život u 90-ima. , Op. 90. Srednji. Tri Holleck preludija, op. 115. Srednji. - Preludij. Premještanje Uz. , Op. 115, broj 2. - Preludij. U potrazi za odgovorima. , Op. 115, broj 1. - Preludij. Vrt Fragile cvijeće s dubokim korijenima. , Op. 115, broj 3. Uvod. Jesen. , Op. 89. Srednji. Uvod. Dijalog, od tri preludija. , Op. 18, br 7. Srednji. Uvod. Frula veseliti, od tri preludija. , Op. 18, br 1. Srednji. Uvod. Capriccio, od tri preludija. , Op. 18, br 5. Srednji. Uvod. Unutar. , Op. 62. Kasni Srednji.