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Izvornik
Festival Te Deum. Benjamin Britten. Choir sheet music. Organ sheet music.
Prijevod
Festival Te Deum. Benjamin Britten. Zbor note. Orgulje note.
Izvornik
Festival Te Deum. Treble Solo, SATB Chorus and Organ. Composed by Benjamin Britten. 1913-1976. For Choral. SATB, Organ. BH Large Choral. 24 pages. Boosey & Hawkes #M051481699. Published by Boosey & Hawkes. HL.48021233. ISBN 1458423530. 6.75x10.5 inches. Text. Book of Common Prayer. liturgy of Morning Prayer. Publisher. Boosey & Hawkes. Difficulty level. 2-3. Britten's second setting of the Te Deum is completely different from the C major one he wrote eleven years earlier. It was composed for the centenary Festival of St. Mark's Church in Swindon - an Anglo-Catholic church with a strong choral tradition which continues to this day. The structure of the piece is also different from the earlier work. A lengthy first section in unison which, while carefully notated in a variety of time signatures so that it feels as if it has the freedom of Gregorian chant, is accompanied by static organ chords in a regular 3. 4 metre. It is a really imaginative approach, and is actually very simple to perform. While the organ chords continue, the choir breaks up into simple imitative phrases at 'The glorious company of the Apostles praise Thee' but soon returns to the unison lines of the opening. The central section. 'Thou art the King of Glory, O Chris't. has fanfare-like phrases from the choir interspersed by short dramatic outbursts from the organ which then subside into a rhythmic piano section with an important ostinato pedal part for the organ. These two ideas are then mixed together before the opening organ chords return and a treble. soprano soloist sings a lovely line. The choir joins and takes the canticle to its gentle conclusion with the soloist having the last word. This setting is more straightforward than the earlier one. It does, however, have rhythmic issues which have to be mastered fully to do it justice. The choir, for instance, must not be pulled off course by the different time signature for the organ part in the opening and closing sections. It is all very straightforward in reality, it just looks complicated. Britten has thoughtfully annotated the vocal rhythm throughout the organ part for safety. The organist needs to be a confident musician. Where Britten may write eminently practically for the abilities of a parish church choir, he does not make similar allowances for the organist and the accompaniment is key to the success of a performance of this and many other such works. Duration. 7 minutes. Paul Spicer, Lichfield, 2011.
Prijevod
Festival Te Deum. Treble Solo, SATB Chorus i orgulje. Sastoji od Benjamina Brittena. 1913-1976. Za zborske. SATB, orgulje. BH Veliki pjevački. 24 stranica. Буси. Objavio Boosey. HL.48021233. ISBN 1458423530. 6.75x10.5 inča. Tekst. Knjiga zajedničke molitve. liturgija jutarnje molitve. Izdavač. Boosey. Stupanj težine. 2-3. Britten je drugi postavka Te Deum je potpuno drugačija od C-duru jedan je napisao jedanaest godina ranije. To je bio sastavljen za stoljetnoga Festivala Crkve svetog Marka u Swindonu - Anglo-Katolička crkva s jakim zborskog tradiciju koja se nastavlja sve do danas. Struktura komad je također različita od ranijih radova. Dugotrajan prvi dio u sklad koji, dok pažljivo notated u različitim vremenskim potpisa tako da se osjeća kao da ima slobodu gregorijanskog korala, popraćen statičkim organa akorda u redovnoj 3. 4 metra. To je stvarno maštovit pristup, a zapravo je vrlo jednostavno izvesti. Dok su orgulje akorde i dalje, zbor razbija u jednostavne oponaša izraze na 'slavna tvrtka od apostola hvale Tebe', ali uskoro se vraća na unisono linije otvaranju. Središnji dio. 'Ti si Kralj slave, O Chris't. ima pompu poput fraze iz zbora mjestimice kratkim dramskim ispadima iz organa koji onda povuku u ritmični klavirski izvadak s važnom ostinantni pedale dio za orgulje. Te dvije ideje onda pomiješaju prije otvaranja orgulje akorde vratiti i Treble. sopran solist pjeva lijepu liniju. Zbor pridružuje i traje hvalospjeva na svojim nježnim zaključka sa solistom posljednju riječ. Ova postavka izravnija od prethodne. To se, međutim, imati ritmičke pitanja kojima bi se svladao potpuno to učiniti pravdu. Zbor je, primjerice, ne smije se izvukao naravno uz drugu vremensku potpisa za orgulje dio u otvaranje i zatvaranje dijelova. To je sve vrlo jednostavno, u stvarnosti, to samo izgleda komplicirano. Britten zamišljeno je označen vokalni ritam tijekom cijelog organa dijela za sigurnost. Orguljaš treba biti sigurni glazbenik. Gdje Britten može pisati eminentno praktično za sposobnosti župe crkvenom zboru, on ne bi slične ustupke za orguljaša i pratnja je ključ za uspjeh u obavljanju ovog i mnogih drugih takvih djela. Trajanje. 7 minuta. Paul Spicer, Lichfield 2011.
