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Izvornik

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD set. Trombone sheet music.

Prijevod

Tradicionalni Jazz serije. Chicago-Style Jam Session. 2 CD set. Trombon note.

Izvornik

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD set. for trombone. Instrumental Solo Part and 2 CDs. Published by Music Minus One. MO.MMOCD3921. ISBN 1596154799. This exciting MMO volume emphasizes collectively improvised ensembles and the succession of individual solos in the freewheeling "Chicago-Style" offshoot of New Orleans Jazz. The rhythmic texture is rooted in the swing feel of the late 1930s, and the instrumentation is typical of the New York groups of this genre. The songs are popular melodies from the 1900s to 1930s as well as multithematic compositions and blues-on this album you'll find such classics as "'Deed I Do," "Sugar," "The Darktown Strutters' Ball," "That's a Plenty" and more. Sometimes this style is referred to as the New York-Chicago style, sometimes as post-Chicago style. It has also been called "Nicksieland," a play on "Dixieland" that recognizes a Greenwich Village nightclub called "Nick's," where this music was showcased in the 1950s. Chicago-style jazz is named for the city where it first developed. In the 1920s, many New Orleans musicians, including Joe "King" Oliver, Jimmy Noone, Johnny and "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, the Original Dixieland Jazz Band, and the New Orleans Rhythm Kings actively performed and recorded in Chicago. There are also many younger musicians around Chicago who were profoundly influenced by their music, including Eddie Condon, Benny Goodman, Gene Krupa, Muggsy Spanier, Bud Freeman and many others. By the 1930s many of these same musicians moved on to New York. Some continued to perform in the New Orleans tradition and others became significant figures of the Swing era. As the Big Band era closed, improvising soloists still found work in New York clubs such as Nick's, Eddie Condon's and the Metropole. The texture was distinctly in the New Orleans tradition but the language was Swing and directly reflected the synthesis that took place in Chicago. The musicians chosen for this session are, in a way, exponents of this tradition. Their personal styles are amalgamations of the greatest stylists who preceded them. You can hear in Hal Smith aural glimpses of Dave Tough and George Wettling. You can hear in Jon-Erik shades of Muggsy Spanier and Wild Bill Davison. Brian Ogilvie's voice of choice is flavored by the sonorities of Bud Freeman and Eddie Miller, and Evan Christopher owes more than a little bit to Edmond Hall's style. The other musicians were chosen for these qualities as well, and as a result, this stylistically accurate recording demonstrates the inner workings of collective improvisation in a traditional jazz context. You'll be blown away by the quality of these jazz combos-and this album includes both printed solo part and a concert lead sheet, to give you a rare glimpse into the workings of the great bands of the past-and present. Also includes a slow-tempo version of the accompaniments to help you get up to speed. Includes a 32-page music book containing a solo chart for each song containing the melody line and chord changes for proper improvisational playing of each song. plus a concert lead sheet giving the overall "roadmap" for each piece, printed on high-quality ivory paper. and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo. a digital stereo version of each piece minus the soloist. and a special -20% slow-tempo version of each accompaniment for practice purposes. For related items see the following item numbers. MMOCD3239, MMOCD3844, MMOCD4218. Rosetta. 'Deed I Do. Blues. My Naughty Sweetie Gives to Me. Sugar. That Sugar Baby o'Mine. The Darktown Strutters' Ball. The Royal Garden Blues. Poor Butterfly. That's A Plenty.

Prijevod

Tradicionalni Jazz serije. Chicago-Style Jam Session. 2 CD set. za trombona. Instrumental Solo Part 2 i CD-a. Objavio Glazba minus jedan. MO.MMOCD3921. ISBN 1596154799. Ova uzbudljiva volumen MMO naglašava kolektivno improvizirane ansamble i sukcesija pojedinih solaža u slobodnim "Chicago-Style" ogranak New Orleans Jazz. Ritmičke teksture ukorijenjena u jeku dojam kasnih 1930-ih, i instrumentacije je tipično za New York skupina ovog žanra. Pjesme su popularne melodije iz 1900-ih do 1930-ih, kao i multithematic skladbe i blues-na ovom albumu ćete pronaći takve klasike kao "'Deed I Do", "Sugar", "The Darktown Strutters' Ball", "To je Dosta "i više. Ponekad taj stil naziva New York-Chicago stila, ponekad kao post-Chicago style. Također je pozvao "Nicksieland," igra na "dixielandu" da prepoznaje Greenwich Village noćni klub pod nazivom "Nick", gdje je ta glazba je predstavio u 1950. Chicago-style jazz je dobio ime po gradu u kojem je prvi razvio. U 1920-ih, mnogi New Orleans glazbenici, uključujući i Joe "kralja" Oliver, Jimmy nitko, Johnny i "Baby" Dodds Freddie Keppard, "Jelly Roll" Morton, Louisa Armstronga, izvorni Dixielend Jazz Band, a New Orleans Rhythm Kings aktivno nastupao u Chicagu. Tu su i mnogi mladi glazbenici oko Chicaga koji su duboko pod utjecajem njihove glazbe, uključujući Eddie Condon, Benny Goodman, Gene Krupa, Muggsy Spanier, Bud Freemana i mnogi drugi. Do 1930-ih godina mnogi od tih istih glazbenika preselio u New York. Neki i dalje obavljati u New Orleansu tradicije i drugima postalo značajni likovi Swing doba. Kao što Big Band doba zatvorena, improviziraju solisti još našao posao u New Yorku klubovima kao što su Nick, Eddie Condon je i na Metropole. Tekstura je izrazito u New Orleans tradicije, ali jezik je Swing i izravno odražava sintezu koji se dogodio u Chicagu. Glazbenici su izabrani za ovu sjednicu su, na neki način, pobornici ove tradicije. Njihovi osobni stilovi su pripajanja od najvećih stilista koji im je prethodio. Možete čuti u Hal Smith slušni nazire Dave tvrd i George Wettling. Možete čuti u Jon-Erik nijansama Muggsy Spanier i Wild Bill Davison. Brian Ogilvie glas izbora okusom strane sonornosti Buda Freeman i Eddieja Millera, a Evan Christopher duguje više od malo do Edmond Hall stilu. Ostali glazbenici su izabrani za ove osobine, kao i kao rezultat toga, ovo stilski precizan zapis pokazuje unutarnji ustroj kolektivne improvizacije u tradicionalnoj jazz kontekstu. Vi ćete biti otpuhan po kvaliteti tih jazz kombo-i ovaj album uključuje i tiskanu solo dio i olovni lim koncert, da vam rijedak uvid u djelovanju velikih bendova prošlosti i sadašnjosti. Također uključuje sporo tempo verziju pratnja će vam pomoći da dobijete najviše brzine. Uključuje 32-stranicu glazbenu knjigu koja ima solo tablicu za svaku pjesmu u kojoj se nalaze melodijska linija i akord promjena za pravilnu improvizacijskim igranja svake pjesme. plus Koncert olovni lim daje ukupnu "smjernice" za svaki komad, tiskan na kvalitetnom papiru bjelokosti. i dva kompaktnih diskova koji sadrže kompletnu izvedbu tih jazz sastavima u digitalno ovladali stereo. digitalni stereo verzija svakog minus solistica. a posebna -20% sporo tempo verzija svake pratnju za praksu svrhe. Za slične stvari vidjeti sljedeće brojeve artikala. MMOCD3239, MMOCD3844, MMOCD4218. Rosetta. 'Deed radim. Bluz. Moj Naughty Dušo Daje mi. Šećer. To Šećer bebe o'Mine. The Darktown Strutters 'Ball. The Royal Garden Blues. Slabo Butterfly. To je Plenty.