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Izvornik

Scenes from an English Landscape. Adam Gorb. B-Flat Trumpet sheet music. Cornet sheet music. Euphonium sheet music. Horn sheet music. Trombone sheet music. Tuba sheet music. Grade 4.

Prijevod

Scene iz engleskog krajobraz. Adam Gorb. B-Stan Truba note. Cornet note. Euphonium note. Horn note. Trombon note. Tuba note. Grade 4.

Izvornik

Scenes from an English Landscape composed by Adam Gorb. 1958-. Arranged by Michael Brand. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Cornet. in Bb. 1-3, Trumpet. in Bb. 2, French Horn 1-4 , Trombone 1-3, Euphonium, Tuba, Stri. Band Music. Grade 4. Score only. Duration 4. 20. Published by C. Alan Publications. CN.S11242. Scenes from an English Landscape is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax. This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end o the work, both versions of the theme are stated together to bring the piece to a triumphant climax. Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University. 1977-1980. and the Royal Academy of Music. 1991-1993. where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester. International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis. With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings. for the Goldberg Ensemble. Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant. it is lost.

Prijevod

Prizori iz engleskog Pejzaž sastoji od Adama Gorb. 1958 -. Uređeni Michael Brand. Za koncertni bend. Piccolo, frula 1. 2, obou 1. 2, fagot 1. 2, BB Soprano Klarinet 1-3, Eb Alto klarinet, BB bas klarinet, alt saksofon 1. 2, tenor saksofon, bariton saksofon, Cornet. u Bb. 1-3, Truba. u Bb. 2, francuski rog, 1-4, 1-3 Trombon, Euphonium, Tuba, Stri. Band Glazba. Grade 4. Postići samo. Trajanje 4. 20. Objavljeno C. Alan Publikacije. CN.S11242. Scene iz engleskog krajobraz je kratak nostalgičan ton pjesma zauzima svoje nadahnuće iz vizije ruralnog Engleske kao što je prikazano na slikama John Constable, romana Thomasa teško, a glazbu Gustava Holst i Ralph Vaughan Williams. Koral nalik tema je navedeno u mjedi, a potom razmatrati na tri puta tempo u woodwinds. Na kraju rada, obje verzije temi iskazuju zajedno donijeti komad se trijumfalnom vrhunca. To je kratak nostalgičan ton pjesma zauzima svoje nadahnuće iz vizije ruralnog Engleske kao što je prikazano na slikama John Constable, romana Thomasa teško, a na glazbu Gustava Holst i Ralph Vaughan Williams. Zamišljao sam zajednicu seljani dolaze iz crkve i punjenje kvadrat selo sa svojim živoj prisutnosti. Koral nalik tema je navedeno u mjedi, a potom razmatrati na tri puta tempo u woodwinds. Na kraju o radu, obje verzije temi iskazuju zajedno donijeti komad se trijumfalnom vrhunca. Adam Gorb je rođen u Cardiffu i počeo skladati u dobi od deset. Njegov prvi rad emitirati na nacionalnom radiju je napisao kad mu je bilo petnaest. Studirao je na sveučilištu Cambridge. 1977-1980. i Royal Academy of Music. 1991-1993. gdje je diplomirao s najvišim počastima, uključujući nalogodavca nagrade. On je bio na osoblje na London College of Music i medije, juniorskoj akademiji Royal Academy of Music, a od 2000 je bio voditelj Škole za kompoziciju na Royal Northern College of Music u Manchesteru. Međunarodno priznanje došlo je 1994 s američkom Walter Beeler nagradu za svoj rad Metropolis. Uz to počelo ono što se razvio u vjerojatno najvažniji katalog vjetar ansambla strane suvremenog skladatelja, u rasponu od iznimno zahtjevna za najdostupniji, na svim tehničkim razinama, a iskoristio je od strane igrača u inozemstvo, često bilježe i sada apsolutno u središtu svjetske vjetra repertoara. Jednako je važno da su njegova djela za ples, i koncertnih djela poput komornog orkestralne Weimaru, u violinskim sonate, klarinet Koncertu za Royal Liverpool Philharmonic Orchestra i dijaspori za gudače. za Goldberg ansambla. Nevjerojatno glavna na prvi pogled, one prikazuju istu inventivnu sjaj, pulsirajući zvuk svijet, upečatljiva korištenje ritam i jedan undogmatic odsustvo stilskih hang-up u zagrljaju jazza i serijalizma u radovima u kojoj vlast, poeziju, ironiju i patosa, često podmetnut od strane kazališne i duboko subverzivni element, spajati u integriranom, vrlo individualne glazbene glasa. Gorb je i ne boji se izvući na živopisan glazbenu baštinu svojih židovskih korijena, ponekad izravno, često u više podvesti ili radikalno kreativan način. Presudna i dosljedna značajka Gorb rada, iako je da komunicira snažno bez zaštitnički igrača ili publike. On čvrsto vjeruje da će, ako suvremena glazba - bilo glazba - ne utječe na slušatelja onda je njegova poruka je nebitno. što je izgubio.