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Izvornik

Beethoven Cadenzas. Concerto For Violin And Orchestra D-major, op. 61. Ludwig van Beethoven. Percussion sheet music. Timpani sheet music. Violin Solo sheet music.

Prijevod

Beethoven kadence. Koncert za violinu i orkestar D-duru, op. 61. Ludwig van Beethoven. Udaraljke note. Timpani note. Violinu solo note.

Izvornik

Beethoven Cadenzas. Concerto For Violin And Orchestra D-major, op. 61. Kadenzen zum Konzert fur Violine und Orchester D-Dur, op. 61. Composed by Ludwig van Beethoven. 1770-1827. and Christian Tetzlaff. 1966-. For Violin, Timpani. String. Solo part. 10 pages. Duration 6 minutes. Schott Music #ED20482. Published by Schott Music. HL.49017791. Written by Christian Tetzlaff, one of the most interesting and most versatile violinists of his generation, this cadenza for Beethoven's Violin Concerto for violin and timpanis is published for the first time. There are no cadenzas for this famous violin concerto by the composer himself. Beethoven only wrote cadenzas for the later piano concerto version. As a special feature, he uses the timpani together with the solo instrument. This is an obvious thing to do as they open the work with the simple four-note motif and dominate the entire first movement. The idea to adapt these cadenzas of the piano version to the violin concerto is obvious. Tetzlaff has managed to do that quite impressively. For a better understanding, this edition has been designed as a performing score.

Prijevod

Beethoven kadence. Koncert za violinu i orkestar D-duru, op. 61. Kadence u Koncertu za violinu i orkestar u D-duru, op. 61. Sastavljen Ludwiga van Beethovena. 1770-1827. i Christian Tetzlaff. 1966 -. Za violinu, timpana. Niz. Samo dio. 10 stranica. Trajanje 6 minuta. Schott Music. Objavio Schott Music. HL.49017791. Napisao kršćanske Tetzlaff, jedan od najzanimljivijih i najsvestranijih violinista svoje generacije, to Cadenza za Beethovenove violinski koncert za violinu i timpanis objavljen po prvi put. Nema kadence za ovaj poznati Koncert za violinu i sam skladatelj. Beethoven je samo napisao kadence za kasniji koncert za glasovir verziji. Kao posebnost, on koristi timpana zajedno sa solo instrument. To je očita stvar za napraviti, kao što su otvoreni rad s jednostavnim četiri note motivu i dominirati cijeli prvi pokret. Ideja da se prilagode ove kadence za glasovirsku verziji za violinu i orkestar je očito. Tetzlaff je uspio da prilično impresivno. Radi boljeg razumijevanja, ovo izdanje je dizajniran kao obavlja rezultatom.