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Izvornik

Concerto for Vibraphone & Orchestra. score only. Nathan Daughtrey. Alto Saxophone sheet music. Baritone Saxophone sheet music. Soprano Saxophone sheet music. Tenor Saxophone sheet music. Vibraphone sheet music.

Prijevod

Koncert za vibrafon. postići samo. Nathan Daughtrey. Alt saksofon note. Bariton saksofon note. Soprano Saxophone note. Tenor saksofon note. U Bjelovaru note.

Izvornik

Concerto for Vibraphone & Orchestra. score only. composed by Nathan Daughtrey. For Soloist. with Orchestra. one on a part. , piccolo, flute 1, flute 2, oboe, bassoon 1, bassoon 2, B-flat clarinet 1, B-flat clarinet 2, B-flat clarinet 3, B-flat bass clarinet, B-flat contrabass clarinet, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, B-fla. Level 5. Score. Duration 15. 00. Published by C. Alan Publications. CN.17226. Concerto for Vibraphone was commissioned by Dr. Lisa Rogers, Professor of Percussion at Texas Tech University. The two-movement work draws inspiration from two opposing poems by Pablo Neruda that depict night and day. The poems are full of rich & vivid imagery that I tried to capture in the music. Ode to Nighttime by Pablo Neruda. I. Night's Song â“ "El Canto de la Noche". For the first movement, Night's Song, I tried to depict this mysterious, starry night that gradually turns dark and rainy. The phrases that really spoke to me and shaped the music were "behind daylight," "you thrash around the sky," "you run wild over the savage flow of rivers," and rain and darkness are the blade of a singing sword while stars, or jasmine petals, gaze from blackened heights. " I love how Neruda describes daylight as being born nighttime, so I decided to make the movements attacca so that the second movement, Enchanted Light, bursts forth out of the first movement. Ode to Enchanted Light by Pablo Neruda. II. Enchanted Light â“ "La Luz Encantada". The second movement is much more sparkly and bright, depicting the "light dropping from the top of the sky. " The "cicada sending its sawing song high into the empty air" even makes an appearance when the ensemble vibraphone player places pennies on the bars and then bows those bars with optional help from a sizzle cymbal. Motives and themes from the first movement return in several spots throughout the second movement helping to unify the work. The soloist gets a workout as well in the tour-de-force second movement, unlike the much more introspective first movement.

Prijevod

Koncert za vibrafon. postići samo. sastoji Nathana Daughtrey. Za solist. s orkestrom. jedan na jedan dio. , Piccolo, flauta 1, 2 flauta, oboa, fagot 1, fagot 2, B-flat klarinet 1, B-flat klarinet 2, B-flat klarinet 3, B-flat bas klarinet, B-flat kontrabas klarinet, saksofon sopranistica, alt saksofon, tenor saksofon, bariton saksofon, B-Florida. Level 5. Postići. Trajanje 15. 00. Objavljeno C. Alan Publikacije. CN.17226. Koncert za vibrafon naručio je dr. Lisa Rogers, profesor udaraljki na Texas Tech University. Dvije pokret rad crpi inspiraciju iz dva suprotna pjesama Pabla Nerude koje prikazuju dan i noć. Pjesme su pune bogatih. Oda noćna Pabla Nerude. I. noći pjeva "," Song of the Night ". Po prvi pokret, u noći Pjesma, pokušao sam prikazati ovaj tajanstveni, zvjezdane noći koje se postupno pretvara mračno i kišovito. Fraze koje stvarno mi je progovorio i oblikovali glazbu su "iza bijela dana", "vi thrash oko na nebu", "pokrenuti divlja nad divljačkim toka rijeke", a kiša i mrak su oštrice pjevanja mačem, a zvijezde ili latice jasmina, pogled iz pocrnjele visine. "Volim kako Neruda opisuje dnevne svjetlosti, kao što se rodio noći, pa sam odlučio da bi pokreti attacca, tako da i drugi stavak, Enchanted Light, rafala izbavio iz prvog stavka. Oda Enchanted Svjetlosti, Pabla Nerude. II. Enchanted zapali "," La Luz Encantada ". Drugi stavak je mnogo više svjetlucavi i svijetlo, prikazom "light padaju s vrha neba. "" Cvrčaka slati svoje piljenja pjesmu visoka u prazan zrak ", čak i kada se čini izgled ansambl vibrafonist stavlja penija na rešetke, a potom klanja one barova uz dodatnu pomoć iz peći cimbal. Motivi i teme iz prvog stavka povratka u nekoliko mjesta u cijeloj drugoj pokreta pomaže da ujedini rad. Solist dobiva vježba i na Tour-de-force drugi pokret, za razliku od puno više introspektivan prvog pokreta.