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Izvornik

Central City Sketches - Complete Set Of 6 Movements. B-Flat Trumpet sheet music. Classical Guitar sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Intermediate.

Prijevod

Središnji grad Skice - Kompletan set od 6 pokretima. B-Stan Truba note. Klasična gitara note. Bubnjevi note. Udaraljke note. Piano note. Trombon note. Srednji.

Izvornik

Central City Sketches - Complete Set Of 6 Movements by The American Jazz Orchestra. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Benny Carter. For big band. 6 movements. Solo Alto Saxophone. on movement 5. , 2 Alto Saxophones. Flute double for Alto 2 on movement 6. , 2 Tenor Saxophones. Flute double for Tenor 1 on movement 6. , Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. 6 movements. Swing. Ballad. Waltz. Medium. Score and parts. Published by Jazz Lines Publications. JL.JLP-8285. In 1987, Benny Carter was invited to give a concert of his music with the American Jazz Orchestra. The concert would be a career retrospective. classic music he wrote in the 1930s and '40s, compositions from the '60s, including themes he'd written for motion pictures, and a suite composed specifically for the concert. This suite, Central City Sketches, and the resulting studio-recorded CD released by Musicmasters, were praised by critics who were thrilled that Carter was still creating beautiful, swinging music at the age of eighty. Jeffrey Sultanof was present at that concert, and can attest that the audience went wild when they heard this new music that often recalled Kansas City and the swing era. The sources for these publications are the original parts, which were heavily marked up with changes and corrections that were made prior to the premiere. In one case. People Time. a score that was engraved by Phil Woods was consulted. Movements 1 and 2 - Central City Blues segue to Hello. The suite opens with Central City Blues which segues into a Basie-styled Hello. Because the blues cannot be played as a separate composition, it is combined with Hello. Central City Blues has been marked as "low-down and dirty" by the editor, and that's exactly how it ought to be played. A piano solo and a change of tempo brings us to Hello, which is Carter's homage to his friend Count Basie. Carter is quite specific about dynamics here, and they should be observed. Movement 3 - People Time. People Time is movement three of the suite. It is often called simply People, perhaps changed to avoid it being confused with the Jule Styne-Bob Merrill standard of the same name. This gorgeous ballad features a flute solo at the beginning, and then a trumpet solo backed by the ensemble. Like most of Carter's music, it was written for professionals but can be played by many middle-school bands. This is a straight-forward flute and trumpet feature ballad that is played slowly. The opening section features a flute solo accompanied by piano. The pianist should pay close attention to the flute and provide adequate, but not intrusive, support. The flute part was written on reed 1. We have included an alternate reed 1 part. on alto saxophone. and may be used in the event that a flautist is not available. If you wish to use this alternate part this arrangement simply becomes an alto saxophone feature. instead of flute. Movement 4 - Promenade. Promenade was originally titled Take a Walk. the title on the parts. This is played at a comfortable 'walking' tempo. Please note the ensemble dynamics at letter A, but please do not overly exaggerate the crescendo. This should not be an sf. Ensemble balance is also important in the playing of this section of the suite. Movement 5 - Remember. Remember is a beautiful alto saxophone solo. Please note that sectional unisons should sound as if one person is playing the melodic line. Movement 6 - Sky Dance. Sky Dance is an attractive jazz-waltz that should not be played too fast. Once again, flutes and muted trumpets should sound as if they are played by two people so that the ensemble color is clear.

Prijevod

Središnji grad Skice - Kompletan set od 6 pokreta od strane američke jazz orkestar. Uredio Jeffrey Sultanof i Rob Duboff. Raspored po Benny Carter. Za big band. 6 pokreti. Solo Alto Saxophone. o kretanju 5. , 2 Alto saksofona. Frula udvostručiti za Altu 2. o kretanju 6. , 2 Tenor saksofoni. Frula udvostručiti za tenor 1 na pokret 6. , Bariton saksofon, truba 4, 4 trombona, gitara, klavir, bas, bubnjevi. 6 pokreti. Zamah. Balada. Valcer. Medium. Rezultat i dijelovi. Objavljeno prema jazz Lines Publikacije. JL.JLP-8285. Godine 1987, Benny Carter bio je pozvan dati koncert njegovu glazbu s američkim jazz orkestar. Koncert će biti u karijeri retrospektiva. Klasična glazba je pisao u 1930-ih i '40s, skladbe iz 60-ih godina, uključujući i teme koju je napisao za pokretne slike, i sviti posebno za koncert. Ovaj suite, središnji grad Crtice, a što je rezultiralo studio snimio CD izdan od strane Musicmasters, su hvalili kritičari koji su bili oduševljeni činjenicom da Carter je još uvijek stvara lijepe, ljuljanje glazbu u dobi od osamdeset. Jeffrey Sultanof bio prisutan na tom koncertu, i mogu potvrditi da je publika je podivljala kad su čuli ovu novu glazbu koja se često podsjetio Kansas City i swing ere. Izvori za ove publikacije su originalni dijelovi, koji su jako označene s promjenama i ispravke koje su napravljene prije premijere. U jednom slučaju. Ljudi Time. rezultat koji je rezao Phil Woods konzultiran. Kretanja 1 i 2 - Središnja City Blues Segue u Hello. Suite otvara središnji grad Bluesa koji segues u Basie-stil Pozdrav. Budući da je blues ne može se igrao kao zasebna sastavu, to je u kombinaciji s Hello. Središnja City Blues je označena kao "low-dolje i prljave" od strane urednika, a to je upravo ono kako bi trebalo biti odigrano. Glasovir solo i promjena tempa nas dovodi u Hello, što je Carter je počast svom prijatelju Count Basie. Carter je vrlo specifičan o dinamici ovdje, a oni bi trebali biti promatrana. Pokret 3 - Ljudi Time. Ljudi Time je pokret tri od svita. To se često naziva jednostavno ljudi, možda promijenio kako bi se izbjeglo da se miješati s Jule Styne-Bob Merrill standardu istog imena. Ova prekrasna balada ima flautu solo na početku, a onda je truba solo potpomognuti ansambla. Kao i većina Cartera glazbe, to je bio napisan za profesionalce, ali se može igrati mnogo srednje školske bendova. To je ravno naprijed-flauta i truba značajka balada koja se igra polako. Poglavlje otvaranja ima flautu solo uz pratnju glasovira. Pijanist treba obratiti pozornost na flauti i pružiti adekvatna, ali nije nametljiv, podrška. Flauta dio je napisan na trsku 1. Uključene su alternativni Reed 1 dio. na alt saksofon. i mogu se koristiti u slučaju da nije dostupna flautist. Ako želite koristiti ovaj alternativni dio ovaj aranžman jednostavno postaje alt saksofon značajka. umjesto flaute. Pokret 4 - Promenade. Šetnica je izvorno nazvan prošećite. naslov na dijelovima. To je igrao na udoban 'hoda' tempo. Imajte na umu ansambla dinamiku na slovo A, ali nemojte previše pretjerivati ​​krešendo. To ne bi trebalo biti SF. Ansambl saldo je također važno u sviranju ovom dijelu svita. Pokret 5 - Sjeti se. Sjeti se lijepo alt saksofon solo. Imajte na umu da presjeka unisons trebao zvučati kao da je jedna osoba je igranje melodijske linije. Pokret 6. - Sky Dance. Sky Ples je atraktivan jazz-waltz koji se ne bi trebao biti predstavljen prebrzo. Još jednom, flaute i prigušene trube oglašavaju kao da su igrali dvije osobe, tako da je sastav boja je jasna.