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Izvornik
Stubernic. Marimba sheet music. Percussion sheet music.
Prijevod
Stubernic. Marimbu note. Udaraljke note.
Izvornik
Stubernic composed by Mark Ford. Percussion Ensemble. For 3 players on one marimba. 1 marimba. low A. Level 5. Score and set of parts. Duration 7 minutes, 30 seconds. Published by Innovative Percussion. IP.E-MF-STU. Composer's notes. For one marimba with three performers. Should be memorized. Players should use medium to medium hard yarn mallets at the beginning. Players 1 and 2 should use a slightly harder mallet after cadenza. I dedicated Stubernic to Stefan and Mary K. Stuber. I went to college with both of these individuals and we have been friends ever since. In 1988 the Stubers went to Guatemala and Nicaragua for a year for humanitarian aid purposes. When they returned they told me stories of their adventures and the many marimba bands they heard, especially in Guatemala. I was writing a vibraphone. marimba duet at the time. However I decided to make it a trio on one low A marimba in the style of the Latin American marimba bands. Although I did not cite any music from Latin America in Stubernic, I did hope to capture the spirit and energy of their music. The title Stubernic comes from the Stuber's last name with the 'Nic" coming from Nicaragua. which is where they spent most of their time that year. "Stubernic. pronounced "Stew-bur-nick". is a unique, challenging marimba trio for one 4 1. 3-octave marimba shared by three performers. Dedicated to Stefan and Mary K. Stuber--and their music studies in Nicaragua--the title suddenly makes sense. "Stuber-Nic". leave it to Ford to personalize a composition to this degree. This single-movement, three-part work should be memorized. Player 2, situated in the center of the instrument, has the most difficult part, in that the four-mallet middle section is a rhapsodic, guitar-like cadenza. Players 1 and 3. tacet for most of the middle section. are positioned on either end of the marimba's range and provide clever accompaniment to Player 2. At one point, Players 1 and 3 must develop an ostinato on the frame and resonators of the marimba. The composition's first section sounds minimalistic and modal, and there is evidence of Ford's musical humor in that the performers rotate up the marimba_in the fashion of a Central American marimba family playing musical chairs--before returning to their original register. The final section is truly an ensemble tour-de-force in that the parts are virtually all doubled in octaves at the end. There is also evidence of a set of variations on the modal melodic material presented in the first section. Players 1 and 3 utilize two-mallet technique throughout this ten-minute work. Stubernic is a spectacular ensemble for three mature keyboard percussion performers. " - Jim Lambert Percussive Notes, December 1995.
Prijevod
Stubernic skladao Mark Forda. Udaraljkaški ansambl. Za tri igrača na jednom marimbu. 1 marimbu. niska. Level 5. Score i skup dijelova. Trajanje 7 minuta, 30 sekundi. Objavljeno prema inovativnih udaraljke. IP.E-MF-STU. Skladatelj bilješke. Za jednu marimbu s tri izvođača. Treba napamet. Igrači trebaju koristiti medij za srednje tvrde pređe batom na početku. Igrači 1 i 2 treba koristiti malo teže malj nakon kadenci. I posvećena Stubernic na Stefanu i Mary K. Stuber. Otišao sam na faksu s oba pojedinaca i bili smo prijatelji još od. Godine 1988 su Stubers otišao u Gvatemali i Nikaragvi godinu za potrebe humanitarne pomoći. Kad su se vratili rekli su mi priče o svojim avanturama i mnogih marimbu bendova koje su čuli, posebno u Gvatemali. Ja sam pisao vibrafon. marimbu duet na vrijeme. Ipak sam odlučila da trojac na jednu nisku marimbistička u stilu Latinske Amerike marimbu bendova napraviti. Iako nisam citirati bilo glazbe iz Latinske Amerike u Stubernic, sam se nadam uhvatiti duh i energiju njihove glazbe. Naslov Stubernic dolazi iz Stuber prezimena s 'Nic "dolazi iz Nikaragve. što je gdje je proveo većinu svog vremena te godine. "Stubernic. izgovara "Stew-svrdlom-nick". je jedinstven, izazovan marimbu trojac za jednu 4 1. 3-oktava marimbu dijele tri izvođača. Posvećeno Stefana i Mary K. Stuber - i svojim glazbenim studijima u Nikaragvi - naslov je odjednom ima smisla. "Stuber-Nic". ostavite ga da se Ford za prilagodbu sastav na ovim stupnjem. Ovaj single-pokret, trodijelni rad treba napamet. Igrač 2, nalazi se u samom središtu instrumenta, ima najteži dio, u koji četiri malj Srednji dio je raspoložen, gitara poput Cadenza. Igrači 1 i 3.. tacet za većinu srednjem dijelu. pozicionirani na svakoj kraja marimbu asortimana i pružiti pametan pratnju igrača 2.. U jednom trenutku, Igrači 1 i 3 moraju razviti ostinantni u kadru i rezonatora u marimbu. Sastav je prvi dio zvuči minimalistički i modalna, a postoje dokazi o Fordovom glazbenog humora u da su izvođači rotirati do marimba_in mode u Srednjoj Americi marimbu obitelji svirajući glazbene stolice - prije povratka u njihovu izvornu registar. Posljednji dio je uistinu ansambl tour-de-force u koje su dijelovi gotovo udvostručili u oktave na kraju. Tu je i dokaz skupa varijacija na modalni melodijske materijal predstavljen u prvom dijelu. Igrači 1 i 3 koriste dva Mallet tehniku u cijeloj ovoj desetak minuta posla. Stubernic je spektakularno ansambl za tri zrele tipkovnice udaraljke izvođača. - Jim Lambert udarni Bilješke, prosinac 1995.
