Notna sveska $16.00
Izvornik
Liebestraume in A flat major, No. III. Franz Liszt. Marimba sheet music. Vibraphone sheet music.
Prijevod
Liebestraume u A duru, br III. Franz Liszt. Marimbu note. U Bjelovaru note.
Izvornik
Liebestraume in A flat major, No. III composed by Franz Liszt. 1811-1886. Arranged by Tomer Yariv. Marimba & Vibraphone Duet. For marimba and vibraphone duet. marimba low c & vibraphone. Level 5. Score and set of parts. Published by Innovative Percussion. IP.D-FL-LIB. Composer's Notes. Liszt once declared, "My sole ambition as a composer is to hurl my javelin into the infinite space of the future. " Indeed, his works had many influences over composers and musicians of the 19th and the 20th centuries. Apparently, it had also an influence on the percussion scene and on PercaDu, leading for the arrangement of Liebestraume No. 3 in Ab Major by Tomer Yariv. Liebestraume No. 3 was originally a part of three Liebestraume written as songs. In the Liebestraume piano version, which Liszt also called nocturnes, Liszt moves in and out of the original musical text as he feels need to. It can be considered as split into three sections, each divided by a fast mini-cadenza. The same melody is used throughout the entire piece, each time varied, especially near the middle of the work, where the climax is reached. At the end, the piece dies down into a final chorded section. "Originally composed for solo piano, this arrangement is scored for vibraphone and 5.0-octave marimba duet. Written for the PercaDu percussion group, this work presents challenges to be met by advanced students and professional performers. Both parts require the performers to be comfortable with chordal and independent four-mallet techniques, with the marimba part requiring the greater amount of dexterity. Aside from technical complexities, the most significant challenge lies in addressing the rubato and flexibility with which the piano version is performed. Tomer Yariv scores much of the "right hand" material in the vibraphone, with the arpeggiated accompaniment in the marimba. While interpretation of this music by a single performer at the piano is difficult in its own right, extra special care must be taken here, as the hands are "split" between two performers. Both players must be in total agreement as to any use of rubato, without which the piece risks losing much of its character. This work is appropriate for an advanced college or a professional percussion ensemble. " - Jason Baker, Percussive Notes July 2010.
Prijevod
Liebestraume u A duru, br III skladao Franz Liszt. 1811-1886. Raspored po Tomer Yariv. Marimba. Za marimbu i vibrafon duet. marimba niska c. Level 5. Score i skup dijelova. Objavljeno prema inovativnih udaraljke. IP.D-FL-LIB. Skladatelj bilješke. Liszt je jednom izjavio: Moj jedini ambiciju kao skladatelj je baciti koplje u moj beskrajni prostor budućnost. Doista, njegova djela imala mnogo utjecaja nad skladatelja i glazbenika 19. i 20. stoljeća. Očigledno, to je također utjecaj na udaraljke sceni i na PercaDu, vodeći za uređenje Liebestraume broj 3 u Ab Major, Tomer Yariv. Liebestraume br 3 je izvorno dio tri Liebestraume piše kao pjesme. U Liebestraume piano verziji, koji je Liszt također zove nokturni, Liszt kreće i iz originalnog glazbenog teksta što on osjeća je potrebno. To se može smatrati kao podijeljena na tri dijela, a svaki podijeljena brzom mini kadencom. Isto melodija koristi u cijelom komadu, svaki put mijenjati, pogotovo u blizini sredini rada, gdje je dosegao vrhunac. Na kraju, komad umire dolje u konačnom chorded dijelu. Izvorno je pisana za solo glasovir, ovaj aranžman je zabio za vibrafon i marimbu 5,0 oktave duet. Pisana za PercaDu udaraljke skupine, ovaj rad predstavlja izazove koje mora ispunjavati naprednih studenata i profesionalnih izvođača. Oba dijela zahtijevaju izvođače biti udoban s chordal i nezavisnih četiri malj tehnike, uz marimbu dio zahtijeva veću količinu spretnosti. Osim tehničkih složenosti, najznačajniji izazov leži u rješavanju Rubato i fleksibilnost kojom se obavlja glasovir verzija. Tomer Yariv rezultate mnogo mjesta na desnoj materijala u vibrafon, uz pratnju arpeggiran u marimbu. Dok interpretacija ovog glazbu jednog izvođača na klaviru je teško u svojem vlastitom pravu, posebnu brigu treba poduzeti ovdje, kao što su ruke podijeljeni između dva izvođača. Oba igrača moraju biti u ukupnom sporazum s bilo uporabom Rubato, bez kojih komada riskira gubitak mnogo svojih karaktera. Ovo djelo je prikladna za napredno koledž ili profesionalni ansambl udaraljke. - Jason Baker, udarni Bilješke srpnja 2010.
