Notna sveska $16.00
Izvornik
Ransom. Marimba sheet music.
Prijevod
Otkupnina. Marimbu note.
Izvornik
Ransom composed by Mark Ford. Marimba Solo - Unaccompanied. For marimba solo. marimba low F. Level 5. Book. Published by Innovative Percussion. IP.S-MF-RAN. Analysis. "This new marimba solo by Mark Ford is scored for 5-octave marimba but would be easily playable on a low F instrument. The work begins with a slow and mysterious section that uses long rolls and slow melodic figures in the right hand. This introduction yields to the first major section, featuring a meandering ostinato underneath fragmented melodic figures. After a brief fermata, the marimbist finds a transitional section in vaious odd meters that hints at the new thematic material for the next segment. The lyrical section that follows features syncopated melodies on top of a left-handed ostinato that is cleverly reminiscent of the cascara pattern used in timbale playing. This section builds to a climatic fortissimo, then gradually winds down, giving way to a short restatement of the introductory chorale. Ford then "replays" the majority of the work, but on a miniature scale, repeating fragments of each section. This coda builds to another climax, then quickly dissipates to one very soft staccato chord that concludes the piece. While there are ample technical challenges, many of the ostinatos and melodic figures are idiomatically friendly. The result is a marimba solo that is fun to play and equally refreshing to listen to. " - Scott Herring Percussive Notes, June 2003.
Prijevod
Ransom composed by Mark Ford. Marimbu Solo - bez pratnje. Za marimbu solo. marimbu niska F. Level 5. Knjiga. Objavljeno prema inovativnih udaraljke. IP.S-MF-RAN. Analiza. "Ovaj novi marimbu solo Mark Ford je zabio za 5 oktave marimbu, ali bi se lako glumiti na niskoj F instrumenta. Počinje raditi sa sporim i tajanstvene dijelu koji koristi duge role i spore melodijske figure u desnoj ruci. Ovaj uvod prinosi na prvom velikom dijelu, s vijugave ostinantni ispod fragmentiranih melodijskim brojkama. Nakon kratkog fermata, marimbist pronalazi prijelazno poglavlje u vaious ak metara koji aludira na novi tematski materijal za sljedeći segment. Lirski dio koji slijedi značajke sinkopirani melodije na vrhu ljevak ostinato da je pametno podsjeća na Cascara uzorak koji se koristi u timbale igranja. Ovaj dio gradi na klimatskoj fortissimom, a zatim postupno vjetrova dolje, ustupajući kratkom prepravljanja uvodnom koral. Ford zatim "replays" većina posla, ali na minijaturnoj razini, ponavljajući fragmente svakom dijelu. To coda gradi se još jedan vrhunac, a zatim brzo nestaje na jedan vrlo mekanom staccato akord koji završava komad. Iako postoji dovoljno tehničkih izazova, mnogi od ostinatos i melodijske figure su idiomatically prijateljske. Rezultat je marimbu solo to je zabavno igrati i jednako osvježavajuće slušati. " - Scott Herring Percussive Notes, June 2003.
