Notna sveska $15.00
Izvornik
Contemporary Mallet Method. Marimba sheet music. Percussion sheet music. Vibraphone sheet music.
Prijevod
Suvremena Mallet Method. Marimbu note. Udaraljke note. U Bjelovaru note.
Izvornik
Contemporary Mallet Method composed by Jerry Tachoir. For Mallet Keyboard Percussion. marimba or vibraphone. Level 3. Method book. Published by Innovative Percussion. IP.M-JT-CON. Analysis. "Aimed at "those keyboard-mallet percussionists that have an interest in four-mallet playing," Tachoir's method begins with an explanation of the grip often referred to as the "Burton grip. " The grip is carefully illustrated, and a warm-up routine is also explained. The second chapter addresses the topic of sticking, exploring patterns for all the major scales and chromatic scales. Exercises are given for playing arpeggiated chordal structures, using all four mallets. Tachoir also delves into a bit of music theory, with an introduction to the modes and diminished and whole-tone scales. Sticking suggestions are given for the scales of C Dorian, C Phrygian, C Lydian, C Mixolydian, C Aeolian, and C Locrian. A discussion of "Modal Interchange". the chromatic alteration of chord tones. and suggestions for working with specific chordal structures completes this chapter. Chord voicing is the topic of the third chapter. Two techniques, used to spread or expand a chordal structure, called "outer voice exchange" and "drop 2 technique" are explained and illustrated. The chapter concludes with exercises designed to practice these two techniques. The fourth chapter is devoted to challenges of harmonizing a melodic line, both when accompanying oneself, or when comping behind another player. Once again, examples are given to illustrate the text. The fifth chapter is called "Clarity of Executing Lines on the Vibraphone Through Use of Dampening. If this title rings a bell of familiarity, it is because the chapter has been reproduced verbatim, in the form of a pamphlet available in Ludwig Industries' packet of educational materials. The author discusses five types of dampening techniques. slide dampening, touch tone dampening, adjacent note mallet dampening, hand dampening, and pedaling. The book culminates in a series of eleven musical exercises, each with a commentary offering practical suggestions for performance and practice. The title of this seventy-two page text implies, perhaps, that it is a comprehensive course of study filled with page after page of practice material, in the mold of some of the popular mallet "methods" currently on the market. Be advised that this is not the case. Although the text is quite informative and concentrates on the practical corners of the performing musician, most students will need help in applying the concepts and techniques discussed to their own performance. This is especially the case in regard to the chapters devoted to the modes, modal interchange, and chord voicings. The ideas found in this text, however, make it a valuable resource book and supplement to the pedagogical material currently available to the mallet teacher. " - John R. Raush.
Prijevod
Suvremena Mallet Metoda skladao Jerry Tachoir. Za Mallet Tipkovnica udaraljke. marimbu i vibrafon. Razina 3. Metoda knjiga. Objavljeno prema inovativnih udaraljke. IP.M-JT-CON. Analiza. "Usmjeren na" one tipkovnice-malj udaraljkaša koji imaju interes u četiri malj sviranja, "Tachoir metoda počinje s objašnjenjem stiska se često naziva i" Burton hvat. "Grip pažljivo je ilustrirano, i rutine za zagrijavanje je također objasnio. Drugo poglavlje odnosi se na temu lepi, istražujući uzorke za sve većim skalama i kromatskim skalama. Vježbe su dani za igranje arpeggiran akordiËkih strukture, koristeći sva četiri batića. Tachoir također zadire u malo teorije glazbe, uz uvod u načinima i umanjena i cijeli-ton skale. Zabada prijedlozi su dani za skalama C Dorian, C, C frigijskog lidijsko, C, C Mixolydian eolski, i C Locrian. Rasprava o "Modal Interchange". kromatska promjena akorda tonova. i prijedlozi za rad s određenim strukturama akordiËkih završi ovo poglavlje. Akord izražavajući je tema trećem poglavlju. Dvije tehnike koje se koriste za širenje ili proširiti akordiËkih strukturu, nazvanu "vanjski Razmjena glas" i "kap dvije tehnike" se objašnjava i ilustrira. Poglavlje završava s vježbi osmišljen prakticirati ove dvije tehnike. Četvrto poglavlje posvećeno izazovima usklađivanja s melodijske linije, i kada sebe prate, ili kada comping iza drugog igrača. Ponovno, primjeri su dati za ilustraciju tekst. Peto poglavlje se zove "Jasnoća Izvršavanje linije na vibrafon korišćenjem Dampening. Ako ovaj naslov zvoni zvono poznatosti, to je zato poglavlje je reproducirati doslovno, u obliku pamfleta dostupan u Ludwig Industries 'paketa obrazovnih materijala. Autor raspravlja o pet tipova prigušivanje tehnika. slide vlaženje, tonsko vlaženje, uz napomenu malj vlaženje, ruka vlaženje i pedaliranje. Knjiga kulminira u nizu jedanaest glazbenih vježbi, svaki s komentarom nude praktične prijedloge za izvedbu i prakse. Naslov ovog sedamdeset-dva stranice tekst podrazumijeva, možda, da je sveobuhvatna studij ispunjen stranicu po stranicu praksi materijala, u kalupu neki od popularnih Mallet "metode" Trenutno na tržištu. Budite upozoreni da to nije slučaj. Iako je tekst vrlo informativan i usredotočen je na praktičnim uglovima obavlja glazbenik, većina studenata će trebati pomoć u primjeni koncepata i tehnika o kojima se raspravlja na vlastitu izvedbu. To je osobito slučaj u pogledu poglavlja posvećenih načina, modalni razmjene, i akord voicings. Ideje nalaze u ovom tekstu, međutim, da je vrijedan resurs knjiga i dopuna na pedagoškom materijala trenutno dostupnih na malj učitelja. - John R. Raush.
