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Izvornik
Guitar School - Book 1. Emilio Pujol Vilarrubi. Classical Guitar sheet music.
Prijevod
Gitara Škola - knjiga 1. Emilio Pujol Vilarrubi. Klasična gitara note.
Izvornik
Guitar School - Book 1. A Theoretical-Practical Method for the Guitar, Based on the Principles of Francisco Tarrega. Composed by Emilio Pujol Vilarrubi. 1886-1980. Edited by Matanya Ophee. For Guitar. Instructional method. Standard notation. 71 pages. Editions Orphee #494-00311A. Published by Editions Orphee. PR.49400311A. ISBN 1882612507. With Standard notation. instructional method. The Escuela Razonada de la Guitarra of Emilio Pujol needs no introduction. The work has occupied a major position in guitar pedagogy ever since it was first published in 1934 by Romero y Fernandez in Buenos Aires. Many subsequent guitar methods have drawn inspiration from it. The lack of an English language version, however, has prevented many English speaking guitarists from a clear understanding of PujolÕs teachings. Those who were fortunate enough to have attended PujolÕs master classes in Cervera have had first-hand exposure to his ideas, but others, who have used the lessons and examples without being able to read the text, can have gathered only a rough idea about PujolÕs approach to guitar pedagogy. In spite of certain preconceptions regarding this book, it is of paramount importance to the teaching of all facets of guitar technique, guitar musicianship, and guitar artistry. Born just outside the city of Lerida, Spain, in a little village called Granadella, Emilio Pujol Vilarrub’. 1886-1980. is considered by many as the leading spokesman for twentieth century guitar pedagogy. Pujol began his studies with Francisco T‡rrega. 1852-1909. at the Conservatory of Barcelona in 1901 when he was fifteen years of age. Pujol gave his first recital in Lerida in 1907. His concert debut in Barcelona took place in May, 1909, at the ÒSala Novelty. Ó several months before T‡rrega's death. By 1912 his career as concert guitarist was established by his appearance at Bechstein Hall in London. From 1912 to 1929 his concert activities took him mainly throughout Western Europe. Beginning in 1918 he undertook his first tour of South America, starting in Buenos Aires. The only major interruptions in his concert travels were his marriage to Matilda Cuervas in 1923, and the period of time he devoted to historical research in Paris into the instrumental predecessors of the guitar. The beginning signs of World War II, also prevented him from continuing his concert career. PujolÕs publishing career began approximately in 1915 with Ildefonso Alier. After his initial research into vihuela music, Pujol made his largest and most important contributions to guitar literature with the publishing house of Max Eschig in Paris beginning in 1928. By 1980 he had published more than 245 works with Eschig. Another 40-plus works, were published with Ricordi Americana, B. Schott, Julio Korn, and the Biblioteca-Fortea.
Prijevod
Gitara Škola - knjiga 1. Teoretsko-praktična metoda za gitaru, temelji se na načelima Francisco Tarrege. Skladao Emilio Pujol Vilarrubi. 1886-1980. Uredio Matanya Ophee. Za gitaru. Nastavna metoda. Standardni zapis. 71 stranice. Izdanja Orphee # 494-00311A. . PR.49400311A. ISBN 1882612507. Standardno zapis. instrukcijski metoda. Obrazloženi gitara škola Emilio Pujol ne treba uvod. Rad zauzima važnu poziciju na gitari pedagogije otkako je prvi put objavljena 1934 by Romero y Fernandez u Buenos Airesu. Mnoge naknadne metode gitara su izvučeni inspiraciju iz njega. Nedostatak engleske verzije u, međutim, nije spriječilo mnoge govore engleski gitaristi s jasnim razumijevanjem PujolÕs učenja. Oni koji su bili dovoljno sretni da su sudjelovali PujolÕs majstorske tečajeve u Cervera imali prve ruke izlaganje svojih ideja, ali drugi, koji su koristili lekcije i primjeri, bez mogućnosti da pročitate tekst, može se okupili samo grubu ideju o tome PujolÕs pristup gitaru pedagogije. Unatoč nekim predrasudama u vezi ove knjige, što je od iznimne važnosti da se nastavi svim aspektima gitare tehniku, gitaru muziciranja, gitaru i umjetnosti. Rođen je malo izvan grada Lerida, Španjolskoj, u malom selu zvanom Granadella, Emilio Pujol Vilarrub '. 1886-1980. je po mnogima kao vodeći glasnogovornik gitare pedagogije dvadesetog stoljeća. Pujol je počeo njegov studija Francisco t ‡ rrega. 1852-1909. na Konzervatoriju u Barceloni 1901, kada je imala petnaest godina. Pujol je dao svoj prvi recital u Lerida 1907. Njegov koncertni debi u Barceloni je održan u svibnju 1909, na ÒSala Novost. Ó nekoliko mjeseci prije smrti t ‡ rrega a. By 1912 njegova karijera kao koncertni gitarist je osnovan njegov nastup na Bechstein Hallu u Londonu. Od 1912-1929 su ga koncertnih aktivnosti su uglavnom u Zapadnoj Europi. Počevši u 1918 on je učinio svoj prvi obilazak Južne Amerike, s početkom u Buenos Airesu. Jedini veliki prekidi u svojim koncertnim putovanjima bili njegov brak s Matilda Cuervas 1923, a vremenski period je posvećen povijesnim istraživanjima u Parizu u instrumentalnim prethodnika gitare. Početku znakovi Drugog svjetskog rata, i spriječila ga da nastavi svoju koncertnu karijeru. PujolÕs izdavačka karijera počela oko 1915 s Ildefonso Alier. Nakon njegovog prvog istraživanja vihuela glazbe, Pujol je napravio svoje najveće i najvažnije doprinose gitare književnosti s izdavačkom kućom Max Eschig u Parizu početkom u 1928. By 1980 on je objavio više od 245 radova s Eschig. Još 40-plus radovi objavljeni su s Ricordi Americana, B. Schott, Julio Korn, a Biblioteca-Fortea.