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Izvornik
In Bach's Studio. David Liebman. Saxophone sheet music.
Prijevod
U Bachove Studio. David Liebman. Saksofon note.
Izvornik
In Bach's Studio composed by David Liebman. 1946-. Saxophone Quartet. For Saxophone Quartet. SATB. Grade 5. Full Score and Set of Parts. Published by Advance Music. AV.7608. The Inspiration In religion there is Mecca for Muslims, the Wall for Jews, the Holy Sepulchre for Christians and so on. These are places in the world where the vibrations are extremely intense and usually commemorate some historical person or event or special significance to a select population. Whenever possible, it is incumbent upon individuals who believe in something to make a pilgrimage to such a site. For musicians of all styles, one such place is the city of Leipzig, Germany. Specifically, it is the Thomaskirche, the church where Bach spent so many years as the choir master, pouring forth work after work for weekly masses and celebrations. While on tour during the mid-1990s with my group, we performed in Leipzig. The morning after our performance, pianist Phil Markowitz and myself went to that church. Fortuitously, an organist was practicing Bach at that very hour. Sitting there for a while, absorbing the feeling of the very room where so much creativity and beauty took place, was one of the highlights of my travels over the years. This piece was inspired by the master, J.S. Bach. The Composition As befitting a piece dedicated to Bach, I composed a four-part chorale for the standard saxophone quartet. It is not a chorale in the formal sense, only expressively speaking. Using uneven bar lengths, I tried to create an unpredictable flow, since there is a preponderance of block chord movement. In concurrence with some of the ideas expressed in my book A Chromatic Approach to Jazz Melody and Harmony. Advance Music. , I loosely followed along the lines of what I call interval categories. Letter A is built on seconds and thirds. letter B on fourths and fifths. letter C on seconds, thirds and especially sixths. letter D on seventh and ninths. For my aesthetic, each interval category portrays a unique expressive atmosphere. There is no overriding theme or chord progression. The composed solos are optional and will work well with the piece. Although I have provided some phrase and dynamic markings for these sections, those who do use the written material can freely interpret the music. On the other hand, if improvising musicians would like to express their unique talents, they should do so in each section, using the appropriate interval category as the basis for their improvisation. In any case, the short solos towards the end of the piece should be played as written. David Liebman's career has spanned over three decades, beginning with his apprenticeship years in the early 1970s as a member of the Elvin Jones and Miles Davis Groups. Since then he has lead his own groups featuring musicians like John Scofield, Adam Nussbaum, Richie Beirach, Billy Hart and others. His present quartet features guitarist Vic Juris and has been together since 1991. He consistently places in the Top Five Soprano Saxophonists in the Downbeat Critic's Poll. Liebman has recorded nearly 300 albums with nearly 100 under his leadership featuring several hundred original compositions in many different idioms including unusual arrangements of jazz standards, chamber music, big band, fusion and piano. saxophone duos. In jazz education he is a renowned lecturer and author of several milestone books translated into various languages as well as teaching videos and published chamber music. He is the Founder and Artistic Director of the International Association of Schools of Jazz. IASJ. , an organization of jazz schools from over 40 countries. Awards include an Honorary Doctorate from the Sibelius Academy. Helsinki, Finland. Grammy nomination for Best Solo in 1998. induction into the International Association of Jazz Educators Hall of Fame in 2000.
Prijevod
U Bachovoj Studio sastavljeno David Liebman. 1946 -. Saxophone Quartet. Za Saxophone Quartet. SATB. Grade 5. Cijeli rezultat i Set dijelova. Objavljeno prema unaprijed glazbe. AV.7608. Inspiracija U religiji je meka za muslimane, Zid za Židove, Svetoga groba za kršćane i tako dalje. To su mjesta na svijetu gdje se vibracije su vrlo intenzivne i obično spomen neku povijesnu osobu ili događaj ili poseban značaj za odabir populacije. Kad god je moguće, to je dužnost pojedinaca koji vjeruju u nešto napraviti hodočašće u takvom mjestu. Za glazbenike svih stilova, jedno takvo mjesto je grad Leipzig, Njemačka. Naime, to je Thomaskirche, crkva u kojoj Bach proveo toliko godina kao zborovođa, izlijevanje dalje raditi poslije posla za tjedne mase i proslave. Dok su na turneji tijekom sredine 1990-ih sa svojom skupinom, izvršili smo u Leipzigu. Jutro nakon što je naša izvedba, pijanist Phil Markowitz i ja otišli u toj crkvi. Slučajno, orguljaš je trenirao Bacha u taj čas. Sjedeći tamo neko vrijeme, upija osjećaj samom prostoriji u kojoj toliko kreativnost i ljepota dogodio, bio je jedan od vrhunaca mojih putovanja tijekom godina. Ovaj komad inspiriran je majstor, J.S. Bah. Sastav Kao pristajući komadić posvećenog Bacha, skladao sam četiri dijela koral za standardne kvarteta saksofona. Nije koral u formalnom smislu, samo izražajno govori. Korištenje neravne bar duljine, pokušao sam stvoriti nepredvidiv tijek, budući da je prevaga blok akord pokreta. U dogovoru s nekim od ideje izražene u mojoj knjizi kromatski pristup jazz melodije i harmonije. Unaprijed Glazba. , Sam labavo slijedi na tragu onoga što ja nazivam interval kategorije. Pismo je izgrađena na sekundi i trećine. slovo B na četvrtine i petine. slovo C na sekundi, trećine, a pogotovo sekstama. slovo D na sedmom i ninths. Za moju estetici, svaki interval kategorija oslikava jedinstvenu izražajnu atmosferu. Nema preskakanja tema ili akorda. Dobivenoj solo su opcija i da će raditi dobro s komadom. Iako sam dala neke fraze i dinamičke oznake za te dijelove, oni koji ne koriste pisani materijal može slobodno interpretirati glazbu. S druge strane, ako improviziraju glazbenici željeli izraziti svoje jedinstvene talente, oni bi trebali učiniti u svakom dijelu, pomoću odgovarajućeg intervala kategoriju kao osnova za njihov improvizacije. U svakom slučaju, kratki solo prema kraju komad bi trebao biti predstavljen kao pisani. David Liebman karijera je trajala više od tri desetljeća, počevši od njegovih naukovanju godina u ranim 1970-ih kao član Elvin Jones i Miles Davis Groups. Od tada je dovesti svoje skupine s glazbenicima kao što su John Scofield, Adam Nussbaum, Richie Beirach, Billy Hart i drugima. Njegov sadašnji kvartet ima gitarist Vic Juris te je zajedno od 1991. On konstantno stavlja u prvih pet sopranistica saksofonista u downbeat kritičara Poll. Liebman je zabilježeno gotovo 300 albuma, s gotovo 100 pod njegovim vodstvom sadrži nekoliko stotina originalne skladbe u mnogo različitih idioma uključujući neobične aranžmane jazz standarda, komorne glazbe, big band, fusion i klavir. saksofon Duos. U jazz obrazovanje je poznati predavač i autor nekoliko knjiga prekretnica prevedena na više jezika, kao i nastavne video i objavljena komorne glazbe. Bio je osnivač i umjetnički ravnatelj Međunarodnog udruženja škola jazza. IASJ. , Organizacija jazz škola iz više od 40 zemalja. Nagrade su počasni doktorat iz Sibelius akademije. Helsinki, Finska. Grammy nominaciju za najbolju solo 1998. indukcija u Međunarodne udruge jazz nastavnicima Hall of Fame u 2000.
