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Izvornik
Ewige Sehnsucht. Eternal Longing. Hans von Bulow. A Cappella sheet music. Beginning.
Prijevod
Vječni čežnja. Vječni Čežnja. Hans von Bulow. Cappella note. Početak.
Izvornik
Ewige Sehnsucht. Eternal Longing. Eternal Longing. Composed by Hans von Bulow. 1830-1894. For SATB choir, a cappella. Secular. Moderately easy. Octavo. 16 pages. Published by E.C. Schirmer Publishing. EC.6622. Hans von Bulow. 1830-1894. was one of the 19th century's foremost musicians. His most lasting musical contribution was as a conductor. Bulow gave the premiere performances of many of the 19th century's most important works, such as Brahms' Symphony No. 4 and Wagner's Tristan und Isolde and Die Meistersinger von Nurnberg. Bulow was a powerful advocate of Liszt. Richard Pohl was another of Liszt's devotees, a tireless champion of the New German School in general and of Liszt's music in particular. Pohl and Bulow were part of Liszt's inner circle and each undoubtedly became acquainted with the other's genius during those years. Bulow set Pohl's poems in 1861-62 while he was living and teaching in Berlin. The five were published by C. F. Kahnt of Leipzig in 1867. These five choral pieces are almost unknown today, even though they are excellent examples of the High Romantic style. Bulow's harmonic language does not approach the extreme chromaticism of Wagner or Liszt. nevertheless, it is innovative. The most notable feature of these works, however, is his use of mixed meters in Wanderziel. Pohl's texts typify the Romantic aesthetic. the artist as outsider, a preoccupation with nature, intense self-consciousness, a tendency towards melancholy, a fascination with and romanticized view of death - all imbued with deeply felt. almost maudlin at times. emotional expression. Attuned to Pohl's textual accents and use of heightened language, Bulow interchanges duple and triple meters to great effect at a time when composers were conservative in their use of meter even as they were stretching tonality to its limits. - Paraphrase of program notes by David Friddle.
Prijevod
Vječni čežnja. Vječni Čežnja. Vječni Čežnja. Skladao Hans von Bülow. 1830-1894. Za SATB zboru, a cappella. Svjetovan. Umjereno jednostavno. Osmi. 16 stranica. Objavio E.C. Schirmerova izdavaštvo. EC.6622. Hans von Bulow. 1830-1894. bio je jedan od najistaknutijih glazbenika u 19. stoljeću. Njegov najtrajnije glazbeni doprinos bio kao dirigent. Bülow dao Premijera predstave mnogih najvažnijih radova u 19. stoljeću, kao što je Brahms simfonija 4 i Wagnera Tristan i Izolda i Die Meistersinger von Nürnberg. Bulow bio snažan zagovornik Liszta. Richard Pohl je bio još jedan od Liszt je poklonika, neumorni prvak u New njemačke škole u cjelini i Liszta glazbe posebno. Pohl i Bülow bili dio Liszta unutarnjeg kruga, a svaki nedvojbeno upoznali s druge je genij tijekom tih godina. Bulow postaviti Pohl je pjesme u 1861-1862, dok je živio i učio u Berlinu. Pet je objavio CF Kahnt u Leipzigu 1867. godine. Tih pet zborna djela su gotovo nepoznati i danas, iako su izvrsni primjeri Visokog romaničkom stilu. Bülow je harmonijski jezik ne prilazite ekstremne kromatike od Wagnera i Liszta. Ipak, to je inovativan. Najistaknutiji značajka tih radova, međutim, njegova je upotreba mješovitih metara u Wanderziel. Pohl tekstovi predstaviti Romantični estetiku. Umjetnik kao autsajder, zaokupljenost prirodom, intenzivna samosvijest, sklonost melankoliji, fascinacija i romantizirana pogled na smrt - sve prožeto duboko proživljenu. gotovo sentimentalno s vremena na vrijeme. emocionalni izraz. Usredotočeni na Pohl je tekstualnim akcentima i korištenje povećane jeziku, Bulow čvora iz dva dijela i trostruko metara za veliki učinak u vrijeme kada su skladatelji bili konzervativni u korištenju metra, čak i oni su se proteže tonalitet do svojih krajnjih granica. - Parafraza programskih bilješke David Friddle.
