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Izvornik
Dance Preludes. NFMC. Timothy Brown. Piano Solo sheet music. Advanced.
Prijevod
Plesni preludija. NFMC. Timothy Brown. Piano Solo note. Napredan.
Izvornik
Dance Preludes. NFMC. composed by Timothy Brown. Edited by Phyllis Lehrer and Helen Marlais. For piano. Performance. The FJH Contemporary Keyboard Editions. This title is on the 2011-2012-2013 National Federation of Music Clubs list. Advanced. Book. Published by The FJH Music Company Inc. FJ.J1025. ISBN 1-56939-764-3. Inspired by Witold Lutoslawki's approach to form and melody, Timothy Brown has created this innovative work consisting of five preludes for the advanced pianist. Written for two pianists, this duet features simple folk-like melodies that are combined with mixed meters, dissonance, bitonality and other challenging contemporary devices. Dance Preludes is a colorful experimentation in timbre and tone color. The FJH Contemporary Keyboard Editions is a series that focuses on the best contemporary music for keyboard of the late 20th and early 21st centuries. These collected works by some of today's leading art-music composers will expand a student's concept of rhythm, harmony, sound, and texture. While the composers invited to write for this series use a colorful palette of contemporary techniques and textures, they were selected for their strong musical voices, which ensure that the ultimate goal of musical communication is never lost. Too often, both students and teachers get discouraged with contemporary compositions because of their avant-garde sound. This series addresses that concern by providing excellent music which is both contemporary and intuitively musical. Contemporary performance practices such as depressing keys silently, cluster sounds, pedal effects, knocking on the keyboard, contemporary harmonies, jazz idioms, bitonality, modes, mixed and changing meters, and 12-tone techniques challenge the student to listen for new rhythmic gestures and tonal colors and expand their interpretive capacity. While expanding students' horizons, this series helps to confirm and reinforce the musical and technical concepts they are learning in their other repertoire. The natural musicality present in each of these pieces demands the same kind of careful attention that we expect from the standard canon of repertoire. This series is carefully leveled into the following categories. elementary, intermediate, early advanced, and advanced. Each of the works has been selected for its artistic as well as its pedagogical merit.
Prijevod
Plesni preludija. NFMC. skladao Timothy Brown. Uredio Phyllis Lehrer i Helen Marlais. Za glasovirom. Performanse. U FJH Suvremeni Tipkovnica izdanja. Ovaj naslov je na 2011-2012-2013 Nacionalne federacije glazbenih klubova popisa. Napredan. Knjiga. Objavljeno The FJH Music Company Inc. FJ.J1025. ISBN 1-56939-764-3. Inspiriran Witold Lutoslawki pristupa u obliku i melodiju, Timothy Brown je stvorio ovaj inovativni rad koji se sastoji od pet preludija za napredno pijanista. Pisana za dva pijanista, to duet ima jednostavne narodne poput melodije koje su u kombinaciji s miješanim metara, disonance, bitonalitetne i drugim zahtjevnim suvremenim uređajima. Ples preludija je šareni eksperimentiranje u boju i ton boje. U FJH Suvremeni Tipkovnica Editions je serija koja se fokusira na najbolji suvremene glazbe za tipkovnicu s kraja 20. i početka 21. stoljeća. Ove sabrana djela nekih od današnjih vodećih art-skladatelja će se proširiti na studentske koncept ritam, harmoniju, zvuk i tekstura. Dok su skladatelji pozvani napisati za ovu seriju koristiti šarene palete suvremenih tehnika i tekstura, oni su izabrani za njihove jake glazbene glasovima, koji osiguravaju da je krajnji cilj glazbene komunikacije ne gubi. Prečesto, i studenti i profesori se obeshrabriti s suvremenih skladbi zbog avangardnog zvuka. Ova serija se bavi taj zabrinutost pružajući odličnu glazbu koja je istovremeno suvremen i intuitivno glazbeni. Suvremene izvedbe prakse kao što su depresivno ključeva u tišini, klaster zvukova, učinaka pedala, kucaju na tipkovnici, suvremenih suzvučja, jazz idioma, bitonalitetne, načini, miješaju se i mijenja metara, te 12-tonske tehnike izazov učeniku slušati nove ritmičkim pokretima i tonskih boja i proširiti svoje kapacitete za tumačenje. Dok širi studenata horizonte, ova serija pomaže potvrditi i ojačati glazbene i tehničke koncepte uče u svojoj drugoj repertoara. Prirodni muzikalnost prisutan u svakom od tih komada zahtijeva istu oprezni pozornost da očekujemo od standardnog repertoara kanonu. Ova serija je pažljivo izravnati u sljedećim kategorijama. osnovno, srednje, rano napredovao, i napredne. Svaki od radova je izabran za njegova umjetnička kao i njegov pedagoški zaslugama.
