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Izvornik
Dolly Suite Opus 56. Gabriel Faure. Piano Method sheet music. Intermediate.
Prijevod
Dolly Suite Opus 56. Gabriel Faure. Klavir Metoda note. Srednji.
Izvornik
Dolly Suite Opus 56 composed by Gabriel Faure. 1845-1924. Edited by Nancy Arganbright and Dallas Weekley. For 1 piano, 4-hands. Late Intermediate. Collection. Published by Neil A. Kjos Music Company. KJ.WP609. ISBN 849797624. Born in 1845, Gabriel Faure is considered to be one of the greatest French composers of the nineteenth century. His family was not musical, being butchers , smiths and military officers, but they encouraged young Faure to develop his musical skills. He had excellent training from his teacher, Camille Saint-Saens, who remained his lifelong friend. "Dolly" is a collection of six pieces written over a period of three years. 1894-1897. They were composed in honor of Helene nicknamed "Dolly," who was the daughter of Faure's dear friend, the singer Emma Bardac. Emma later became Debussy's second wife. The opening 'Berceuse'. Lullaby. suggests a moment of childhood peace and tranquility, perhaps Dolly rocking her doll to sleep. The second piece, 'Mi-a-ou' is livelie. its title has been interpreted in two different ways. Emile Vuillermoz sees in it "the capricious bounds of the favorite family cat, its quick turns, its zigzag starts, its sudden cajolery, after which. it at last rests in the lap of its little mistress. " On the other hand, Marguerite Long, on the basis of her friendship with Faure, asserts that the title is the nickname for Dolly's brother, Raoul. The 'Le jardin de Dolly'. Dolly's Garden. represents a quiet stroll through a lovely flower garden. The mood is smimilar to that of Berceuse but the melody is less predictable with sudden turns toward chromaticism. Kitty-Valse is a sort of companion piece to Mi-a-ou, but its rhythm is more straightforward, and we find many unexpected turns in harmony, Its strong accents contrast with delicate, swirling scale patterns. Marguerite Long tells us that "Kitty" is a corruption of "Ketty" the name of the family dog. 'Tendresse'. Tenderness. is the most touching piece of the set. It suggests a conversation between am other and daughter. In the middle section the two melodc voices are shared by the primo and secondo players in a canon form with bass accompaniment. The seconds half of the first theme features whole-tone effects. In total contrast to this gentle piece, the final piece is 'Le pas Espagnol'. Spanish Dance. , which Long says was inspired by a bronze equestrian statue that stood on the mantlepiece in Madame Bardac's house and was admired by young Dolly. Vuillermoz believes it depicts Dolly pretending to be a Spanish dancer, wrapped in her mother's shawl. Berceuse. Lullaby. Mi-a-ou. Le jardin de Dolly. Dolly's Garden. Kitty-Valse. Tendresse. Tenderness. Le pas Espangnol. Spanish Dance.
Prijevod
Dolly Suite opus 56 skladao Gabriel Faure. 1845-1924. Uredio Nancy Arganbright i Dallas Weekley. Za 1. klavir, 4-ruke. Kasni Srednji. Zbirka. Objavljeno Neil A. Kjos Music Company. KJ.WP609. ISBN 849797624. Rođen je 1845, Gabriel Faure se smatra jednim od najvećih francuskih skladatelja devetnaestog stoljeća. Njegova obitelj nije bila glazbena, kao mesari, kovači i vojni časnici, ali oni potiču mlade Faure razvijati svoje glazbene vještine. Imao je odličan trening od svog učitelja, Camille Saint-Saëns, koji je ostao njegov prijatelj cjeloživotno. "Dolly" je zbirka od šest komada napisan je u razdoblju od tri godine. 1894-1897. Oni su sastavljeni u čast Helene nadimkom "Dolly", koja je bila kći Faure je dragi prijatelj, pjevačica Emma Bardac. Emma je kasnije postao Debussyja je druga supruga. Otvaranje 'Berceuse'. Uspavanka. sugerira trenutak djetinjstva mira i tišine, možda Dolly ljulja svoju lutku na spavanje. Drugi dio, "Mi--ou 'je livelie. njezin naslov je tumačiti na dva načina. Emile Vuillermoz vidi u njoj "hirovitoj granice omiljeni obiteljski mačka, svojim brzim zavojima, njegovih cik-cak počne, njegov nagli milom, nakon čega. to na kraju počiva u krilu svog malog ljubavnice. "S druge strane, Marguerite Long, na temelju prijateljstva s Faure, tvrdi da naslov je nadimak za Dolly brata, Raoul. 'Le Jardin de Dolly'. Dolly je vrt. predstavlja mirno šetati lijepom cvjetnjaku. Raspoloženje je smimilar onoj Berceuse ali melodija je manje predvidljiv s iznenadnim okreće prema kromatike. Kitty-Valse je vrsta pratilac komad na Mi-a-ou, ali njegov ritam izravnija, a mi smo pronašli mnoge neočekivane skreće u harmoniji, snažnim akcentima kontrast s uzorcima delikatna, vrtložni razmjera. Marguerite Long nam govori da su "Kitty" je korupcija "KETTY" naziv je obiteljski pas. 'Nježnost'. Nježnost. je najdirljiviji setu. To sugerira razgovor između ujutro druge i kćeri. U srednjem dijelu dva melodc glasovi dijele primo i secondo igrača u obliku kanona s bas pratnju. Sekunde polovica prve teme ima cijela tonova učinke. U ukupnoj razliku od ovog nježnog komadu, zadnji dio je "Le pas Espagnol '. Španjolski Dance. , Koji kaže da je Long inspiriran brončani konjanički kip koji je stajao na kamenu u Madame Bardac kući i bio je cijenjen od strane mladog Dolly. Vuillermoz vjeruje da prikazuje Dolly pretvarajući se da je španjolski plesačica, umotano u majčinu šal. Uspavanka. Uspavanka. Mi--ou. Vrt Dolly. Dolly je vrt. Kitty-Valse. Nježnost. Nježnost. Ne Espangnol. Španjolski Dance.
