Notna sveska $180.00

Izvornik

Lifesongs. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Euphonium sheet music. Horn sheet music. Tuba sheet music. Grade 5.

Prijevod

Lifesongs. David Gillingham. B-Stan Truba note. Bas Trombon note. Euphonium note. Horn note. Tuba note. Grade 5.

Izvornik

Lifesongs. with SATB Choir. Composed by David Gillingham. For Choir with Concert Band. Flute 1. Piccolo, Flute 2, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2. 3, Bass Clarinet, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2. 3, F Horn 1. 2, F Horn 3. 4, Trombone 1. 2, Bass Trombone, Euphonium, Tuba, S. Grade 5. Score and parts. Duration 20. 00. Published by C. Alan Publications. CN.08400. Using the text of three life-affirming poems by Henry Wadsworth Longfellow, Lifesongs is cast in three section that coincide with three stages of life. The text and the music wavers through many emotions. radiant and upbeat, mournful and depressing, dark and militaristic, reflective and joyful. The final lines reflect the overall sentiment of the piece, "O Fear not in a world like this, and thou shalt know erelong, know how sublime a thing it is to suffer and be strong. The text for Lifesongs comes from three poems by Henry Wadsworth Longfellow, titled, "Sunrise on the Hills," "A Psalm of Life," and "The Light of Stars. " These three poems divide the work into three large sections, which are performed without a break. All three poems are life affirming and hence the title Lifesongs. I have renamed each section to coincide with three stages of life, "Song of Birth," "Song of Life," and "Song of Eternity. " "Song of Birth". "Sunrise on the Hills". musically depicts the most wonderful picture of one standing on the hilltop watching the sunrise. The choir, solists, and wind ensemble collaborate in painting this colorful picture. Though this picture is radiant and upbeat, there are changes of mood along the way, such as with lines like "hosts in battle overthrown," "I heard the distant waters dash," "the music of the village bell come sweetly to the echo-giving hills," and "the wild horn, whose voice the woodland fills, was ringing to the merry shout. " All of these words are scored appropriately to sway the listener back and forth between these moods. I personally believe that Longfellow was trying to say that all this beauty of the sunrise precipitates an array of emotions. But the pinnacle of the section is at the end where Longfellow suggests that it is easy for us to forget the "sorrows" of the world if we "go to the woods and hills," for "No tears dim the sweet look that Nature wears. " "Song of Life". "Psalm of Life". begins somewhat mournful and depressing with the line, "tell me not, in mournful numbers, life is but an empty dream. " The section is about the whole struggle of life and our purpose here on earth. Like the first movement, there is a tug-of-war between emotions. Consider, for example, the line, "Art is long, and Time is fleeting, and our hearts, though stout and brave still, like muffled drums, are beating funeral machines to the grave. " Sometimes the music becomes dark and militaristic to lines such as, "in the world's broad field of battle," and "trust no Future, howe'er pleasant. " But the lesson to be learned in this section comes later in the poem when Longfellow states, "Lives of great men all remind us we can make our lives sublime. " Here the music becomes more reflective and leads to pure joy when the choir sings the final four lines, "Let us, then, be up and doing, with a heart for any fate. still achieving, still pursuing, learn to labor and to wait. " In "Song of Eternity". "The Light of Stars". , Longfellow alludes to death, but, as with all of his poetry, there is a positive overtone. Like the second section, it begins darkly with an undertone of undulating clarinets in their low register. This backdrop of sound is appropriate for lines such as "the night is come, but not too soon," and "there is no light in earth or heaven but the cold light of stars. " But the darkness soon gives way to light and the D-minor tonality moves to C-major. The soprano and baritone begin by joyfully singing the line, "O star of strength. I see thee stand and smile upon my pain. " Then comes excitement in the music with a brass fanfare followed by the choir singing, "The star of the unconquered will, He rises in my breast. " Finally the soprano, baritone, and choir end the work by singing the final four lines, "O Fear not in a world like this, and thou shalt know erelong, know how sublime a thing it is to suffer and be strong. " These lines are as meaningful today as they were in Longfellow's time, and are a true lesson of life.

Prijevod

Lifesongs. s SATB zbora. Sastavljen David Gillingham. Za zbora s Koncertnom Band. Frula 1. Piccolo, frula 2, obou, fagot, Bb klarinet 1, Bb klarinet 2. 3, bas klarinet, Eb alt saksofon 1. 2, BB tenor saksofon, Eb Bariton saksofon, Bb Truba 1, Bb Truba 2. 3, F Horn 1. 2, F Horn 3. 4, Trombon 1. 2, bas trombon, Euphonium, Tuba, S. Grade 5. Rezultat i dijelovi. Trajanje 20. 00. Objavljeno C. Alan Publikacije. CN.08400. Koristeći tekst tri afirmira život pjesama Henry Wadsworth Longfellow, Lifesongs se baci u tri sekcije koje se podudaraju s tri faze života. Tekst i glazba koleba kroz mnoge emocije. blistava i optimizam, žalostan i depresivno, tamna i militaristički, reflektirajući i radostan. Konačni linije odražavaju ukupnu osjećaj komad, "O Ne boj se u svijetu kao što je ovaj, i znat ćeš uskoro, znate kako je uzvišeno ono što je trpjeti i biti jaka. Tekst za Lifesongs dolazi iz tri pjesme Henry Wadsworth Longfellow, pod nazivom, "Sunrise na brežuljcima", "psalam života" i "svjetlost zvijezda. "Ove tri pjesme podijeliti rad u tri velike cjeline, koje se izvode bez pauze. Sve tri pjesme su život potvrđuje i otuda i naslov Lifesongs. Ja sam preimenovao svaki dio se podudaraju s tri faze života, "Song rođenja", "Song of Life" i "Song of Eternity. "" Pjesma rođenja ". "Izlazak na brdima". glazbeno oslikava najljepše sliku jedne stoji na vrhu brijega promatrao izlazak sunca. Zbor, solists i vjetar ansambl surađivati ​​u slikarstvu ovu šarenu sliku. Iako je ova slika je blistava i optimizam, tu su promjene raspoloženja na putu, kao što je s linije poput "domaćina u borbi svrgnut," "Čuo sam udaljenu vodama crtica", "glazba naselja zvono doći slatko odjek -giving brda "i" divlje rog, čiji je glas šumsko ispunjava, zvonio u veselom zapovijed. "Sve ove riječi su je postigao odgovarajući na vlast slušatelja natrag i naprijed između tih raspoloženja. Ja osobno vjerujem da je Longfellow je htio reći da je sve to ljepota izlaska taloži niz emocija. No, vrhunac sekcije je na kraju gdje Longfellow sugerira da je lako za nas da zaboravimo "tugu" od svijeta, ako nam "idu u šumu i brda," za ", bez suza prigušuje slatko izgleda da je priroda nosi. "" Song of Life ". "Psalam života". počinje pomalo tužan i depresivan s linije ", reci mi, u žalosnoj brojeva, život je samo san prazna. "Poglavlje je o cijelom borbi života i naše svrhe ovdje na zemlji. Kao prvi pokret, postoji tegljača-of-rat između emocija. Razmislite, primjerice, linija, "Umjetnost je duga, a vrijeme je prolazna, a naša srca, ali krupna i hrabra i dalje, kao i prigušenih bubnjeva, tuku pogrebne strojeva u grob. "Ponekad glazba postaje tamna i militaristički na linijama, kao što su," u svijetu širokom području borbe "i" vjerovati ni budućnost, howe'er ugodno. "No, lekcija koju treba naučiti u ovom dijelu dolazi kasnije u pjesmi kada Longfellow navodi," Životi velikih ljudi sve nas podsjećaju možemo učiniti naš život uzvišeno. "Ovdje glazba postaje više reflektirajuća i dovodi do čiste radosti kada zbor pjeva posljednje četiri linije," Neka nam, dakle, biti i raditi, sa srcem za bilo sudbinu. još postizanje još uvijek provodi, naučiti rada i čekati. "U" Pjesmi nad vječnosti ". "Light of Stars". , Longfellow aludira na smrt, ali, kao i sa svim njegove poezije, postoji pozitivan dodatno značenje. Kao i drugi dio, ona počinje mračno s prizvuk od valovitih klarineta u njihovom niskom registru. Ova pozadina zvuka je prikladna za linije, kao što je "noć je došao, ali ne prerano," i "nema svjetla na zemlji ili nebu, ali hladna svjetlost zvijezda. "Ali tama ubrzo ustupa svjetla i D-molu tonalitet seli u C-major. Sopranistica i bariton početi radosno pjevanje crtu, "O zvijezda snage. Vidim tebe stojim i osmijeh na moje boli. "Tada dolazi uzbuđenja u glazbi s mjedenim fanfare nakon čega slijedi zborskog pjevanja," zvijezda neosvojeno volje, on se diže u moje grudi. "Konačno sopran, bariton, zbor i završiti posao pjevajući posljednje četiri linije," O Ne boj se u svijetu kao što je ovaj, i znat ćeš uskoro, znate kako je uzvišeno ono što je trpjeti i biti jaka. "Te linije su smisleni i danas kao što su bili u Longfellow je vrijeme, i istina lekciju života.