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Izvornik

The Gilded Theatre. Kenneth Hesketh.

Prijevod

Pozlaćeni kazalište. Kenneth Hesketh.

Izvornik

The Gilded Theatre composed by Kenneth Hesketh. Concert Band. For Wind Band. Score. Wind Band. Faber Edition. Faber Wind Band Series. 20th Century. Masterwork. Published by Faber Music. AP.12-0571569854. ISBN 0571569854. 20th Century. Masterwork. The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay. The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre. The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau. The moods conjured in the work are by turn dramatic, comedic, romantic and aggressive, all supporting the idea of the abstract play to which the above subtitles refer. Throughout the piece players are challenged both technically and emotionally, and it is they who are in fact the real protagonists in the work.

Prijevod

Pozlaćen Kazalište sastoji Kenneth Hesketh. Koncert Band. Za Wind Band. Postići. Vjetar Band. Faber Edition. Faber Vjetar Band serije. 20. stoljeće. Remekdjelo. Objavljeno Faber Music. AP.12-0571569854. ISBN 0571569854. 20. stoljeće. Remekdjelo. Pozlaćeni Kazalište je naručio National Youth Puhačkog orkestra Velike Britanije povodom njegove četrdesete obljetnice. Dali su prvi nastup na 10. kolovoza 2008 gospine Smith Square, London provodi James Gourlay. Pozlaćeni kazalište može, na neki način, može vidjeti kao nastavak dramatičnih oblika kao što je prikazano u prethodnom skladbe Hesketh, Djagiljeva plesova. Za razliku od plesa, no glazba u pozlaćenom kazališta zamišljen je kao jedan kontinuirani pedalj i proteže se od glazbe također su titlovani i odnose se na likovima ili scenarija miriši na commedia dell'arte ili 17. stoljeća francuskog kazališta. Titlovi su Rideau, The Idiots ili ljubavnici, borba počinje, Očaj, izgled, ludilo, smrt, Rideau. U raspoloženja zazvao u radu od strane su okrenuti dramatična, komična, romantična i agresivni, sav prateći ideju apstraktne predstave na kojima su navedene titlovi odnose. Kroz komad igrači su izazvali tehnički i emocionalno, a oni su ti koji su zapravo pravi protagonisti u radu.