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Izvornik
Hymn at Sunrise. Ray Steadman-Allen. Advanced.
Prijevod
Himna na sunca. Ray Allen Steadman-. Napredan.
Izvornik
Hymn at Sunrise composed by Ray Steadman-Allen. 1922-. For Brass Band. Major work for brass band. Serious Concert. Advanced. Full Score. Standard Notation. Duration 19. 30. Published by Winwood Music. WO.0196SC. With Standard Notation. Serious Concert. The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements. Thanksgiving. A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous. fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. De Profundis. A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. Invocation. Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. Paean. Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.
Prijevod
Himna na Sunrise se sastoji od Ray Allen Steadman-. 1922 -. Za limenu glazbu. Major raditi za limenu glazbu. Ozbiljne koncert. Napredan. Cijeli rezultat. Standardna notacija. Trajanje 19. 30. Objavio Winwood glazbe. WO.0196SC. S Standardna notacija. Ozbiljne koncert. Ideja za ovaj rad bio je potaknut pjesmi - Himna prije izlaska sunca - koji opisuje veličanstvenost planine u mraku, zvukove obližnjeg vodopada i tako dalje. Ništa došla iz izloženosti ovim slikama, osim opće misli o osvit dana i niza pokreta izražava osobni odgovor na čudu stvaranja u zamišljenom trenutku u vremenu. Naslovi pokreta, koji su dodani kasnije, imaju za cilj istaknuti prevladavajući osjećaj štovanja, divljenja i uzdignuće. Glazba je čista, ne pictoral, iako slušatelji mogu dočarati svoje slike. Stvarni himna - Tallis 'Cannon - ugrađen. Postoji pet pokreti. Zahvaljivanje. Kratki uvod u dva dijela. Prvi kratki prolaz 'zore glazbe "prije nego što stvari postanu intenzivniji. fanfare-poput glazbe uvodi u prezentaciji trombon Sekcija je u Tallis tune. Široki pojas verzija zaključuje kretanje. De Profundis. Sporo kretanje protkanu tjeskobnim raspra featuring flugel i trombon. Raspoloženje posvjetljuje malo u sredini gdje sopranistica Cornet je predstavljena i pokret završava mirno. Proslava je obilježena ritmičkim voziti, to je dinamičnim s puno incidenta istaknuo je za perkusije. Prizivanje. Melodic u prirodi i trijezan u raspoloženju, prvi dio je serija kratkih solo pomiješano s koral poput izjava. Središnje mjesto u pokretu je koral-preludij stilu predstavljanje Tallis tune. Treći dio reintroduces raniju solo glazbu punog ansambla. Otapanje, glazba ulazi u posljednju kretanje bez pauze. Hvalospjev. Obilježen Allegro con Spirito je, s pravom, pošteno količina zabave u radosti. Trenutci Tallis su čuli, a zatim dolazi blagi prijelaz s cornet solo vodi do fanfare glazbe i rekapitulacije. Dva su recitativi naslijedio kodom koji donosi rad na zvučan i likujući zaključka.
