Notna sveska $35.00

Izvornik

Dance Toccata. Frederick Speck. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 5.

Prijevod

Ples Toccata. Frederick Speck. B-Stan Truba note. Euphonium note. Horn note. Udaraljke note. Timpani note. Trombon note. Tuba note. Grade 5.

Izvornik

Dance Toccata composed by Frederick Speck. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1. 2, F Horn 3. 4, Trombone 1. 2, Trombone 3, Euphonium, Tuba, Timpani,. Grade 5. Score only. Duration 10. 10. Published by C. Alan Publications. CN.07941. Dance Toccata combines continuous rhythmic motion, varied textures and colors, and motives imbued with strong dance-like features in a work that is energetic and bold. Though the underlying current of pulsation is hardly ever interrupted, there are also layers of relaxed, undulating melodic materials suspended above the pulsation to create a contrasting lyricism in the work. Commissioned by, and dedicated to, Garwood Whaley and the Bishop Ireton Wind Ensemble, Dance Toccata combines continuous rhythmic motion, varied textures and colors, and motives imbued with strong dance-like features in a work that is energetic and bold. Though the underlying current of pulsation is hardly ever interrupted, there are also layers of relaxed, undulating melodic materials suspended above the pulsation to create a contrasting lyricism in the work. The first example of such lyricism is heard in a series of canonic entries featuring solo statements by the oboe, clarinet and alto saxophones. The structure of the work resembles a broad arch with a coda. Just past the midpoint of the work, the lyrical statement returns in the woodwind and brass instruments, providing a brief sense of relaxation, as if the music is winding down from the rhythmic persistence with which it so strongly identifies. Throughout the course of the work, there is a dialogue and an intentional ambiguity between major and minor sonorities, which ultimately becomes more strongly major near the conclusion. As the music presses forward into the coda, layers that remind the listener of all the prominent materials of the work are present. Past this point, the music becomes increasingly extroverted, spirited and joyful as it surges toward release. - Frederick Speck.

Prijevod

Ples toccata sastoji Frederick Speck. Raspored po Geoffrey Brand. Za koncertni bend. Piccolo, frula 1. 2, obou 1. 2, fagot 1. 2, Klarinet 1, 2, 3, bb bas klarinet, kontrabas Eb klarinet, alt saksofon 1. 2, tenor saksofon, bariton saksofon, Bb Truba 1, 2, 3, F Horn 1. 2, F Horn 3. 4, Trombon 1. 2, Trombon 3, Euphonium, Tuba, timpana. Grade 5. Postići samo. Trajanje 10. 10. Objavljeno C. Alan Publikacije. CN.07941. Ples Toccata kombinira kontinuirano ritmičko gibanje, različite teksture i boje i motive prožeta snažnim plesnim poput mogućnosti u poslu koji je energičan i hrabar. Iako temeljna struja pulsiranje se gotovo nikada ne prekida, postoje i slojevi opušteno, valovitih melodijskim materijala suspendiranih iznad pulsiranja za stvaranje kontrastne lirika u radu. Naručio, a posvećen je, Garwood Whaley i biskup Ireton Puhačkog orkestra, Dance Toccata kombinira kontinuirano ritmičko gibanje, različite teksture i boje i motive prožeta snažnim plesnim poput mogućnosti u poslu koji je energičan i hrabar. Iako temeljna struja pulsiranje se gotovo nikada ne prekida, postoje i slojevi opušteno, valovitih melodijskim materijala suspendiranih iznad pulsiranja za stvaranje kontrastne lirika u radu. Prvi primjer takve lirike čuje u nizu kanonskih zapisa sadrži solo izjave od strane obou, klarinet i alt saksofona. Struktura rada podsjeća široki luk s kodom. Odmah iza srednjem od posla, lirsko izjava se vraća u puhačke i limena glazbala, pružajući kratak osjećaj opuštenosti, kao da je glazba je navijanje dolje iz ritmičke upornosti s kojom se tako snažno identificira. Kroz tijek rada, postoji dijalog i namjerno dvosmislenosti između glavnih i sporednih sonornosti, što u konačnici postaje snažnije od glavnih blizu zaključenja. Kao glazbeni pritišće prema naprijed u kodu, slojevi koji podsjećaju slušatelja svih istaknutih materijala u radu su prisutni. Prošlost ovom trenutku, glazba postaje sve više ekstrovertirani, duhovit i radostan što je ona nadire prema izdanju. - Frederick Speck.